I am a terrible person, but in my defense, this has been a rough and stressful academic year, and I haven’t been keeping up. That’ll change this summer, though, so give me a chance. I’m putting all of these on my Amazon wishlist.
-
Best Novel: All the Birds in the Sky, by Charlie Jane Anders. I’ve heard many raves about this one.
-
Best Novella: Every Heart a Doorway by Seanan McGuire. Just bought it. Figured this ought to be high on my list, since McGuire will be at Convergence in July, and there’s a tiny chance I might have to stammer out a few words in a conversation with her. Also, I’ve read most everything she’s written, so why stop now?
-
Best Novelette: The Long Fall Up, by William Ledbetter. Who? I don’t know this person at all, so I guess I get to discover a new author. And hey, that issue of F&SF is free on Kindle Unlimited!
-
Best Short Story: “Seasons of Glass and Iron” in , The Starlit Wood: New Fairy Tales, by Amal El-Mohtar. Oh, I did meet her, very briefly, at NerdCon. She was nice, and her stories are lovely. I’ll have to read this one, too.
-
The Bradbury award went to Arrival. I’ve seen that!
-
The Norton Award for Young Adult fiction went toArabella of Mars by David Levine, another one I don’t know…but YA stuff is remarkably fresh and good and often more challenging than the “adult” stuff. What’s categorized as adult is too often the conventional crap with military hardware and sexy times and surprisingly frequent violence.
So that’s my next week of light reading sorted.
One question: why novel, novella, and novelette? Isn’t it rather arbitrary to set up categories defined by the length of the work? We don’t have categories for Best Picture Over 3 Hours Long vs. Best Picture Less Than 2 Hours Long, or Best Actor Over or Under 6 Feet Tall. Is this a vestige of a genre that was accustomed to its authors getting paid by word count?







