Spooktober 2022, Days Six, Seven, and Eight

Spooktober is a 31 day event of coming up with original horror ideas based on prompts my writing group argues over.  The arguing used to be fun but people are acting so weird about it this year.  Sigh.  These are my entries.

SPOOKTOBER DAY #6 — Clones

TITLE:  Doctor Philliplier

PREMISE:  It’s an early ’90s straight-to-cable midnight creepshow, now a moldy VHS retrieved from the ruins of a trailer in rural Arkansas.  You pop it in the old VHS player and it whirs to disgusting life, some intersection of Michael Keaton’s “Multiplicity” and Jeff Fahey’s “Body Parts.”

Dr. Phillips is a plastic surgeon and legit science genius, out of his mind on cocaine and narcissism.  He dabbles in womanizing on the LA punk scene, and stand-up comedy.  One night his experimental rejuvenation process goes out of control, reducing him to a pile of deformed limbs and a screaming head.  He buds clones that are much more well-formed and tries to boss them into helping out, but they are aberrant in the head.

Despite not really looking quite like him, everyone is somehow fooled.  The silver-haired one takes over his stand-up, veering the act into surreal voices and weird noises.  The lanky Lux Interior-looking one takes over the drugging and womanizing, despite only being able to mumble nonsense in an Elvis impression.

HORROR ELEMENT:  Will he ever get his body and his life back?  Good help is so hard to get.

Poster by AI, modified with photoshop.

fake VHS cover for film "Doctor Philliplier"

 

SPOOKTOBER DAY #7 — Cabins

TITLE:  The Cabin of The Cyclops

PREMISE:  Dr. Jarecky is suave and beautiful, despite having lost an eye in youth.  Together with his assistant Helmut, he runs a mental health asylum in 1950s Oregon.  But all is not well.  He has a cabin retreat where he takes “special cases” – beautiful young women – for “intensive therapy.”  The girls are getting wise, and Helmut has realized that in his hubris, Dr. Jarecky has brought too many to the cabin.  The bad men are decidedly outnumbered, and these girls were locked up for reasons…

HORROR ELEMENT:  Corrupt care professionals are the real horror.  Well, at the beginning.  Later on the horror is justice.

Poster by AI, modified with photoshop.

fake 1950s book cover for "The Cabin of The Cyclops"

 

SPOOKTOBER DAY #8 — Cryptids

TITLE:  Flatwoods

PREMISE:  Before she was a ghostly cryptid terrorizing modern people, Honora Knecht was an occultist in 1880s Sutton, West Virginia.  She wasn’t much of a showman, but had some fame by merit of being seven feet tall.  Sinope Locke was a daughter of power, adrift in a life not her own.  On a lark her fiancé paid for Honora to entertain at one of their parties, and Sinope fell in love.

Is it love or witchcraft?  Honora’s eyes glow red, her long fingers look like talons in lace gloves, her witch hat like the minaret of a Turkish mosque.

HORROR ELEMENT:  I could tell stable diffusion AI knew what the Flatwoods Monster was, but it refused to make a sensible result.  The horror is trying to cheap out on making art but still having to work for it lol.

Poster by AI, modified with photoshop.

fake spooky-romantic book cover for "Flatwoods"

 

SPOOKTOBER DAY #8 — Cryptids… ALTERNATE

TITLE:  Come With Me, Baby, to LoveLand

PREMISE:  While coming up with ideas for cryptid stories, I played with romance novel covers involving the Loveland Frog.  The fake author name is to obscure the torso, helping me spend less time making sense of that in photoshop.

HORROR ELEMENT:  Accidentally swallow a tadpole while swimming in Loveland, Ohio.  Go ahead.  Don’t be surprised if you turn into a frog.  Don’t be surprised when your lady loves you even more.  Don’t be surprised when she gives birth to horrendous amounts of tadpoles.  And don’t be surprised that it never ends.

Poster by AI, modified with photoshop.

fake romance novel cover for "Come With Me, Baby, to LoveLand"

 


EDIT TO ADD:  In case you were curious what these look like before I try to fix them, enjoy this collage.  This will have no alt description, except to say imagine what I described above, but with varying degrees of mangling and mutation.  AI seldom gets me something I’d use unmodified, don’t know how Marcus does it.

Spooktober 2022, Day Five

Spooktober is a 31 day event of coming up with original horror ideas based on prompts my writing group argues over.  These are my entries.

SPOOKTOBER DAY #5 — Gothic Horror

TITLE:  The Immolation of The Thornbloods

PREMISE:  Again, too much fucking around with images, not enough the spirit of writing, which is the whole point of this event.  Nonetheless, I love these subtly corrupt AI weirdos.

Kent and Mabel are the only survivors of the Thornblood dynasty – captains of industry who were largely incinerated in a suspicious tragedy at the Met Gala.  They’ve inherited fabulous wealth and evenly split control over the vast Thornblood holdings.  But the flames that consumed their parents, grandparents, siblings, and cousins are a chill breeze compared to the fire in their hearts.

Patricia Coltheart is a mysterious socialite who walks the halls of power, fidgeting with a riding crop for mysterious reasons.  I mean, mysterious if you have never heard of sadomasochism, but whatever.  This equestrienne sets her sights on the sibling steeds and rides them for all they’re worth.  Wait, this was supposed to be a horror, not a porno.  Um…

She’s actually really innocent at heart, despite her sexual playfulness, and doesn’t know what fate she’s tempting in playing these two against each other.  Does she love one or the other or both?  But then, what if they kill each other?  Things come to a head during a weekend retreat at a gloomy cavernous estate overlooking a lake.  A summer storm.  Secret trysts.  Violence ‘n’ stuff.

Patricia looks at the sky, rain and tears on her face.  Is she dying?  I’d have to decide if I wrote it, lol.

HORROR ELEMENT:  It’s not easy having a good time.  How do you decide where to stop?  What if it’s too late?  Is this the same as I said yesterday?  Yes it is.  Frightening.

Poster by AI, modified with photoshop.

 

fake book cover for "The Immolation of The Thornbloods"

 

 

 

Spooktober 2022, Day Four

Spooktober is a 31 day event of coming up with original horror ideas based on prompts my writing group argues over.  These are my entries.

SPOOKTOBER DAY #4 — Alternate Dimensions

TITLE:  The Choking Game

PREMISE:  I admit, I come up with a prompt for the AI that vaguely fits the idea, then come up with the story to match.  Lotte and Calvin are middle school kids that get into the classic kid’s dare of choking yourself or your friends unconscious.  Yeah, bad idea kids.  But the world seems to change when they’re out of breath, and as they share what they saw, they realize they’re seeing the same thing.  Are they getting access to a different realm of existence?  Anything is better than where they live, right?

Lotte starts to see a golden-eyed man in a bowtie, who never looks at her, just looks to the sky and rambles endlessly in some broken version of the Book of Psalms.  What does it all mean, Lotte?  Keep looking, keep listening.  Never mind what your hands are doing to Calvin’s throat.

HORROR ELEMENT:  It’s not easy having a good time.  How do you decide where to stop?  What if it’s too late?

Poster by AI, modified with photoshop.

 

fake book cover for "The Choking Game"

Spooktober 2022, Day Three

Spooktober is a 31 day event of coming up with original horror ideas based on prompts my writing group argues over.  These are my entries.

SPOOKTOBER DAY #3 — Undead

TITLE:  Veinous Venus

PREMISE:  The title of the story is surreal foolery culled from the shape of the nonsense letters in the original AI image.  Three young lovers in the 1960s realize their love really works – no jealousy, no pain, pure ecstasy.  And yet youth must someday pass them by.  They cannot bear the loss of that golden moment, and resort to weird occult studies.

Caroline is the center of their relationship, the main object of physical affection, but they’re otherwise fairly mutual.  Renee has a more care-giving role, Arthur the pointy head and intellectualizer of their crimes.  They achieve a kind of immortality through undeath, using an unsavory ritual to mortify themselves.  But they just traded one kind of decline for another.  Instead of the usual signs of aging, they are becoming exaggerations of decay.  Eyes discolor and hollow, limbs draw taut, verminous lines writhe below Caroline’s flesh.  They’re fading slower than with natural age, but must wonder if it was worth it, and what the grim future holds.

HORROR ELEMENT:  Mild body horror of spooky ghouls fading away, existential melancholy in the face of inevitability.

Poster by AI, modified with photoshop.

cover for fake novel "Veinous Venus"

Spooktober 2022, Day Two

Spooktober is a 31 day event of coming up with original horror ideas based on prompts my writing group argues over.  These are my entries.

SPOOKTOBER DAY #2 — Cursed Object

TITLE:  Sweden

PREMISE:  I had no idea for this one.  Fucked around with AI way too long to get some images to composite.  The title is just what I was able to tease out of some cool-looking gibberish characters.  But David Lynch once made a whole-ass movie with no script and less than half an idea, so…

“Great Count Acar appears in the likeness of a cicada, and upon taking human form, speaks with a raucous voice.  He is the prince of flies and locusts, and, should the summoner so desire, may confer upon him the power to bind cicadas and the like.  The summoner must fashion an image of him in bronze or another metal, to secure said power.  Acar rules love between men and women, gives true responses to questions of present, past, and future, and has twenty legions under his power.”

Roberta found this label on a yellowed parchment tucked within a strange artifact – a metal statuette of a cicada perched on a box with open faces, so encrusted with oxidation as to seem like a chunk of black stone.  It was embedded in the basement stones of her rented cottage in a small English suburb.  Occult antiquities could be valuable, but she was too busy with life to polish it up and make inquiries.

All around her, relationships were falling apart.  Her friends were getting divorces, or splitting up.  At last her own boyfriend said they should break up so he could take a job in Sweden.  Is there no love in this world?  No romance?  Must all passion fade before practical things?  As she pondered this, drunk on wine, the empty box of the artifact flickered to life with a golden ring of light.  Her eyes locked on the light and she knew she was understood.

Her friends all started getting back together.  Acar rules love between men and women.  But they were all too passionate, too freaky.  Worst, the more passionate they became, the more they were swarmed with all manner of insects.  Only Roberta could see them, not the lovers or any bystanders, but they alarmed her quite powerfully.

At last her own man returned from Sweden, in a grand romantic gesture.  There were no bugs around, but Roberta had a very bad feeling, could sense vibrations like a million insect wings in the air.  Still, he had her.  They began to disrobe right inside the front door of the cottage, barely letting the door shut.  Kiss, kiss, caress.  But when she touched his side it cracked apart like an eggshell.  Underneath pulsed the segmented flesh of a giant insect.

HORROR ELEMENT:  I hate any bug one inch or larger in size.  I tolerate them outdoors, but if I see them in a house, you can bet I’m flying across the room in a panic.  Y tu?

Poster by AI, modified with photoshop.

poster for fake movie "sweden"

Spooktober 2022, Day One

Spooktober is a 31 day event of coming up with original horror ideas based on prompts my writing group argues over.  These are my entries.
(EDITED:  I wasn’t clear what the prompt was or how this met that criteria before.)

SPOOKTOBER DAY #1 — Competition

TITLE:  Stay Safe

PREMISE:  Markiplier was warned.  100 days, 100 nights of danger on the wicked streets of Los Angeles – two gangs were having a challenge to see who could kill the most people.  But the gangs were not going on the rumored rampage, and he felt safe.  Police cruisers patrolled orderly streets.  He didn’t realize the gangs about to initiate the killing spree were rolling those very same cruisers – hiding behind shiny badges, with murder in their blue hearts.

HORROR ELEMENT:  Markimoo is hunted by gangs within the LAPD, and only street gangs can ultimately save him.  A story ripped from the headlines, babey.

Poster by AI, modified with photoshop.

Stay Safe

Hellstar Reminism

So I got a philosophy for the end of the world inspired by a Junji Ito comic, Hellstar Remina, in some translations just the less fun Remina.  I’ve still never read the comic in English, so it’s based on my visual read of the story.  I’ll soon check out the translation to see what I’ve missed.  At that time, this idea may face some revision.  By the way, all of the spoilers for Hellstar Remina now, because it’s necessary to explaining the moral lesson I take from it.

Like a number of Junji Ito’s horror manga, Hellstar Remina depicts an apocalypse.  The planet Earth and most of its inhabitants don’t get through the story alive.  But this one was especially interesting to me because it shows different ways to respond to a species-level existential threat.  As a storyteller, Ito has long held an interesting tension between humanism and misanthropy – something shared with filmmaker Kiyoshi Kurosawa.  I wonder if this is just an attitude some dark-minded Japanese folks have and a known thing there, or if it’s just something anybody in the world might develop at random.

Basically, the way humans can be quite horrible is displayed unvarnished, or even exaggerated, but compassion and sometimes progressive values come through in other characters within the same story.  This isn’t always as simple as good guys over here, bad guys over there.  People start good, go bad, come back, do it again.  Usually you understand why the bad do what they do – see them as human, even when they end up as literal monsters.  Hard to describe, not always the same.  This might be getting off topic, because good and evil are a little more straightforward in this story than the extended canon of Tomie or Uzumaki.  Whatever, moving on…

The plot.  A scientist announces the discovery of a very abnormal new star in the night sky, with his daughter at the press conference.  I believe he named the star after her, causing an association in the public imagination between the girl and the star.  But pretty quickly, the star is revealed to be a possible threat to the Earth – heading toward it at incredible speed.  Is it a star?  Meanwhile, this doesn’t seem to be public knowledge yet, and Remina the girl has developed a fan club.  In particular she has three suitors.  One is a rich kid that shows her to his cool expensive fallout shelter.  But they seem to do a passable job of not monopolizing her affections yet.

The threat of the hellstar becomes apparent to the public and civic unrest menaces the scientist and his daughter.  Her fan club saves her, for the moment, but she’s separated from her father.  When the star slows down to stick out a giant tongue and gobble up another planet in the solar system, the people of the world go bonkers and come for girl Remina’s blood.  They kill the a couple of fan club guys and torture her for a bit.  Her father is killed.

The fanboys help her escape but they fall to infighting.  Seems they got a touch of the same craze as the rest of the world.  One of them has the sense of self to feel ashamed and leaves, but he didn’t have the presence of mind to realize that he left her undefended with the worse guy.  (He shows up later as just another murderer.)  Worse guy is the rich kid, and he hauls her back to the fancy shelter.  He tries to force himself on her, but his parents object.  They just want her dead like the rest of the world.  Mom slaps her around, then the fam drag her out to the crowd.

The story splits here between rich family and Remina.  Rich family theorizes that if they go to live on the Hellstar like fleas, it won’t notice them and destroy them like the rest of the world, so they pack up in a rocket ship and skate.  Back on earth, girl Remina is taken by the people of Earth, who have united in a massive doomsday cult, led by KKK-lookin’ creeps with torches.  She escapes them briefly, running into a solitary homeless man who has no idea what’s going on.  The two of them are tied to either side of the same cross that carries the burned remains of her father.

In space, the rich family set foot on the Hellstar and transform into melty piles of twisted bullshit.  HS Remina opens a second eyeball and licks the Earth.  This causes gravity to go haywire.  The cultists had set a pyre beneath girl Remina’s cross, but the cross gets lifted away.  A cultist cuts Remina loose to abscond with her.  The gravity of the Hellstar and Earth are dueling, which has people able to leap around like they have super strength.  Don’t get at me on the physics of this.  The cultist grabs Remina by the legs and smashes her against the sides of a broken building, like trying to dust a rug.

But he cut the homeless guy loose when he snatched Remina, and that guy comes to save her with roundhouse kicks and such.  Together they flee the cultists.  But as they’ve gotten used to the crazy light gravity, so have the cultists, and now they are being chased by what seems like everybody in the world, all crying for her blood in different languages, wielding any weapon they can find.  They’re flying through the air in a massive swarm.

Gravity shifts again.  The homeless guy and Remina seem to luck out, while the rest of humanity is dashed to the ground, creating an ocean of blood.  Girl Remina blacks out and wakes up in the fancy shelter.  The homeless guy and a few random non-murderer kids found their way into the shelter, and as Hellstar Remina devoured the earth, somehow the shelter was one of the crumbs that broke free to hurtle lonesome through space.  People are surprisingly celebratory about this.

Why are they happy?  They got away from however many billion murderers, and a planet that was just munched like popcorn.  But the room surely doesn’t have the resources to sustain their lives forever.  They’re surely going to die.  And that could well be all of us.  The story ends there.  What do you take from that?

I say, if everybody in the world is doing bad shit, be the one person who isn’t.  If we’re all gonna die, be kind to the people you are with, right to the end.  Ruin is living for hate, the only goodness possible in life is what we make by being kind in the ways we can, in the time we have.  Something like that.  Hellstar Reminism.

One could easily take different lessons from the story, perhaps worse ones.  And maybe there are explicit textual things I cannot understand from reading the comic book by image alone.  I’ll find out soon enough, which is why I’m spelling out this philosophy now before it gets altered by improved understanding of the source.  So there you go.

How Horror Fiction Has Fallen

So no bites on reading the stories I’ve posted lately, alright.  There could be a variety of reasons for that and not much point speculating and self doubting, but it did put me in mind of cultural shift that happened in my lifetime.  Horror fiction rose to become a giant market in the eighties, then collapsed so utterly there is no longer a horror section in most book stores.

I sometimes encounter this with people I know.  I say, hey, check out this thing over here.  And they say they aren’t into horror.  This makes me wonder what’s different, between now and the ’80s.  Because right now we really are living the cyberpunk dystopia the ’80s predicted, a world of trash and fire and capitalism ripping through everything left that’s good in the world, politics so removed from reality that every apocalyptic thing that happens is just so many data points in the botox’d heads.  Even nuclear holocausts are back on the table of possibilities.  This is the ’80s on speed.  Where’s the interest in horror?

The ascendance of horror back then is often attributed to the dark undertones of the plastic pop universe, but other causes are possible.  The relatively uncensored images of the Vietnam War stained a lot of minds, and our equivalent wars were heavily, heavily filtered.  Desert Storm is a video game and a theme song in a lot of minds.  You could find images of graphic violence from that time if you searched for them, but you would not see them on the evening news.  The military industrial complex learned its lesson, and the reward was a US public very willing to go to war after that point.

There may be other demographic and market factors.  Westerns and other manly genres had a big collapse, almost like men just stopped reading anything?  That’s certainly the case now.  The vast majority of readers are women.  By that theory, it’s like men stopped reading until horror briefly lured them back in, then they fell off again in the late nineties – right as video games became so dominant in boy culture.

One person in my household read horror in the ’80s, but does not now.  She gives a reason which is just counterfactual – that the books got more cruel or violent over time.  She read Stephen King when he was relatively new, and talks like his later work was more violent?  Dude was as skeevy and creepy as anything from day one.  I think this lady’s just one of the blithe readers that somehow didn’t process the pedo content in It.  So I interrogated her a bit more and it seems she just read less of it for a while and lost her tolerance for it.  But why?

Within my own life, I couldn’t handle certain extremes of horror movies for much of my young adulthood, until I rounded some kind of corner on it.  Then I was watching Hellraiser and Dawn of the Dead and Texas Chainsaw Massacre and all that.  But another change came along.  Inspired by Takashi Miike, Eli Roth kicked up the transgressive factor in horror a lot, and I had to draw a line of my own.  I’m not that hardcore.  This mirrors my bf’s mom’s idea about what happened in her own life – “I didn’t change, the horror did” – but I think people can see the difference between The Grudge and The Human Centipede.  Amirite?

But horror literature is a whole other kettle of fish.  Unless your imagination is superb, you aren’t seeing things the way you do on film.  I could read much more violent content in books than I could handle on screen.  I can write horror worse than I’d ever want to see, and it doesn’t bother me.  It’s all entertainment, diversion, spooky fun times.  A spine tingler.

Why are so many people utterly uninterested in horror?  I had a kind of lousy friend who wouldn’t check out me or my bf’s stuff when it was just gothy, not actually involving any horror whatsoever.  Weenies.  Seems like 99% of all reading that happened 2000-2005 was the terf’s kiddie books, and the people who grew up on that never wanted anything substantially different from it.  Or maybe I’m just being a hater.  I don’t know.

This is mainly looking at fiction for adults.  There actually is a lot of horror content now – short fiction, tons of video games, especially in indie spaces – but booksellers don’t want to touch it.  And on a possibly unrelated note, I run into a lot of massive weenies.  Hi weenies.  I’m sure you’re lovely people and make the world a brighter place in your own ways.  Just wish I met more non-weenies sometimes.

Don’t Like Me? How About This Guy?

No comments on my entries to the first edition of The Midnight Collection, OK.  I wasn’t going to do this originally, but I’m posting what I consider to be the best story from the book.  Written by Joseph Kelly (not me or my ‘nyms), it compares favorably to Clive Barker.  Check it out.  My post here is just going to have the start of the story with a link to where you can finish reading it on The Midnight Collection’s website.  If you love or hate this story, or love expressing your opinion even when that is “meh,” leave a comment either here or there…

SAPSUCKER

Joseph Kelly

Content Warnings:  Loss of Autonomy, Quasi-erotic Horror, Messiness, Mutilation, Murder, Mild Ableist Language.

He dreamt of cutting a body to pieces.  Like a butcher breaking up a pig carcass: this part for chops, that part for bacon.  An awful dream, repulsive.  Not just gross, but he was more disturbed by how he’d behaved in the nightmare: passive, apathetic, annoyed at the chore.  His stomach churned when he woke, sitting up in the rental cabin’s bed.  Sick.  What the hell was wrong with his brain?  He didn’t even enjoy watching horror movies, let alone that gore shit.  And he wasn’t prepping a Thanksgiving turkey recently or anything; he’d been vegetarian since junior high, save the occasional accident.

He fumbled around the cabin, knocking his hip into the cluttered furniture.  Cute place though.  Cozy.  Six days remaining, pre-paid, but he still felt the money draining minute-to-minute.  At least he’d gotten up early, after leaving the bedroom curtains open so the sun could wake him.  The kind host had made good use of the cleaning fees: the carpets shampooed, the upholstery Febreze’d.  Even left a stack of board games and puzzles by the sofa.  But who’d drive two hours into the countryside to assemble a thousand-piece patchwork of kitten parts?  That wasn’t what he was here for.  His eyes wandered to the easel set up in the living room.  It waited with a blank canvas pre-toned in rusty burnt sienna, ready to receive his vision.  Not yet, not yet.  The mantra of his life.  Morning light streamed through the sliding glass door: a white overcast sky, warmth already hanging in the air.  Gonna be a real scorcher, he thought in his dad’s voice.

He broke out the loaf of bread he’d packed, made a PBJ with the complimentary jelly packets the host had left on the kitchenette counter.  A salad bowl-full, so deep he could bury his hand like he was fishing around in a trick or treat basket.  How much did they think he needed?  The Jelly-du-Jour was classic grape, squirted over his sandwich with a humorous squelch.  It’d be good to get outside early before locking himself indoors with the A/C blasting.  He took his breakfast out to the patio table to admire the view.  That’s what you paid for, the pics that enticed you to impulse-book a week.  A pond with croaking frogs, a patch of dense forest.  No neighbors to rev lawnmowers or kids tearing around on dirt bikes.  The sandwich gummed up his mouth, and he choked it down with a glass of tap water.  The modern monk, fueling himself for a day of illuminating manuscripts.  More like daubing around paint for twenty minutes then wiping it all off.  But you could hope.

He stood, stuffing the bread crust into his pocket.  Almost tossed it in the pond, but that’d give the ducks a stomach ache as bad as his own.  A nature walk sounded nice.  Clear his mind, be a chance to think.  He’d follow that rasping bird call, see what little weirdo was making it.  He set out, passing the pond, the frogs sleeping off last night’s concert.  The woods were cooler, made him glad he bothered with the flannel shirt.  He hiked over lumpy ground, still achy and groggy from poor sleep.  Chopping up a body, for fuck’s sake.  Sawing at an ankle, dead foot clammy under his palm.  Passive, emotionless.  He shuddered, shaking his head to knock the thought free.

Leaves rustled, branches creaked, and that distant bird-call rang out.  Squeaky, manic laughter: more birds chattering over each other, having a little shindig.  A streak of scarlet flitted through the boughs, a latecomer to the party.  Weep-weep, one of them bleated like a depressed dog toy.  He followed, taking a deep breath of fresh air.  A woody scent, that Christmas smell.  Expensive turpentine, not the cheap turps he bulked out his brush washer with.  He leaned against a trunk, closing his eyes to feel the peace.  Turning into a real Bob Ross out there, just needed a squirrel in his pocket.  Bob probably never got much into abstract expressionism though.

A tapping sound emerged—tonk-tonk-tonk, like tiny wooden mallets.  Woodpeckers?  Pockmarks studded nearby trunks, holes seeping gooey sap.  Looked like they’d been mowed down by gnomes with tommy guns.  There—more red, a riot of woodpeckers swarming an old stump.  Ten of them maybe, all crowding in.  He watched them and laughed.  Too bad he left his phone on the nightstand; Dad would love this.  But you couldn’t pack that shit around if you really wanted to unplug.  The birds went to town on that stump, hammering away, cramming their beaks into the gnarled wood and gulping tree blood.  A new scent—something sweet, maybe whatever got those little guys so amped up.  Apples… baked apples, fresh out of the oven.  And an animal musk, like a fox marked its territory.  Wasn’t the birds.  Birds didn’t smell, did they?  They were so absorbed in their meal, you could reach out and grab one.  He crept forward.  How close would they let him get?  Closer, though he couldn’t move like a ninja.  Leaves crunched under his boot, but the birds didn’t flinch.  Another woodpecker arrived, fighting for space at the buffet.  The bird it displaced squawked and waggled its long, creepy tongue.

He was right on them, ready to live that childhood dream of sneaking up and petting a seagull.  Did he dare?  He reached for one, its back turned.  Close enough to see the stark mosaic of its wings, the crimson head, total Woody Woodpecker style.  Inches away, his hand poised, wavering.  He went for it, biting back a smile.  The bird’s feathers were silky smooth, its skin warm beneath.  Man, what Snow White shit was this?  He stifled a childish giggle.  Another one, feathery soft.  It vibrated, boring a hole into the wood.  The scent—stronger now—apple cinnamon Pop-Tart, like when he was a kid.  They didn’t even make those anymore.

A flow of sap trickled down the knotted bark.  The stump stood hip-height, roughly torn, the wood crackled and grey.  A dead tree, rotted apart.  Why was it dripping sap then?  Had to be something alive in there.  He reached for a rivulet, and a bird shrieked and flapped at him.  He jerked back, not wanting a hole in his painting hand.  The animal smell grew stronger, like sweat?  Fresh sweat, not rank B.O.  Apples and sweat, a little vanilla.

A ray of sunlight peeked through the canopy, lighting the sap a brilliant crimson, candy-red.  His stomach ache vanished, and now he only wanted a taste of that stuff.  The woodpeckers wouldn’t clear space, crowding every inch.  An impulse struck him, tingling down his arms.  He lunged forward, kicked the stump, waved his hands and shouted.  But why?  What an asshole move, scaring off some creatures enjoying their breakfast.  They stayed rooted longer than he expected, but flapped off in time, trilling and screeching.

All for him now.  He knelt, eyes tracing over the twisted wood.  This was what got them so hot and bothered?  A pool of the sap glistened translucent scarlet, and he dipped his finger in.  He thought it’d feel like stand oil—sticky as honey.  But it was slick, and he dove to lick it off before it dripped down his shirt cuff.  You’d imagine maple syrup, the expensive stuff, but it wasn’t sweet really, almost savory.  Apples cooked in salted butter?  The taste changed in his mouth, even with one drop.  Apples, to a salty, musky taste on the afterburn.  He dipped into the pool again.  Wouldn’t drown your pancakes with it, but there was something compelling there.  He sucked on his fingers, rolling his eyes around like an amateur sommelier, considering the flavor.  No, it was sweet now, more cinnamon sugar.  He took another sample, laughing: pretty Winnie the Pooh of him.  He had to pull himself away, wipe his hand off on his pant leg.  Maybe he’d find a jar and get a souvenir to take home.

Back to the cabin, and the color of that sap stuck in his mind.  It’d look good on the sienna.  Just add some black and white streaks like those crazy birds.  He slid onto the stool, picturing the composition already.  Yeah, a dark rectangular frame, then red in concentric circles.  The colors were barely on the palette before he was laying them on the canvas.  He worked steadily, only stopping to switch brushes, dab more medium.  Didn’t even need music to get in the zone.  He stretched back, and sweat trickled down his spine.  Christ— he was still in his flannel, and the sun was blasting through the window.  The thermostat read 89F.

He tore off his shirt, set the A/C to full bore.  No way it was that hot already at…  The wall clock read ten till noon.  Hours had passed like nothing.  He stuck his head under the kitchen faucet and let cold water run down his neck.  Felt great with the A/C rushing on his wet skin, but how’d he let it get this bad?  Was the work really so absorbing?  He turned back to the easel, staring in amazement.  Halfway done, maybe more.  Remarkable headway for a canvas that size.  Looking sharp too, that black, white, and red so striking with the sienna peeking through.

He slumped onto the leather sofa, eyes drawn to the painting, itching to return to it.  How long had it been since he was this focused?  The next move was obvious: get the palette knife in there and make some vertical streaks like the birds’ feathers.  He forced himself to choke down another PBJ before returning to work.  Nobody back home would’ve dreamed he’d make good on his talk of getting away and finally finishing something.  Probably thought he’d be jacking off 24/7 and crying about the Wi-Fi.  But it didn’t matter what they thought.  This was what he paid for, what he took time off for.

The day drained by, and he was still focused enough to swap that finished canvas for another.  Cobalt and Hansa yellow now, in overlapping triangles like the gleams in the starlit sky outside the window.  Night already!  The frogs had been singing for hours, and his back screamed at him for spending all day on that awful stool.  He hobbled to the living room couch and refueled himself with a bag of gummy worms.  Gelatin wasn’t vegetarian, but they were sitting on the counter and he couldn’t be fucked to make another PBJ.  Sorry horses, or whoever’s bones got boiled.  He looked back at his work, shaking his head.  Now this canvas was almost done too.  Crazy, absolutely crazy.  The creative bug got him again, like the old days of studio all-nighters, only stopping when campus security came around to kick him out.  Maybe it was as simple as getting out of the house.

The painting still called to him, but he’d be crippled tomorrow if he didn’t rest his spine.  He scraped layers of paint from his forearms and flopped on the stiff bed, mind buzzing.  Corny decorations clustered the room: wooden unicorn, a framed bible quote.  That lame print of a pink sailboat on a purple ocean—you could do something with those pastel colors.  Break out the silver paint and palette knife, scrape it on thick for texture.  Let some black streak through: the shadows beneath those mellow waves.  Exhaustion overtook him, and his plans interspersed with dreams.

Carving pumpkins at the kitchen table, scooping out their slimy guts, seeds raining on the newspaper Dad had laid out.  Smelled like sour tomatoes, but he’d imagined pumpkin pie or Mom’s nice autumn candles.  Back in the old house, but he wasn’t a kid.  Orange goo clung to his hands, strings of slime hanging down.  The dream changed and Dad became someone else, watching him with an unkind presence.  Maybe Kyle; he didn’t get it.  Ab-ex is for boomers, he’d say as a joke.  That’s art, huh?  Splashing paint around like a 1950s alcoholic?  Rothko wanted to do realism.  Kind of sad, yeah?  And then he couldn’t change.  Everyone wants color fields forever.  What if you got stuck that way?  Couldn’t make anything real, just blobs until you die.

Wasn’t Kyle though, with his lip-ring accenting that permanent smirk.  It was a stranger.  How’d they get in the cabin?  The doors were locked.  No one should be there.  Yet, there they sat in the old IKEA chair, just out of sight, just on his periphery.  Their presence was overwhelming, vibrating, like fingers working into the whorls of his brain.

A song—he didn’t recognize it, but it fluttered in and out on a fuzzy connection, playing on a decrepit, tinny speaker—Got to get to you, baby—the pumpkin vanished, the table vanished—Honey, come set me free—nothing in the dining room but a face it hurt to look at, like peering at the sun…

READ THE REST HERE,

Or purchase the whole Midnight Collection e-book through Ko-fi or Amazon.  A physical copy in paperback is available through Lulu.  You may be able to purchase it through other sites soon, but it’s nice to not give Bezuggs a cut, and purchase on Lulu gives more money to the cause.  And lastly, you can just read the collection for free at the Collection’s website.

Fiction by Me: Supply Chain Banditos

Alright you busters, time for my last post about the first issue of The Midnight Collection.  Nobody has seemed much interested, but this story is my personal best.  Didn’t like the last two?  Give this a spin.  My post here is just going to have the start of the story with a link to where you can finish reading it on The Midnight Collection’s website.  If you love or hate my story, or love expressing your opinion even when that is “meh,” leave a comment either here or there…

SUPPLY CHAIN BANDITOS

Bébé Mélange

Content Warnings:  Capitalism, COVID-19, Poverty, Gun Violence, Murder, Robbery.

My name’s Diana and the first time I thought about this kind of thing, I was, like, twelve years old?  This had to be about 2020.  Covid was new, and it was weird vibes.  The “boomer remover” joke was funny, but it didn’t matter, you would catch serious nerves off the grown-ups.  They were bouncing from one freak-out to the next one, like whatchacallem, bumper cars?

My family had an apartment and you know, it had a lot of mildew.  Is it mold or mildew?  It was probably bad for us, but you don’t smell it unless you leave the house and come back to it.  I didn’t have a bed.  I was sleeping in the living room, on the couch.  Well, I don’t really remember sleeping because the lights, and sometimes people would come in and play TV or video games, and I’d be in and out of sleep so much.  But when you’re a child, that’s OK.  You’re good at it.

I remember the room was pretty small; even small as I was, it looked small.  But when you’re all sunk in the couch cushions and close to the ground, you can imagine it’s bigger.  The carpet was light brown like desert sand—dirty too—so I dreamed it was a big desert.  The biggest thing in front of me was one of those wall TVs nobody put on the wall, sitting on cinder blocks with all the wires and video games around the bottom.  In my dreams, that was a big old rock like the ones they have in the Southwest.

The gamer chair and bean bag would be smaller rocks, and the junk like shoes and grocery bags would be little boulders.  Littler stuff like socks and tiny bits of paper and crumbs of dry food that get in the carpet.  Well, you know…

The sky was blue where the TV touched, mixed rainbow from the LED string stuck on the back of it.  That was like the day and the night sky all together, over my little desert.  Tiny people, sometimes tiny me, we’d be out in that desert—going here or there.  It didn’t mean anything.

Anyway, my mom’s boyfriend Peter woke me up that night, cussing softly in the kitchen.  He made a little noise, then came out to sit in the gamer chair—one of those rocking things with no legs that sit right on the ground.

He remembered I was there and turned the chair halfway to see me.  “I’m sorry, girl.  You wanna watch me play GTA?  Have something to eat?”

“No,” I said.  “I mean, I’ll be OK.  I can see from here if I want to.  Go ahead.”

He sighed and grumbled again.

“What’s the matter?” I asked.

“I don’t have my burritos.”

He was talking about those cheap microwave burritos.  I should have known he was mad that he didn’t have those, because I didn’t smell them.  They smell like cat poop, so much that my mom would think the cat farted, before Peter came out with two burritos on a paper plate.

“Did Mom forget to buy them?” I asked.

“Naw, baby.  It was the supply chain.”  He emphasized it, like it was real significant—a revelation.

I was interested, but still kinda dreaming about my desert.  “What’s the supply chain?”

“I shouldn’t tell you about it.  It’s grown-up stuff.  Scary stuff.  Covid stuff.”

“You have to tell me now.”

He told me about how the pandemic was making it so we run out of random things, because truck drivers got sick, and there weren’t enough cops to stop thieves.  Last time him and my mom went for groceries, they didn’t have his cat poop burritos, or sour cream, or trash bags.  If it kept up, he said, there’d be nothing left.

“What happens when there’s nothing left?” I asked.

“Total anarchy, like some Mad Max-type shit.”

“Oh.  Like GTA.”

“Oh yeah.”  He didn’t think about the game he was playing, how it was like he said.  You steal stuff and the cops can’t stop you.

He finished his baloney sandwich on the loading screen for San Andreas, with all the cool tattooed cartoon people, and I went back to dreaming under the TV-colored sky.

The bean bag would be the place where the bandits would strike.  I think in my dream it was like, a little bit Wild West, a little bit Grand Theft Auto.  The target was a big rig with wagon wheels, sticking to the trail behind Gamer Chair Rock—for the moment.  The bandits waited by Bean Bag Rock, loading their pistols one bullet at a time.

So that’s why I was thinking about it when I was only twelve.  Peter was a Samoan guy, very Christian, but maybe he didn’t always say the right thing to children?  It was probably fine.  I was fine.

There was a ridge on Bean Bag Rock where the banditos sat in a little row.  They had the high ground, and they were going to shoot up the truck from there.  Bean Bag Rock was in the shadow between blue day and the night of rainbow constellations, so the men could not be seen.  They were something drab and gray, between all the colors.

Why did I say men?  Of course, any kind of people can be bandits.  But when you’re a kid, you don’t know everything, so in my mind they were all men.  They were in sombreros, vests, and chaps.  One of them was real pretty, like Lil Nas X.  They were tiny so he would be lil Lil…  I’m sorry.

Anyway, the big rig wagon was chugging along, headed their way.  I figured there would be a guy on the passenger side with a shotgun.  Peter told me that’s why it’s called shotgun.

I didn’t want Lil Nas to get hit with a shotgun, because it can blow your whole head up.  That’s just gross.  So the bandits had to be smart.  The top of the truck was not bulletproof, and shooting downward with pistols has more range than shooting upward with a shotgun.  They just had to shoot when the truck was close, but not gone by yet, because you couldn’t get bullets through the back part of the cab as easy.  It’s heavy there, full of truck parts?  And the trailer is right there too.

Lil Nas held up a hand.  His arm was bare, but he had a cool pink glove with embroidered black patterns and two tassels.  He waved for the guys to get ready, and they all pointed their guns at the truck.  Some had pistols, like those big long ones you see in old western movies.  A few of them had rifles, with that part you cock to put out the shell and load another one?  Very cool.

It’s sad that the wagon driver and the shotgun man had to die.  But you can’t think about stuff like that, or you’ll never get your cat poop burritos and trash bags.  Or anything.  That’s what it all comes back to, in the end.  We all need to eat, but there isn’t enough stuff for everybody, so somebody has to lose…

READ THE REST HERE,

Or purchase the whole Midnight Collection e-book through Ko-fi or Amazon.  A physical copy in paperback is available through Lulu.  You may be able to purchase it through other sites soon, but it’s nice to not give Bezuggs a cut, and purchase on Lulu gives more money to the cause.  And lastly, you can just read the collection for free at the Collection’s website.