
Samuel Merrill. The Moose Book; Facts and Stories from Northern Forests. New York, E.P. Dutton & Company, 1916.
via: The Internet Archive

Samuel Merrill. The Moose Book; Facts and Stories from Northern Forests. New York, E.P. Dutton & Company, 1916.
via: The Internet Archive
via: The Internet Archive
A couple of high fliers on the hunt, from Avalus.
…2 different birds of prey, not easy to capture with them on the move.
There are many birds of prey hunting on the fields between my home and University but they are hard to capture in flight.
via: The Internet Archive
Last week I posted a story from kestrel about her rescue of a hummingbird. A few days later, this video crossed my desk, and it explains why the bird was likely so calm – torpor, which is a bit like going into a coma when you sleep. The video also covers a lot of general information about hummingbirds, focusing on their perfectly adapted and unique tongues. This channel is a bit irreverent, but their videos are humorous, engaging and well researched.
Yes. Yes, it is. Abso-fucking-lutely and indisputably.
Open thread, talk whatever you want, just don’t be a sphincter.
via: The Internet Archive
via: The Internet Archive
After lots of frustration and some success, the right blanks finally arrived. That vendor will sure see some more business from me. So, while still not being able to use my lathe, I started to work on my first resin and opal inlay ring. What can I say, after all the building up to this moment, the process was so damn quick and easy that it was almost and anticlimactic letdown. Don’t get me wrong, I absolutely love, love, love the result and will sure make more of them, but it somehow feels a bit like cheating, like ordering one of those teddy bear kits where you just stuff the already sewed animal and then close the opening.
I was actually pretty anxious about this beforehand as the materials don’t come exactly cheap. While you don’t need much opal for a ring (I suspect I used about 0.3 grams for the ring), a gram is 10-15 bucks plus shipping and it looks like nobody in Germany has yet thought of selling it so I had to order from the UK and the US*. I’m thankfully not anywhere near poor, but the thought of possibly having a starting cost of 100 bucks without any results was not appealing.
Anyway, here’s some pics from the making of and the final result.
When watching videos on youtube, the people making these rings usually use either UV resin or CA glue, so naturally I decided to do both. I was worried that the opal would vanish under the midnight blue resin, so I first put on a thin layer of coloured resin and then tried to glue on the opal splinters. Only that apparently the resin prevents the CA from curing. Don’t ask me. It stayed completely fluid even after about an hour while on the ring, but occasionally it would drip down, taking my carefully set opal splinters with it and then instantly harden on my workbench. In the end I just slathered everything with a generous serving of UV resin. Because the pigment is quite dark, curing it took some time. Another bonus of finally having a workbench in the cellar is that I could just go and fold the laundry while turning the ring and restating the UV lamp every other minute. After that I put the mandrel into the drill and started to sand down the excess.
Yes, you can see me “how to attach the mandrel to the drill” contraption here, which would make my miner grandfather proud and give my machinist dad hives.
At 100 grit that is maybe 10 minutes of time, with breaks to let the abrasive paper cool down. At this point I filled in all gaps in the resin, cured it again and then sanded some more until moving to the polishing going 240/400/600/800/1200/1500/2000/2500/3000, which would be pure horror by hand. Here it’s just “hold the wet paper to the ring and make sure you don’t burn your hand. For the final polish I usually use a “scratch ex” kit for cars. Dunno if they are available where you are, here Aldi usually has them twice a year or so. They contain a mildly abrasive paste meant to smooth out small scratches from your car paint and polishing paste and they work a treat**.
Now I hope I built up some tension for the end result. Sadly no sunshine, but with a heat wave and a drought I’m really happy about the rain this morning.
Yes, that ring goes on my “stinky finger”.
I photographed a bad position on the ring, but I only saw that afterwards.
Today I was assisted by a friendly gecko.
*Apparently by now international mail from the USA is faster than national mail within the USA.
**Do you also have those expressions that you find yourself using in excess for a while? Seems like “works a treat” is currently my favourite expression…
After Tuesday’s assorted failures I went back to working on a ring yesterday as I had originally cut two pieces out of the resin block. This time I mounted it so firmly on the mandrel that in the end it started to tear, but nothing got lost and I managed to finish a ring. As Marcus mentioned, polishing things on a lathe (or a mandrel fitted to a power drill) works a treat, so the outside shone in no time, but the inside was still all matte.
Now, if I had a chuck I could carefully put the ring into it and polish it on the lathe, but since I don’t I used the cheap and dirty method of just coating it with more resin. This also sealed the tiny crack in the side, and while I will probably look down on this in a couple of months, I don’t think it’s too bad for a first attempt. It’s still quite big and I’ll definitely aim for smaller, but until that, this’ll do.
You can see the crack here. But you can also see the amazing swirls from the metallic pigment.
The blank was originally a three pouring blank: first I poured the blank into my “burl slice mould”, then I put that into a square mould and added some light blue resin, but it wasn’t enough, so I left it until at another time I had some light pink resin left. Worked a treat, don’t you think?
