When I read that Walt Disney studios were doing another Mary Poppins film, I was dismayed, thinking that they were doing a remake of the classic original that I enjoyed and could only compare unfavorably with the original. But the new Mary Poppins Returns is not a remake but a sequel that shifts the story to 25 years later, though Poppins remains a young woman. Emily Blunt takes over the role immortalized by Julie Andrews and returns to the same house to assist the two children in the original who are now adults and dealing with their own problems. Dick Van Dyke also appears in the film, not as the chimney sweep Bert but as the son of the head of the bank and thus without the atrocious Cockney accent that he was forever being asked about. Lin-Manuel Miranda seems to be the new chimney sweep.

The trailer looks pretty promising. The film releases on December 19.

In 2003, four undergraduates at two universities in Lexington, Kentucky cooked up an utterly hare-brained scheme, providing further evidence that young men (and I say this from personal experience) are basically stupid and should not be trusted to operate even a toaster. What was their plan? To dress up as old men and steal rare books, including those by naturalist John J. Audubon and Charles Darwin, from the collection held in Transylvania University.
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I have written before about my enjoyment of the excellent TV comedy The Good Place and gave it a rave review. One of the things I noticed is that there are many hidden jokes that either fly by very fast or that are on the periphery of your vision. Some of those involve the complicated points system for every single action and whose final total at death is used to determine whether you are a good person, deserving to go to the Good Place or a bad person who needs to go to the Bad Place. Samples of the point system flash by on a screen too fast to see more than one or two. You have to freeze the frame to read them all and this website has grabbed a couple of them.
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I have written before about the fascinating sound effects produced by Foley artists for films. They use mostly everyday items to create sounds for films and then have to carefully sync those sounds with the final film. They do that by matching the image to the sound film clip while watching the film. In this clip, Matt Davies eats tomatoes and peppers and other assorted food items, plus does other things to them to create the gross-out sounds of horror films, such as zombies eating brains and flesh and so on.
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I have been really enjoying this musical comedy series, described as Monty Python meets The Princess Bride, that originally aired on the ABC TV network but is now available on Netflix. There were only two seasons of eight and ten episodes that aired in 2015 and 2016. It is set in the 13th century and the plot involves a heroic knight Sir Galavant, his squire Sid, and a princess Isabella who seek to liberate Isabella’s kingdom of Valencia after it was captured by the king from another kingdom. That king Richard is inept and childish and it is his assistant Gareth who really gets things done.
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I have long had a soft spot for Fred Rogers, host of the long running children’s show Mr. Rogers’ Neighborhood, that I used to watch with my children when they were little. This was not because of the show itself. While its wholesome messages were universal and timeless, the presentation unabashedly aimed itself at very young children and its languid pace, low production values, and simple format made it somewhat dull for adults. It did not have the fast pace and dualistic sensibilities of Sesame Street that catered to children and also to their parents. The reason I like him was because of a very specific incident that occurred when my older daughter was just about to enter kindergarten at the local public school.
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I had been eagerly anticipating the release of this film ever since I heard about its debut in England lost November. This is because it is the creation of Armando Iannucci, who has a string of successful political satires such as the British TV series The Thick of It, the American TV series Veep, and the transatlantic comedy film In The Loop (2009) that dealt with how the American and British governments colluded to sell the phony case for the invasion of Iraq. Iannucci is a writer of sharp insight and dialogue and the topic of this film, dealing with all the political infighting for power immediately following the death of Stalin, got rave reviews on its release.
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The actress Eunice Grayson died yesterday at the age of 90. It was she who cued up the moment when Sean Connery would, as James Bond in Dr No, first say his name in the iconic way that has been parodied mercilessly so many times.

What always struck me is that the only people who ever called Bond by his code name of 007 were his co-workers in British intelligence. He himself would tell everyone his real name, even when introduced to his enemies, which seemed to make having a code name utterly pointless.

As a piece of trivia, the actual voices of Grayson and many of the ‘Bond girls’ (as they were referred to) in the films made in the 1960s and 1970s were never used but instead were overdubbed by voiceover artist Nikki van der Zyl. Why, I don’t know, but it did reinforce the impression that they were largely scenery and interchangeable.