When the Guinness Book of Records initially came out, it consisted of information that could settle the kinds of debates that one has with friends about some bit of trivia, like how old was the oldest person who ever lived. But then people started doing feats of endurance (like “How long can you dance?”) or pointless (like “How many people can be on a single bicycle?) just to get themselves mentioned in the Guinness book. I shudder to think how much energy and time people have spent over the years just in the effort to get the moment of fleeting fame of getting mentioned in the book.

But with the internet, this has been cranked up to 11, because now you don’t have to go through the tedium of getting approved judges and the like to ratify your claim. Now you can simply do something bizarre, post it on social media, and hope to become a viral sensation. This has taken off with so-called ‘challenges’ where people duplicate the same stunt. We saw before the ice-bucket challenge (where people filmed themselves having a bucket of ice water poured on their heads) and now we have the milk crate challenge. But this one carries risks that doctors are warning about.
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Wassily Kandinsky (1866-1944) is considered a pioneer in abstract art. In an example of art-within-art, director Nastia Korkia chose to display his 1932 work Dramatic and Mild in what was once the dingy break room of a Moscow power station and film the reactions of the viewers where only one or two people could see it at a time after standing in line for a long time.

This article describes the background to this unusual exhibit.

Whether it’s the Mona Lisa being crowded by selfie-happy tourists at the Louvre, or perhaps, more recently, a digital, from-your-desk tour of the Metropolitan Museum of Art, setting is an inescapable vital part of how we respond to an artwork. Capturing a scene in which three disparate elements – the Wassily Kandinsky oil painting Dramatic and Mild (1932), a small room, and an exceptionally fit security guard – come together in the context of a unique exhibition, this short from the Russian director Nastia Korkia invites viewers to contemplate the central role of place in the experience of art.

On its surface, Korkia’s film – eponymously named for the Kandinsky painting at its centre – is an unfussy exercise. It chronicles a small slice of the 2017 ‘Geometry of Now’ arts festival, which was held inside the decommissioned power station-turned-art-complex GES-2 in Moscow. With a fly-on-the-wall observation style, the short unfolds almost exclusively within what was once (and still very much looks like) a small workers’ lounge, where Kandinsky’s painting is on temporary display. However, that painting doesn’t make a cameo until the very end, as Korkia’s focus is on the people and small interactions that percolate in the space.

This article describes how people in some communities are becoming violent in their opposition to schools requiring masks for students and school personnel. What struck me though was the photograph accompanying the article. Notice how the middle school student is stooped over as he walks.

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When you hear the sound of an ambulance, you are expected to make room for it to pass. There are plenty of video compilations on the web about how drivers in different countries react to the sound of an ambulance and in some cases, drivers seem to ignore the siren. Most of us try to make way as quickly and as safely as possible, but may not pay as much attention as to whether what we are doing is strictly legal since we may think that yielding immediate right of way to the ambulance takes priority over minor traffic rules, and that we would not be penalized.

But in the UK at least, you can be fined for making way for emergency vehicles if you break a rule. The link gives you the things that you should not do, such as:
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My family knows that they should never buy me any gifts for my birthday, Father’s day, Christmas, or any other occasion. The reasons are simple. Some gift giving traditions are purely driven by commercial considerations to benefit businesses and I do not want to be part of this mindless consumption. I also do not see the point of giving gifts to adults who can well afford to buy anything they need or want for themselves. I also know that it is very hard to buy a gift for me because the things that I might like are very unlikely to be guessed by even those close to me because my wants are few and highly specialized. I hate getting clothes and books because I know that there is a 99% chance that I will not wear those clothes or read those books.
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It is good to note those moments during the Olympics when sportsmanship won out over the intense drive drive to win.

Days later, at the Olympic Stadium, Gianmarco Tamberi of Italy and Mutaz Barshim of Qatar found themselves in a situation they’d talked about but never experienced — they were tied.

Both high jumpers were perfect until the bar was set to the Olympic-record height of 2.39 meters (7 feet, 10 inches). Each missed three times.

They could have gone to a jump-off, but instead decided to share the gold.

“I know for a fact that for the performance I did, I deserve that gold. He did the same thing, so I know he deserved that gold,” Barshim said. “This is beyond sport. This is the message we deliver to the young generation.”

After they decided, Tamberi slapped Barshim’s hand and jumped into his arms.

“Sharing with a friend is even more beautiful,” Tamberi said. “It was just magical.”

Watch the moment.
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The origins of languages are buried deep in time and teasing out why they have the features they do is not easy and hence often speculative. For those of us whose language is English, one mystery is the way things are spelled, which is a source of humor for comedians like Eddie Izzard.

Arika Okrent says that English is unusual in the level of weirdness of its spelling
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