Rather than playa, how about an icy prairie?

Barry Crawford has a fundraiser for a magnificent project: MECHATEUTHIS.

He intends to display this glorious mechanical creation at Burning Man, which is fine, I suppose…but once Burning Man is over, he needs to keep moving north and east, because it’s ultimate destiny must lie in Morris, Minnesota, in my yard.

I wonder if the university would complain if I gave credit to teams of 8 students every semester, whose job was to crank it for my pleasure all the time?

Even Libertarians can smarten up

rush

I remember Rush in the 1970s — I even have a couple of their albums (in vinyl, so no, I haven’t listened to them in probably 30 years), but they always annoyed me with that selfish Libertarian pseudo-intellectual crap.

In the Seventies, Peart rankled the rock press with an affinity for libertarian hero Ayn Rand — he cited her “genius” in liner notes, and critics promptly labeled Rush fascists. Rush’s breakthrough mini-rock opera, 1976’s 2112, is, in part, a riff on Rand’s sci-fi novel Anthem. There’s nothing wildly controversial about 2112’s pro-individuality message: It’s hard to imagine anyone siding with the bad guys who want to dictate “the words you read/The songs you sing/The pictures that give pleasure to your eyes.” But Rush’s earlier musical take on Rand, 1975’s unimaginatively titled “Anthem,” is more problematic, railing against the kind of generosity that Peart now routinely practices: “Begging hands and bleeding hearts will/Only cry out for more.” And “The Trees,” an allegorical power ballad about maples dooming a forest by agitating for “equal rights” with lofty oaks, was strident enough to convince a young Rand Paul that he had finally found a right-wing rock band.

But now…

[Read more…]