… winter, by Paul Gustav Fischer
Welcome to the last day of our Winterfest Photofest. I know you’ll enjoy this last set of pictures that all have a quiet, contemplative quality.
First, more delicious photos by Dan Cates, who was introduced to us yesterday. I think Dan’s photos have a lovely, tranquil feel to them, and this grouping is no exception.
Next, two evocative and moody photos from the camera of Marcus Ranum (Stderr)
Finally, a serene and perfectly titled photo from JacqueG.
I’d like to thank everyone who submitted photos and made Winterfest such a success. I’d also like to thank everyone who made donations to our Winterfest fundraising campaign. If you haven’t done that yet and would like to contribute, you can do so here.
I’d also like to remind everyone that Affinity loves getting photo submissions any time of the year, so if you have any photos you’d like to share, please feel free to send them in. Our address is always in the left sidebar, underneath the colourful percolating head.
I did not know that there was an Online Olympiad for People with Disabilities, but I think it is a good idea.
The chess community has a long and unpleasant history of sexism and elitism, so it is good to see that the problems are being recognized by the current top chess brass and some progress towards the sport being more inclusive is being made.
I have learned to play chess at the age of five before I learned to read. I have always thought that I am no good at it because I was mostly playing with my father and my brother, neither of whom I could defeat with any reasonable frequency. I still could not beat my brother well into my thirties. That did discourage me a lot, especially since my brother – who was a competitive player, albeit not a top one – remarked often “OOH, you are starting with Italian today”. This always irritated me because I was never able to remember the names of beginnings, except those where the name was logically bound to the position on the board (like King’s Gambit, Four Knights). My memory does not work that way, rote memorization was always nigh impossible for me.
Anyhoo, in the spring of this year, I have created an account on www.chess.com and I started to play regularly. And since online gaming does match people with opponents of approximately the same strength, I am not losing all the time. And I have found out two things. First – I am definitively not at a competitive level, no surprise there. Second – I have Dunning-Kruegered myself, I am not as bad as I thought – I am in the top quintile, so I could probably win four out of five matches with random casual players.
If anyone is interested in chess and would like to play, let me know.
Open thread, talk whatever you want, but assholery is not allowed.
This is my first attempt at making a video, and it shows. The Pace is slow, it’s a bit rough in places and there’s some wind noise in the background that I couldn’t get rid of. It’s been a pretty steep learning curve for me, and I’ve barely scratched the surface. I had planned to add a bit of music, but I couldn’t find anything that I liked better than the sound of rustling leaves, so the soundtrack is just us walking with a bit of commentary from me. I had also hoped to end the video with Jack and I singing, but Jack’s been under the weather and hasn’t been in the mood to make music. He is slowly improving, though, so perhaps next month we’ll make another short movie full of raucous, rollicking fun.
I hope you can get a sense of how much both Jack and I enjoy walking in the woods.
Welcome! Today we have 2 submissions that are all about looking at things close up, including a few birds and a wannabe bird at the end who will make you smile. Let’s go take a look.
First, a well-captured, tall bird with beautiful amber eyes from Pieter L. Harreman. It reminds me of the heron who lives in or park, but the white hghlights of this bird make him look more dapper and elegant.
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Next, a set of photos full of pattern and texture from the camera of Dan Cates. (you’ll be seeing more of Dan’s photos tomorrow on our Winterfest wrap-up)
Thanks to you both for taking the time to send these photos in. They all make wonderful additions to our Winterfest collection.
… history, by Benjamin West.
Today’s painting is interactive thanks to Jason Farago of the New York Times and his piece titled “The Myth of North America in one painting.” It’s a fascinating look at the history behind West’s 1770 painting The Death of General Wolfe, and why certain design choices were made. The battle the painting depicts on The Plains of Abraham is highly significant to Canada’s founding and is taught as part of our school curriculum. There were also implications for America’s founding, though, and I’m curious about how, or if, this battle is taught to American children.
Here is the link to the interactive painting at NYT, and below is the static image of the painting itself.

The Death of General Wolfe, 1770, Benjamin West. Static image from Wikipedia.
Welcome back. The first set of photos today is wildly creative and comes from the mind and camera of Avalus. I’ll let him explain,
I don’t have a Christmas tree at home, but in the lab, a reaction I did today provided a splendid alternative. Here are some glittery fotos. Below them, I will go a bit into the details of what you see there.
These shiny metal balls are beads of molten potassium sitting on top and inside of a potassium alcoholate/alcohol compound (the white crystalline, snowlike stuff) that slowly dissolves into the boiling hexane.
What happens here is that the potassium replaces the hydrogen of the OH group of the alcohol, forming a potassium-alcoholate and gaseous hydrogen, so the metal will slowly disappear over the next few days. In the end, the resulting potassium alcoholate will be liquid at room temperature, which is pretty cool, because most alcoholates are solids with high melting points.
This stuff will be used in my PhD research of weird alkalimetal organic complexes.
An accidental self-portrait on a liquid metal surface, warped by passing of hexane, running down the walls of the vessel.
Have a good (and maybe science-y) holiday season, everybody!
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The next set of photos today are all about texture and pattern, and they come from the camera of our own Charly.
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Lastly is a compelling group of landscape photos sent in by Peter Lindsay. Peter lives in southwestern Manitoba (Canada) and tells us that the landscape there is quite unique. Peter does photography in every season but notes that winter is a favourite time of year. They also tell us that they’re fond of loan trees, which I’m sure you’ll note in these stunning pictures. Peter has sent us a link to their pubic Flickr site, which I encourage you to check out. The collection is brimming with delicious landscapes from around the world that are well worth seeing.
Thanks to all three of you for sending in these photos.
One of the more unusual animals at our zoo: a fossa. It#s the largest predator in Madagascar (and not nicely portrayed in the movie).
I think they’re trying to get him a partner as part of the ex situ conservation program.
… fairy tales, by William Symonds (English artist, 1851-1934)

The Princess and the Frog, 1894, William Symonds. Image from Bradford Museums and Galleries via Art U.K.
Today’s photographs all speak to the blanketing beauty of fresh snow.
First, we have a tranquil snow scene sent in by Kelvin L. Woelk.
Next, some a few shots of this year’s first snowfall from our very own Charly.
Finally, some quiet landscape shots full of pattern, taken in central or west-central Minnesota by Mark Hesse.
“The one titled Hoarfrost was taken in Morris, MN, home of FTB’s own PZ Myers.”
Thanks for taking the time to send in your photos.
As you probably all have heard by now, Elliot Page has announced his coming out as a trans guy. While this has been greeted with joy by a lot of people, there’s of course also a particular group of people who is absolutely outraged at the thought of a young-ish* person afab deciding about their own life, body and future. Now, actually it’s two, but the one I’m talking about is nominally feminist transphobes. Page has long been an icon of the queer community, lending voice and fame to its struggles, but since they don#t consider trans people to be part of the community, this is now a massive betrayal of a community transphobes don’t want to be part of anyway.
This is what a well known transphobic lesbian, Claire Huchan (does it surprise you that she is British and a Swerf?) had to say (CN deadnaming):
If coming out as transgender brings the actor formerly known as Ellen Page any measure of peace, then I am glad for them. But my heart also breaks as the lesbian community grows smaller. Again. And loses a role model. Again.
— Sister Outrider (@ClaireShrugged) December 1, 2020
I find it depressing how many young lesbians now feel that, because they do not perform or feel invested in conventional femininity, they can no longer be women. And so they shift from identifying as lesbian women to straight men. Compulsory heterosexuality all over again. If coming out as transgender brings the actor formerly known as E… Page any measure of peace, then I am glad for them. But my heart also breaks as the lesbian community grows smaller. Again. And loses a role model. Again.
So. Much. To. Unpack. Here.
First it’s the presumption that being trans or not is about gender roles, expression and gender performance, not about gender itself. Which is rich coming from people who fiercely police people’s gender roles and expressions, who are ok with threatening and excluding cis butch women because they don’t look feminine enough, and who also criticise trans women for being “too feminine”. Pro tip: it’s not trans folks and their allies who are policing people’s bodies. We don’t go on and on about jaw lines or hip width or facial hair. We aren’t trying to find the exact amount of make up a woman is allowed to use before she becomes “a tool of the patriarchy” or are claiming that a trans woman or drag queen putting on make up is akin to “blackface”.
Next comes an idea that is big with transphobes: Trans men are really silly little women who don’t know their own head. You’re not getting more misogynist than that, but here we are. The claim at the centre is that trans men cannot be trusted to know who they are. Now, they don’t believe that trans women are who they say they are, but the reasoning is usually different: trans women are really men, and men are inherently predatory, so a trans woman is really just a predatory heterosexual man who wants access to cis women (straight trans women exist, but transphobes will tell you that they’re probably just making their heterosexuality up). With trans men it’s different. Since they’ve been placed in the inherently harmless and fragile class by transphobes, the predator argument makes no sense. Instead, they are poor victims of the patriarchy. They cannot be trusted to know who they really are. Instead they’re confusing “not being into make up” with being a guy, because that’s definitely something that happens. Especially with a world famous actor. Married to a gorgeous wife. Yes, that’s absolutely the person who knows nothing about the difference between putting on some clothing and make up and being somebody. And that’s just the first tweet.
The second tweet takes it all into creep territory. Because now they actually mourn for Elliot Page, claiming that the lesbian community lost him (funny how a trans man who fancies women is hetero (correct), yet a trans woman who fancies women is somehow also hetero?). As if Elliot Page wasn’t a person with his own life, feelings, and desires, and not some asset to the lesbian community, a canvas ion whom they could project their ideas and desires. Her heart breaks over Elliot Page finding happiness? Lady, that’s creepy as fuck. That’s obsessive. That’s acting like this person owes you something, like he has to live his life according to your rules. And also, what’s up with the role model shit? Can a trans man no longer be a role model? And while representation is important, can you only have role models that match your own identity 100%? Because I guess I’m seriously out of luck here and have to be my own role model.
And last but not least, it’s the blank dishonesty in mealy mouthed support for Elliot Page and his happiness. If you were glad for him, you wouldn’t do the thing that you exactly know is causing him and other trans people harm, and that is deadnaming him. The longer this goes, the less differences there are between Christian Conservatives and self proclaimed “radical” feminists. They both treat people afab as their personal belongings, their bodies as a thing they need control because the owners of said bodies obviously don’t know what’s good for them.
*I mean, he’s 33, but according to transphobes, people afab only become adults once they agree with transphobes.
