Yeah, I cried at the story of The Dog, the Cat, and the Giant Squid.

Quick, someone, get the movie rights!

Will Smith’s last movie, I Am Legend, was apocalyptically bad — in particular, the ending was awful. Now Phil has the alternate ending that was filmed but not used — I agree with him that it’s not perfect, but it is immensely better, and is also a little closer to the spirit of the book.

I’m pretty darn sure after seeing the trailer that I want to see this movie, but there’s one little fillip, one name that gets briefly dropped, that really makes me wonder what’s going to happen. It isn’t explained in the clip, unfortunately, it’s just there, so I’ll have to cough up $5 to find out.

Does anybody care about them anymore? I didn’t watch it at all, and I also missed most of the nominated movies this year. We had the winner, No Country for Old Men, playing in town a few weeks ago, unfortunately coinciding with an exceptionally heavy work week for me, and I couldn’t find time to see. There Will Be Blood is playing at the Morris Theatre this week, and I may have to squeeze in a few hours to check it out…but not because Day-Lewis won an award.

Isn’t that what it’s about, anyway? If we’re going to take off 3 hours or more for some entertainment, it makes more sense to go see the movie than to watch a tedious show about the movies.

This is my favorite Roy Zimmerman song (so far). It just portrays perfectly the contradictory, weird mess of a country we live in.

While it had its moments, and was based on a provocative and interesting series, I wasn’t that impressed with The Golden Compass movie adaptation. Still, I’m disappointed that the decision has been made that the subsequent books will not be filmed. It apparently did very poor box office in the US, so it isn’t a surprise, I suppose.

I have to compare it to the Narnia movie, though. The Lion, the Witch, and the Wardrobe was a great gilded turd, an awful piece of poor storytelling and suspension-of-disbelief shattering illogic, with nice cgi. The Golden Compass had a story that was given short shrift in the movie, was kind of a mangled mess, but was better than C.S. Lewis’s fairy tale for the inane; it also had better and more imaginative graphics. Which one of those series is going to be inflicted on us many times over, though? The one with the comfortable Christian themes, of course. It had a guaranteed undiscerning and credulous audience.

Sad news…Vampira has died. She was very young for a vampire, only 86, and there’s no word on whether it was a stake or sunlight that ended her long career as one of the rare Finnish vampires (real name: Maila Syrjäniemi). You may recall her from her important role in Plan 9 from Outer Space.

It’s the last sad whimper to the lingering death of an old tradition. When I was a young’un, there were horror hosts everywhere—you knew that if you turned on the TV anywhere at about 11 on a Friday or Saturday night, there’d be somebody in a Halloween costume introducing some old black-and-white horror movie. It was campy, it was predictable, the movies tended to be awful (although when one of the old Universal classics with Karloff or Chaney, or anything with Vincent Price, was scheduled, I made a special effort to watch it), and it was always fun. Rmember those cheap Japanese monster movies? Roger Corman’s low-budget rip-offs of Edgar Allen Poe titles, with content completely divorced from anything Poe ever wrote? That phenomenal wave of British horror coming out of Hammer Studios? Them, The Incredible Shrinking Man, The Amazing Colossal Man, The Blob—all that 50s paranoia about nuclear bombs?

Many of us godless people still identify as cultural Christians because that was the background of our upbringing, but I think my late night inoculations with classic horror and sci-fi movies had a deeper, more long-lasting influence on my life than those boring, unentertaining, unengaging Sunday mornings spent in church pews. I am a cultural Frankenstein, Jekyll, Moreau, Morbius, Pretorius, Phibes, and even Vampira — and they were all the more important as shapers of my perspective because there was no pretense that they were real, and because their portrayals were open to criticism and mockery.