
Richard Bowdler Sharpe. Sketch-Book of British Birds. London: Society for Promoting Christian Knowledge,1898 — Source.

Richard Bowdler Sharpe. Sketch-Book of British Birds. London: Society for Promoting Christian Knowledge,1898 — Source.

Captain Davis Dalton. How to Swim. New York and London: G. P. Putnam’s Sons, The Knickerbocker Press, 1899 — Source.
I like the way a few simple black lines make the water look dynamic.
My trees, or more precisely what is left of them after the disastrous spring of 2018, have started to grow rather merrily this year a few weeks ago. This picture was taken on April 28. and normally this sight would be a source of delight for me after a drab and colourless winter. This year it was a nightmare to behold.
As you can see, the trees are piled up under the benches and not on them – that is because this is how they were stacked for the winter, out of the wind, huddled up and askew, so water does not freeze in the pots in such a way that would break them apart. I had trouble to replant my trees for a few years by now, because I just could not get vacation time off at work, but that would not have been a problem this year. This year I was sick for six weeks non stop, and nature does not kindly wait until one heals. That meant that works did not continue at snail’s pace and on weekends only, as it was in the last years – they stopped completely.
However replanting bonsai trees, finished or even half-finished like most of these is a must. The roots fill up the whole container during vegetation season and eat up all the nutrients. The substrate gets compacted and does not take water particularly well anymore. There are species that can do without replanting for a year or two, but not more, and there are also species that simply must be replanted every year, no exceptions. The roots must be cut back and for some trees the time window at which this can be done can be very narrow and if the roots overgrow for too much and too long, they cannot be cut at all without significant risk to the tree’s health and life. When the tree starts to grow, it generally means that safe time to cut the roots is rapidly nearing its end – and in the picture above, all trees have started to grow.
Luckily the weather cooled down a bit again when I finally got time and was fit enough to work, so the trees slowed down their frantic spring growth again. Nevertheless I had to hurry up, a lot.
First thing that I have done to save time was to buy pre-made substrate this year and plant all trees in it. It is more expensive, and the pre-made substrate has some downsides (but to be fair some upsides too), but I just could not manage to mix my own substrate this year and still replant all the trees.
Second thing that I have done was to completely reorganize the glass house where my pomegranates grow – see the picture to the right. Those had to be replanted too. They are not in pots yet, but the roots must be cut as well, otherwise they would grow too long, thick and deep and the plant could not be put safely into the pot when the time comes. But pomegranates were grown very significantly already, and the only way to increase their chances to survive was to cut about 3/4 of their crowns (coincidentally, in the background you can see one of my three fig trees – it has sprouted nice sticks and I had to cut it back for place reasons – you might remember last year I feared it died due to late frost).
When the glass house was reorganized, I could take the trees that are in pots now in there and work on re-potting and neither rain nor snow could stop me. But, I hate to say it, I had to cut corners and I have done a rather sloppy job with many trees. Just like with the pomegranates, I had to cut crowns a bit more than I would normally do, so aesthetics went out of the window for the moment, important was to secure survival.
The same treatments have got all the trees that are not in pots but freely in a flowerbed, which is done either to rejuvenate damaged trees, or to allow for quicker and stronger growth in general for trees that are at the beginning of their journey to becoming a bonsai, like having their roots slowly reduced etc.
When I finally finished, I got a bit of luck this year – the weather got cold, but not freezing cold, for the next two weeks. We had even a bit of late snow.
That is not something that would make me happy, normally, but it did this time. It meant the trees grew slower, they needed less water and the constant drizzle and rain meant that unlike last year, they were not in danger of getting over-dried and overheated at just the wrong moment. So far, so good, by last inspection yesterday evening there were no signs of impeding disaster. I hope that when the weather gets warmer again (according to forecast this weekend), that they all resume their growth without problems. Lets hope.
Would some of you be interested in short series “Bonsai for Beginners”? I have been thinking about writing up something for people who might want to have a few bonsai trees or perhaps just one without making it a big-scale hobby – like what species to choose from and how to care for them, some generic advice etc. Let me know in the comments.

Sir Robert Ball. The Story of the Sun. London: Cassell and Co., 1910 — Source.
via – The Public Domain Review
Via: The Internet Archive

Henry. E. Roscoe. Spectrum Analysis. London: MacMillan and Co, 1869 — Source.

Charles Perrault (1628-1703), auteur ; Félix Lorioux (1872-1964), illustrateur, Paris, Ed. Hachette, 1919.
A delightful telling of the Red Riding Hood Story with artwork by Felix Lorioux, one of France’s best-loved artists. I’ve included a few interior plates below the fold. [Read more…]
The last resin pieces for now:
This set contains broken glass pieces, giving it even more the look of a crystal:
Mr. looked at the box with the glass shards and asked where I got that. It’s a funny story I told him. I turned around and then there was this strange noise and suddenly I found the glass all over the kitchen floor. Our tiles really hide the dirt well, but they show no mercy to any plate or glass dropped.
Next is a cherry flower:
I made three or four of these and I’m not entirely happy about them. First of all, pressing seems to have destroyed some of the structure of the petals and they became see through when I added the resin. Second I added holographic glitter and a black background and that’s too much for my taste, I should have stuck with one of them.
Next one is a galaxy oval:
Here the idea is that you cast two separate pieces and then glue them together, giving it dimensions and depth. I quite like the effect. This one is small as I wanted to practise first, but I can definitely see more of them in the future.
And last but not least a terrible photo of a pretty pendant:
Wind came up and it kept swinging so they were all out of focus. Can you guess what’s inside?
Yep, it’s a pine cone in resin, sawed into slices. I have another block with red and yellow, but I need to cut it first.
This concludes this series of work, but I hope there’s more soon.
Jack and I came across this timely bit of graffiti today that we wanted to share. This upcoming Sunday, May 12, is Mother’s Day and whoever left this message obviously wants the world to know that their mom is tops. I think my mom is pretty special, too, so we’ll be spending the afternoon together on Sunday at the nursing home where she lives. Mom is confined to a wheelchair by physical disabilities, but her mind is as sharp as a tack and she loves having visitors. She doesn’t want flowers or gifts because she shares a small room and there isn’t much space. Candy doesn’t appeal to her and she has a closet full of clothes and enough bath stuff and hand cream to last her a long, long time. There’s nothing she wants, except the gift of my time. She loves to hear stories about my life and to look at pictures together. Both things help to make her feel included and to keep her connected to the world outside the institution.
We’ll be taking in Kentucky Fried Chicken with all her favourite fixings and I’ve bought her some new underpants as a surprise. They’re the super soft cotton ones she likes best and they’re pink. She’ll be thrilled. After we eat, I’ll stroll her around the nursing home, outside if it’s nice, inside if it isn’t, and I’ll tell her all about my walks with Jack and the state of my garden and what’s up with my friends. For mom, it really is the simple things that matter most.
It’s all a bit strange, but I like it.
Some more resin, this time with a pendant I made specifically foe all my black tops with colourful flowers (I’m a sucker for the Spanish label “Desigual”). I still need to wire wrap it because a simple hook doesn’t seem fitting.
Some flowers react with the resin and suddenly you have a totally different colour. Here on the left is a violet, only that now it’s a yellowlet (please, nobody explain to me how to spell “yellow”, will you?). Same with the erica. The violas are holding up their colours well. I’m going to dry a whole bunch of them.
Next one is a leaping unicorn. This took me several tries because for some reason the Piñata magenta (a stock brand for resin) kept reacting with the blue and always turned a very dark violet and I needed to get a different pink from the company that also produces my resin.
This is one of two unfinished earrings to go with the unicorn. When I cast these bigger pieces and cut them into shape there are often interesting bits and pieces that get turned into earrings.
The final piece is unfinished yet and more of an experiment. I used one of the burl pieces to create a silicone mould. I cast some blue resin and then put it into one of my larger moulds and added the white, only that it’s too much white here, again hiding the burl structure. Currently my idea is to print a bird silhouette and add it, because it does have a sky-feeling to it.
BTW, I totally offer to sell/create piece for the FtB defence fund if anybody’s interested.
It’s time for some resin. I never catch up with posting all the stuff I create, but I’m doing my best.
I did my first tries with the burl Marcus sent and alas, there is something like too much blue.
The structure of the burl pretty much vanishes inside , leaving only the outside visible. You can also see that I didn’t catch all the scratches, but I left it at that because they’re only visible when seen against sunlight, which isn’t something that usually happens when you wear a pendent.
This one is smaller than the one at the top, cut from the same cast. With a lot of light you can guess the gold I added. I still love the burl and the second attempt is a lot better, but not yet cut and polished.
These ones, OTOH, turned out exactly as blue as I wanted them. Because here the focus is on the contrast between the birch and the resin. I cut this and the second piece from one block as well, both being about 3X5 cm.
Awww fuck it, there isn’t such a thing as too much blue, because, well, blue.
Here’s some trinkets that will probably get incorporated into other pieces. They’re cast in silicone moulds for fondant, so the finish isn’t glossy, but I quite like them.
