I get no respect

Here’s the difference between me and Michael Bérubé: he gets labeled a dangerous radical and profiled in David Horowitz’s new book, while all I get is a
mild squeak in our weekly campus newspaper and our local conservative rag.

While perusing the UMM main page, I happened upon the website http://scienceblogs.com/pharyngula which belongs to UMM’s own Professor of Biology Dr. Meyers. Upon closer inspection I found content relating to my religious beliefs that offended me beyond belief. Not only was this speech sacrilegious and offensive, but it was readily available to anyone who happens across the UMM main page. The portion of content which I found most offensive was written under the label “humor,” and his blog is in fact up for an online award. Yet despite my outrage I must defend Dr. Meyers. He has the right to state his opinions and it is not my place to try to stop him. I may suggest the administration take the link off the campus website, but that has more to do with the fact that the website speaks for the University as a whole.

He is a bit of a junior Horowitz—I kind of like how he’s bending over backwards to insist I have a right to free speech while calling for the university to censor me—but you know, he put this up almost two weeks ago and the only reason I noticed at all is that my wife ran across it. It’s just sad. I mean, if what I wrote was really sacrilegious and outrageous and offensive beyond belief, couldn’t they get a condemnatory petition going, or a protest march, or even get one of Horowitz’s junior sub-alterns to come out and give a talk in which he complains about not being allowed to give a talk, while my kidneys threaten Western Civilization?

Man, I’d even be satisfied if they just spelled my name right.

It’s not just the genes, it’s the links between them

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Once upon a time, I was one of those nerds who hung around Radio Shack and played about with LEDs and resistors and capacitors; I know how to solder and I took my first old 8-bit computer apart and put it back together again with “improvements.” In grad school I was in a neuroscience department, so I know about electrodes and ground wires and FETs and amplifiers and stimulators. Here’s something else I know: those generic components in this picture don’t do much on their own. You can work out the electrical properties of each piece, but a radio or computer or stereo is much, much more than a catalog of components or a parts list.

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Electronics geeks know the really fun stuff starts to happen when you assemble those components into circuits. That’s where the significant work lies and where the actual function of the device is generated—take apart your computer, your PDA, your cell phone, your digital camera and you’ll see similar elements everywhere, and the same familiar components you can find in your Mouser catalog. As miniaturization progresses, of course, more and more of that functionality is hidden away in tiny integrated circuits…but peel away the black plastic of those chips, and you again find resistors and transistors and capacitors all strung together in specific arrangements to generate specific functions.

We’re discovering the same thing about genomes.

The various genome projects have basically produced for us a complete parts list—a catalog of bits in our toolbox. That list is incredibly useful, of course, and represents an essential starting point, but how a genome produces an organism is actually a product of the interactions between genes and gene products and the cytoplasm and environment, and what we need next is an understanding of the circuitry: how Gene X expression is connected to Gene Y expression and what the two together do to Gene Z. Some scientists are suggesting that an understanding of the circuitry of the genome is going to explain some significant evolutionary phenomena, such as the Cambrian explosion and the conservation of core genetic processes.

[Read more…]

Underworld: Evolution

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Dr Beckinsale visits the Discovery Institute

I saw the movie Underworld: Evolution last night. Stop looking at me like that—it was research. It has the word “evolution” in the title, doesn’t it? Besides, I have this idea to improve the promotion of science by having all of our spokespeople be dangerously nubile armed women with good cheekbones, full lips, and very sharp teeth. I figure the two things we’ve been lacking in our presentations to the public are lust and fear, and if we can just bring those into play, we’ll have an unbeatable combination.

As I learned at this movie, too, if you’ve got gorgeous women and slimy, ravening beasts confronting each other with big guns, nothing in the story has to make any sense at all. There was no plot: instead, there are a series of set-pieces strung together in which Our Heroine is placed in someplace dark, wet, and seedy with a supply of weapons and hapless allies/fang fodder to confront a suitably snouty or batty SFX playtoy. They aren’t even consistent in how these conflicts are resolved. Big bad immortal vampires get shot multiple times at point blank range with a shotgun, and shake it off with a snarl; but when Sir Derek Jacobi, following in the fine British tradition of slumming in some well-paying American trash, finds the movie so embarrassingly bad that he has to get out, the movie makers decide that the way to have his immortal character die is to poke him with something pointy, followed by a languorous death scene in which Jacobi completely turns off his ability to act. It was impressively flat, a cinematic vampire death scene that ranks right up there with Pee Wee Herman’s in Buffy the Vampire Slayer, yet utterly different.

Somehow this murky, muddled mess of a movie got made, and got people (like, say, me!) to attend. There’s a lesson here.

I’m going to have to get a skin-tight vinyl body suit for my next presentation.

I’ll let you guess whether I’m trying to inspire lust or fear.

How do we win these battles?

I’m going to back up John Lynch on this one. The Flock of Dodos guy, Randy Olson, has a list of “TEN THINGS EVOLUTIONISTS CAN DO TO IMPROVE COMMUNICATION”, and I have to say I’m not excited about them. While they’re well-intentioned and would be good things to do, it’s too glib and unrealistic. I’ve got a couple of comments over there, but I’ll just repeat one here to summarize my complaint.

I think another twist on this is to point out that maybe one reason you found it so easy to list problems is that you’ve picked the obvious, including some problems that we’re already well aware of. It’s like having a general inspect the army and create lists of shortcomings—they’re too few in number, they don’t have enough ammo, the new recruits are poorly trained—and just declaring “fix those, and we’ll win.” Well, yeah. Finding weaknesses is easy. Declaring that the way to achieve victory is to be flawless in all matters is obvious.

What is more useful and far more difficult is to rattle off a list of strengths (I suspect science might have a few) and explain how those might be exploited in spite of deficiencies elsewhere to achieve that victory.

That’s what we’re looking for now. Telling scientists that they have to be witty and humorous and media-savvy and rich and less intellectual is nice (maybe we should also all have ponies, too, and hey, Very Large Breasts are always a plus), but it doesn’t help. What we need are accurate assessments of what we do have, and what we can capitalize on.

Maybe it’s my own high dork factor talking, but I’m not too receptive to people telling me I need movie star qualities to be able to support science, or that we have to pander to superficial sensibilities to communicate a message. Our strengths are depth, intelligence, evidence, history, the whole damn natural world, and just plain having the best and most powerful explanation for its existence. Don’t tell us to dumb it down and glitz it up—I think people should be smart enough to understand it, and there’s grandeur enough in it that dressing it up in rhinestones is just silly. We need to know how to communicate real science, not Hollywood cartoon science, to people.

Not the Social Affairs Unit, again…

I must immediately urge the Social Affairs Unit to consider confining their essays to social matters, or affairs, or units, because dang, when they start chattering about science, it’s like watching monkeys do philosopy—they really aren’t suited to it, and it all boils down to a comic-opera poop-frolic no matter what.

The latest effort is by one Myles Harris…the same Myles Harris who invented bogus criticisms of evolution a while back. Now he’s written a little misbegotten parable about a medieval kingdom where a strange artifact is dug up: a “box made of an unknown, shiny metal” with “an arrangement of what look like keys,” and inside, “a network of tiny green boards covered in gold, copper and silver wires.” He’s trying too hard to be clever; just say a laptop computer and be done with it. After all, he’s willing to plainly call the truth-quashing villains of his story “evolutionists”—this is a primitive kingdom with a ‘priesthood’ of evolutionists, apparently.

The box, evolutionists say, is obviously a product of chance. The common people should not, just because it is so complex, be misled into thinking it is anything else than a sophisticated natural object. If they do they will be falling for the “watch heresy”. Many years ago a noted theologian suggested that if you came across a pocket watch in a forest you would be correct in thinking it was designed by an intelligent hand. This was proved to be quite wrong because many natural objects are far more complicated than a pocket watch, and they arose by chance. Because this object was a million times more complicated did not mean it was designed. Evolution was perfectly capable of creating objects even more complicated than the metal box.

It’s embarrassingly bad, full of obvious logical flaws. If a machine-like artifact, even one whose principles of operation were sophisticated beyond our comprehension, were dug up, “evolutionists” wouldn’t be arguing that the rules of the biological world applied to it unless it exhibited properties resembling those of life. Harris is reduced to inventing characters with views stupid enough that he is capable of coping with them (which means they have to be awfully dim), such as this idea that evolution is about complicated things arising by chance.

Harris himself sent me the link to it. I guess he likes attention, even if it is of the sort we give to circus monkeys. Weird little people over there at SAU…