I love to see the bright, fresh blossoms on flowering trees in early spring, but around here the show hasn’t started yet and the trees seem to be waking up very, very slowly. In Germany, though, the cherry trees are in full bloom and Avalus has taken some gorgeous photographs to share with us.
©Avalus, all rights reserved
Something very special from Nightjar.
The Barberry shrub I planted last year in Caine’s memory (https://proxy.freethought.online/affinity/2018/08/22/a-living-remembrance/) is blooming right now and the bees have been visiting it. This Sunday I was finally able to take a few photos and I thought I should share.
©Nightjar, all rights reserved
W. T. Horton. A Book of Images. London: The Unicorn Press, 1898 — Source.
I think this one looks like the yellow brick road to the moon.
From the Public Domain Review
I couldn’t make up my mind about the Alice in Wonderland books. I like several of the early edition covers and they’re all striking in very different ways. I just couldn’t choose one over the other so today I’m showcasing three cover designs for this classic book.
Lewis Carroll. Alice in Wonderland – Through the Looking Glass. London, A. Wessels, Co.1900. –-source Blanche McManus
Alice in Wonderland and Through the Looking Glass were first published in 1899 as separate books. The cover pictured above is from the first edition of the combined stories. The attention to detail in the stitched cloth cover is amazing. I want to hold this one in my hand and let my fingers wander all over that gorgeous design.
Lewis Carroll. Alice’s Adventures in Wonderland. USA, Harper, 1901 –– source Peter Newell
This cover from 1901 might be my favourite. I love the small gilded Alice boldly pointing into a vast expanse of open space, ready to write her own adventure.
Lewis Carroll. Alice’s Adventure in Wonderland. Cassells, 1907. –source Charles Robinson
This Alice is full of whimsy and charm. She walks on a cobbled path that might be made of bubbles and she’s surrounded by stars and swirls and leaves made of lace. The overall design has an airy, magical quality to it. I also like the gold stitching on indigo cloth. It reminds me of fireworks against a night sky.
If you’re interested there are a few other early cover designs to see at the link below.
Friedrich Christian Accum. A Treatise on Adulteration of Food and Culinary Poisons. London, Longman, 1822 — Source
From: The Public Domain Review, The Art of Book Covers (1820 – 1914)
Pablo Cimadevila Álvarez is paraplegic from childhood, after a car run him over at 4 years age. But his mother told him that if he cannot run, he still can swim – so he did. And he went on to compete in several Paralympics and won several medals.
But besides sports he also designs and makes jewelry and had a smallish youtube channel where he shows his skill, which is really great.
This video of his went viral and his subscriber count exploded at the beginning of this year and very deservedly. Enjoy it – if you haven’t already. And if you had, it is re-watcheable (speaking from experience).
Joseph Jacobs, The most delectable history of Reynard the Fox (London: Macmillan and Co, 1895) –-source
C. Lockhart-Gordon. To the End. London: John F. Shaw and Co., 1898[?] — Source.
From: The Public Domain Review, The Art of Book Covers (1820 – 1914)
John Steinbeck. East of Eden: Penguin Books, 2012.Cover Art by Kathryn McNaughton
Kathryn McNaughton is a Canadian artist from Toronto. She was commissioned by Penguin Books, UK to design a series of covers for Steinbeck’s classic novels. This one is my favourite, but if you click the link below you’ll find the rest of the series.
From: ShitIheart
The Yellow Book. Volume III. October, 1894. London: John Lane. — Source. One of the many covers for the journal executed by Aubrey Beardsley
From: The Public Domain Review, The Art of Book Covers (1820 – 1914)
Charles Kingsley. The Water Babies. London: Macmillan and Co., 1886 — Source.
There are a lot of small details that make this one of my favourite vintage book covers; the blue leather etched to look like water, the brightly coloured flowers that float, bubbles and birds and flowing lines all adding up to the sense of being underwater.
From: The Public Domain Review, The Art of Book Covers (1820 – 1914)
Leonard Russell, The Saturday Book no. 11, 1951. Cover by Joan Hassall – source
Because it’s Saturday, of course.
From: Pinterest.ca
