Justin Hall does Disney scenes if they were written by popular websites. Fun!
You can see the rest at Dorkly! Be sure to visit Justin’s website, too.
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Art, Fun, & Nonsense.
Justin Hall does Disney scenes if they were written by popular websites. Fun!
You can see the rest at Dorkly! Be sure to visit Justin’s website, too.
NSFW. That bit will be under the fold, so have a care. I am absolutely in love with the work of Samuel Salcedo. I would so love to have a tiny, naked man hanging out on my bookshelf, the question being, which naked man. And so much more!
Rain
185x180x260 cm. 2011. Polyester resin and aluminium powder. © Samuel Salcedo.
Traum
60x60x75 cm. 2011. aluminium and lead. © Samuel Salcedo.
Harvest
135x70x70 cm. 2009. Polyester resin and washbasin. © Samuel Salcedo.
The Infinite Now from Armand Dijcks on Vimeo.
Over the past months I’ve been working with Australian photographer Ray Collins to bring his amazing oceanscapes to life in the form of cinemagraphs, a blend between photography and video. Each cinemagraph is created from one of Ray’s stills, and sets it in infinite motion, making a unique moment in time last forever.
These cinemagraphs inspired André Heuvelman from the Rotterdam Philharmonic Orchestra to get together with pianist Jeroen van Vliet to record a very moving custom soundtrack, which I combined with a selection of the cinemagraphs.
You can see the original cinemagraphs at armanddijcks.com/cinemagraphs-waves
Ray’s images can be found at raycollinsphoto.com
André Heuvelman’s music: andreheuvelman.com
Stunning and mesmerizing work by all!
The Canadian Museum of History has unveiled a unique new exhibit that brings the faces of a 4,000-year-old Indigenous family back to life.
The museum revealed the three-dimensional forensic reconstruction of a shíshálh family whose remains were found in an ancient burial site near what is now Sechelt, B.C. The digital images move and blink in the incredibly life-like display.
“To look back on some of our people that existed within our territory 4,000 years ago, and to be in close proximity of their images — it’s a humbling experience,” Chief Warren Paull of the shíshálh Nation told CBC News.
“I see cousins. I see family.”
You can read more about this here. Amazing work.
SHE INSPIRES installation view.
Women’s history has long been marginalized in mainstream education, relegated to its own niche of study and overlooked in favor of male-dominated historical narratives. SHE INSPIRES, a group exhibition at The Untitled Space, highlights these lesser told histories through the work of over 60 contemporary artists. Each piece in the show is an homage to an important woman. Curator, Indira Cesarine, tells Creators, “SHE INSPIRES aims to honor and celebrate women who have impacted our culture and tell their stories which should be rightfully included not just as ‘women’s history,’ but everyone’s history.”
[…]
SHE INSPIRES is on display at The Untitled Space in Soho through May 20th. Click here for accompanying events and more information.
You can read and see more at The Creators Project.
The Slow Mo Guys take on mousetraps on a trampoline.
Obama Legacy; Bears Ears National Monument.
The Fight for Bears Ears has been going on for a very long time; people have been happy with Pres. Obama’s protective national monument status. Now the GOP is arguing that us dumb Indians, gosh, we just don’t understand. If places are declared national monuments, it will seriously impact our primitive lives, and we wouldn’t be able to do native stuff, like gather firewood, so um, just give us the land, and everything will be great! There really isn’t deep enough mockery for these arrogant colonialists.
Speaking alongside Interior Secretary Ryan Zinke about the Trump administration’s order to review — and potentially shrink or eliminate — nearly 30 national monuments, Sen. Orrin Hatch (R-UT) said Native Americans were “manipulated” into their support for the 1.35 million acre Bears Ears National Monument southeastern Utah.
“The Indians, they don’t fully understand that a lot of the things that they currently take for granted on those lands, they won’t be able to do if it’s made clearly into a monument or a wilderness,” Hatch said on Sunday. “Once you put a monument there, you do restrict a lot of things that could be done, and that includes use of the land… Just take my word for it.”
Oh, right. We should just take the word of a white man. Gosh, that’s worked so well in the past.
Hatch’s dismissal of native voices is not only condescending, it is incredibly inaccurate in the case of Bears Ears. Protections for Bears Ears were nearly 80 years in the making. Most recently, the Bears Ears Intertribal Coalition, which brought together five tribal nations, pushed for the protection of the Bears Ears region. After the group received no substantial response from the Utah Congressional delegation about protecting the area, the group opted to propose that President Barack Obama should create a national monument, which he did in December 2016.
[…]
But variations of Hatch’s argument have been routinely made by critics of the national monuments — namely, Republican politicians in Utah. Gov. Gary Herbert (R) has long purported that a national monument would get rid of critical tribal activities, such as firewood gathering. Sen. Mike Lee (R-UT) similarly stoked fears that the federal government would seize native American land for the monument. Utah state legislator Mike Noel (R), who is looking to join the Trump administration, launched an investigation into the tribal support of a Bears Ears National Monument, calling it a “charade.”
These accusations are part of a continued misinformation campaign targeting tribal members that started during the lead-up to the monument designation. In the summer of 2016, flyers meant to antagonize local Navajo were found posted around towns adjacent to the now national monument. One of the flyers impersonated an Interior Department press release that claimed the government would be taking over four million acres of Navajo reservation land. Others suggested the national monument would ban firewood gathering and Native American access.
Artist’s rendering – Flying Pigs on Parade over the Chicago River.
“Flying Pigs on Parade” is a visual response to the loud, illogical and frequently hateful expressions that polluted the presidential elections and that now define the actions of our U.S. leadership.
One hundred years ago the Russian Revolution launched a series of events that would drastically alter the world. George Orwell used these events as the basis for his 1946 novella Animal Farm. The poignancy of the text has reverberated with many generations. We feel the message, once again, seems sadly relevant.
In 1977 Pink Floyd rendered their musical interpretation of the allegory into the concept album Animals in response to social-political conditions in late-70’s Britain. Like Orwell’s book, the interpretive messages of Animals have unfortunately become highly relevant again.
[…]
Roger Waters (Pink Floyd) has given us approval to replicate the original iconic Battersea pig in gold. Since we will have invested in the balloons, we intend to deploy the folly in other cities.
Flying Pigs on Parade is intended to first deploy in Chicago as a single day art installation. Most of the technical bits have been resolved. We are currently progressing through requirements for municipal approval, negotiating a float date in late summer.
We will need financial assistance in implementing the project.
(please see “DONATE” at top of page or our GoFundMe.com page)
If you can, help to spread the pigs all over! Flying Pigs On Parade. Donate!
When the makers of the live-action remake of Kiki’s Delivery Service needed bicycles for the film they turned to one man: Nobuyuki Tani.
Beautiful, gorgeous bicycles! There are definitely three of them I’d like to have, if wishes were fishes and I had a net.
In his studio in Chigasaki, a coastal city in Kanagawa an hour Southwest of Tokyo, Tani hand-assembles all his bikes. With a careful attention to detail and an emphasis on materials, Tani sculpts his unique creations into functional, ridable works of art. He was commissioned to create all the bicycles for the live-action adaptation of Kiki’s Delivery Service (2014). Tani created the fantastical flying bicycle but also the bread maker’s bicycle and Tombo’s regular bicycle.
Tani also collaborated with Ishinokura Shoten to create 3 models that are produced at larger quantities. Vintage parts procured from around the world come together with custom-parts to create 3 distinct rides that are both beautiful to look at, but entirely functional. With just the right amount of whimsy, these bikes look like they’ve come right out of some imaginative fairy tale.
Pictured above is the “Matiere” model (158,000 yen). It’s a geographically neutral city bicycle that is all about materials: wood, leather and iron.
You can read and see more at Spoon & Tamago.
Ever wonder about soy sauce? Wonder no more!
screenshots from the film “The Birthplace of Soy Sauce”.
Soy Sauce is said to have originated in China and then brought over to Japan by a Buddhist monk who settled down in current-day Wakayama Prefecture in 1254. Using the abundance of clear, spring water from the town of Yuasa he began producing a type of miso that he had learned about on his travels that had been used to preserve vegetables. A byproduct from this process – a liquid that collected in the barrels of the miso paste – was soy sauce. And this is how the town of Yuasa became the birthplace of Soy Sauce.
In a masterfully-produced short film, Japanese filmmaker Mile Nagaoka walks us down the streets of Yuasa and into a traditional soy sauce manufacturer that’s still producing soy sauce almost exactly the same way it was made more than 750 years ago. You can almost smell the rich, fermenting flavors of soy sauce waft out of the screen.
After originating in Yuasa, Soy Sauce is thought to have made its way to Kansai, where it became popular. In fact, there is documentation of a large 18,000 liter (about 4800 gallons) shipment of soy sauce from Wakayama to Osaka in 1588. What is thought to be Japan’s first Soy Sauce manufacturer had opened shop just 8 years earlier and is actually still in business.
Via Spoon & Tamago.
Last Light from Colin Rich on Vimeo.
The NatGeo Travel Photographer of the Year comp is up and running! Get those photos in, people! The Grand Prize is a 10-day trip for two to the Galápagos Islands!
These are amazing, and wonderful to watch.
There are books on the wall, a table in the middle of the room, a plant, maybe a floor lamp or two. But something doesn’t feel right in this room, like it’s a set. Suddenly, a gigantic hand reaches into the frame, revealing that the room was indeed a set built entirely in miniature form. The chopping board is maybe the size of a pinky; the knife slightly smaller. This is the world of Japanese miniature enthusiast and YouTuber ‘Joken’ aka AAAJoken, or triple-A Joken.
Currently a member of the YouTuber management agency UUUM, Joken got his start by introducing toys for kids and creating stop motion animations using those toys. But since 2014 he’s created over 200 videos on a YouTube channel called Miniature Space. In it, he creates all kinds of miniature Japanese meals like tempura and okonomiyaki, but also everyday foods like spaghetti carbonara and corn dogs.
You can read and see more at Spoon & Tamago.
Selected character studies, oil on board, dimesions variable. All images courtesy the artist and Paul Kassman Gallery. (Click for full size!)
In a performance at the Metropolitan Opera and a parallel gallery exhibit, artist Mark Ryden imbibes his sugary design aesthetic through costume and fashion prints. In his latest venture, the Portland-based artist creates classic, painterly pastel works with a childlike fantasy.
The art show, The Art of Whipped Cream, opening in May at Paul Kasmin Gallery in NYC, features the final realizations of each costume from the opera, Whipped Cream, a graceful choreographed feat by Alexei Ratmanksy. His illustrations encompass the bedtime dreams of prima ballerinas, pink, and lots of candy and pastries. Ryden’s merry band of misfits includes a smiling half-dragon, half-muppet creature, and tiny humans masquerading as multilayered cakes. The two-dimensional drawings at Paul Kasmin are rendered in oil on board and graphite on paper.
[…]
Mark Ryden’s solo art exhibit, The Art of Whipped Cream, shows at Paul Kassman, May 20–July 21, 2017. Find more information about the show, here. Purchase tickets for the ballet, Whipped Cream, taking place at the Metropolitan Opera House, here.
Oh, this is something I wish I could see in person. If you have the chance, take it, because the building is slated to be destroyed in the beginning of June.
Base23 uses 3D installations in his room at THE HAUS. Image courtesy of Million Motions and the artist.
What happens when 165 street artists take over a single building in Berlin? The result is a five-floor urban art labyrinth boasting the work of creators from over 70 countries. There’s not a single canvas in sight. Filled with low-lights, sound effects, 3D casts, growing things, unnerving portraiture, tape, stickers, and smells, it feels as far from a traditional gallery as you can get.
This building was once an abandoned bank on the famous avenue Kurfürstendamm (colloquially “Ku’damm”). Now overflowing with indoor street art, it’s set to be demolished in June to make way for apartment buildings. But that’s part of the fun of it, according to the artists. And until then, anyone willing to brave the two-hour line outside is welcome inside, free of charge.
THE HAUS (tag-lined “Berlin Art Bang”) is a project kicked off by Kimo, Bolle and Jörni (all aliases), a trio of creators on the Berlin urban art scene for more than 20 years. While they operate Xi-Design, a hand-painted advertisements company, it’s their never-for-profit crew Die Dixons that built THE HAUS. After inviting their expansive network of artists to participate, they created the packed-out platform to put street art in the spotlight, offering a temporary, no-fee experience much like street art itself. “We have a huge network,” Kimo tells Creators, “and we’re very organized, but all this really came from the heart and from people’s willingness to do it.”
[…]
Artists range from Berlin natives to international activists, established crews to newbie collaborators, and individuals to nonprofit giants. Solo artist Urzula Amen constructed a fake grocery store-like room with graphic health-hazard labels in the style of cigarette warnings. Only rooms away, International Justice Mission created a room to look like an Indian brothel, complete with VR goggles to visualize the plight of a modern-day prostitute.
As for the no-phone zone, it’s there for audiences to “get back to the roots,” as Kimo puts it. “Use your eyes and feelings and emotions, standing in the rooms. Step back, look again, touch it. Stop looking at things through your phone, or on the internet. Experience it for yourself, and focus on the moment.”
[…]
Die Dixons are currently exploring new places to build another Haus. “We’re getting inquiries from Belgium, The Netherlands, and several other countries,” says Kimo. “They’re all saying ‘we have a building for you!’ This will not be the last Haus.”
Rotkäppchen Goliath is an agency for urban communication that was founded in 2014 in Vienna. Image courtesy of Million Motions and the artist.
THE HAUS will be destroyed at the beginning of June. For a floor plan and extensive artist overview, check out THE HAUS website. Follow them on Instagram @thehausberlin.
You can see more at The Creators Project.
Oh my. A post at The Creators Project brought all kinds of memories flooding back, especially in regard to KRLA. I remember The Freep fondly.
Psychedelic Center Ltd. Design by Jerry Kay; Sterling Steam Calliope Manufacturing Co., 1967.
Dezeen is not neglecting 4/20, they have an article up with their 5 top picks in the burgeoning weed business. Just a few here, click on over to see them all, and read about them!
Snoop Dogg’s Leaf Collection.
US rapper Snoop Dogg launched his Leafs line of edible cannabis products with packaging designed by Pentagram to skirt around US laws on controlled substances. The collection encompasses a variety of products containing cannabis, including chocolate bars, drops and gummy sweets, as well as boxes of flowers from various strains of the plant.
Jamie Wolfond.
Canadian designer Jamie Wolfond designed this simple glass pipe for smoking accessory brand Tetra. Crafted from borosilicate glass that doesn’t conduct heat, the pipe features a short stem pointing downwards, a long stem from which the smoke is inhaled, and a shallow chamber to hold the user’s substance of choice.
Printabowl.
Seattle startup Printabowl intended these water pipes for smoking pot to be put on display rather than be hidden “in a shoebox under your bed”. Each 3D-printed bong features a designs that references organic forms, such as angular crystals and rippling liquid.
It’s 4/20, if you have it, smoke it, and get your art on. There’s a lot to explore in the world of art and weed. We start with an exhibit at the Chesterfield Gallery in New York, with their show, Lit!
David Colton, ‘Untitled 2.’ Images courtesy of the Chesterfield Gallery.
You can see and read more here.
Sergio Garcia.
Illustration by Lia Kantrowitz.
Where the hell does “Roll It, Lick It, Smoke It” actually come from?
Nico Mazza.
These Pussy Pipes Remind Us “We Have Been Smoking Out Of Dicks”.
Also see:
Zooted Illustrations Depict Everyday People Smoking Weed at Home.
Miniature Weed Worlds Blend Tiny Toys and Stoner Humor.
Traditional Chinese Paintings of Cannabis Aim to Change Perceptions About the Medicinal Plant.
Weed-Friendly Art Classes Invite People to ‘Puff, Pass & Paint’.
“PeopleIRollOn” Gives Celebrities the Best Weed Beards on Instagram.
Three Dotty Foxes in the Pines.
The textural, nuanced scenes of brightly colored, frolicking creatures look collaged out of paper or brushed onto canvas, but in actuality, Michèle Brown paints with pixels on an iPad. A former art teacher and typography-trained artist who worked in fine art for most of her adult career, Brown was forced to pivot her professional and artistic goals due to an unexpected change in her health.
“I had to stop working because of a long-term illness,” Brown tells Creators, “which only allows me to be out of bed for about five hours a day. When the iPhone came out, I started playing and drawing on it while I was bed bound, and really got into it when the iPad first came out. I have tried all sorts of styles with it, but it really seems to suit my illustrative and imaginative side.”
Brown’s scenes evoke children’s book visuals are defined by an earth-toned texture and warmth. Her individual artworks often include imagery of wide-eyed animals that slice together large swaths of color, coming together in a scene that mimics a paper mâché or acrylic piece, but in reality, is a work of tablet and iPhone artistry. Brown’s fine art offerings are similarly immersive. Less amiable and imbued with their own unique texture, the artist’s fine art works possess a different lexicon of shape and form. Based in Cornwall, the British artist grew up both in France and the UK and has honed her bilingual skills and understanding of both cultures.
“I’ve created an imaginary world which I call Spottyland because of one of the first characters to come out of it, Spotty the fox. Nothing awful happens in Spottyland; the animals can be a bit naughty, but they are all vegetarian and underneath they have hearts of gold. Humor is a big part of what I do. I’ve been influenced by cartoon strips and dreadful puns, but only if it is kind. I like to make people smile and bring a bit of lightly mischievous harmony to the world. It is a place of safe retreat in an increasingly uncertain world.”
You can see and read more at The Creators Project. To see more works by Michèle Brown, visit her main Instagram, as well as Spotty the Fox’s website, and Brown’s fine art Instagram.