I managed to get the used plastic somewhat clean, and now that it is dry, I’m going to keep that pile for future art work. Since it’s damn near impossible to destroy plastic, it should last me a very long time and I don’t have to feel so guilty about it. The last piece done with the plastic:
Šúŋkawakaŋ (Horse). © C. Ford.
© Daniel Arzola.
Out: What prompted you to create the “No Soy Tu Chiste” campaign?
Daniel Arzola: Since I was a teenager I had been creating art with a purpose, with a social voice, a cry in a universal language. I started with poems, then photography, and finally illustration. For me art has always been a social expression. I called it “Artivism.” But, my story is not very different than the stories of so many gay and trans Venezuelan people. I had a difficult adolescence where I was constantly chased and bothered. When I was about 15 years old, neighbors tied me to an electrical post, took off my shoes and tried to burn me alive. They destroyed all my drawings.
I escaped. But, so many people don’t have the chance to escape from something like that. There was one guy who couldn’t run away—he was gay—his name was Angelo Prado. I saw it on the news. What struck me was that, even in this century, when you turn on the TV in Venezuela, if they talk about LGBT people, there is mockery. They are laughing about the pain of others. Making us a joke.
Weiß und Krieg und Kreuz, 2015. © Kaddi.
Beasty Art and Beasty Art | “Die Kunst ist eine Tochter der Freiheit.” – Friedrich Schiller.
Nakotah LaRance is a citizen of the Hopi Nation, six-time World Champion Hoop Dancer, and member of Dancing Earth Indigenous Contemporary Dance Creations. He is equipped with a game console, earphones, a Japanese graphic novel, and a dance hoop, to signal that he is both a traditional dancer and a fan of popular culture; he resists easy categorization.
Photograph by Will Wilson (Diné/Bilagáana), b. 1969
1992, from the Feather series
“1992 represents a future denied us in 1492. A kind of reminder that indigenous people have a future that they can make their own.”
Photograph by Larry McNeil (Tlingit/Nisga’a), b. 1955
Will Wilson is a Diné/Bilagáana photographer who has gone platinum (the platinum photographic process) with CIPX, The Critical Indigenous Photographic Exchange. Another photographer doing the same is Larry McNeil (Tlingit/Nisga’a). You can read more about these artists at http://nmai.si.edu/indelible/.
A major exhibition featuring contemporary photographs by Native American photographers Zig Jackson, Wendy Red Star, and Will Wilson in dialogue with photographs from Edward Sheriff Curtis’ renowned body of work The North American Indian will be at the Portland Art Museum through May 8th. There’s more about the exhibit and the artists here: http://portlandartmuseum.org/exhibitions/contemporary-native-photographers/
The Resurgence of Women-Only Art Shows
Clockwise from top left: Sonia Gomes; Shinique Smith; Perle Fine; and Eva Hesse. Credit Clockwise from top left: Ana Valadares; Gary Pennock; Maurice Berezov/AE Artworks; Henry Groskinsky/Time & Life Pictures, via Getty Images
While some artists are ambivalent about being viewed through the lens of gender, the all-women’s group show, which fell out of favor in the ’80s and ’90s, is flourishing again. At least a dozen galleries and museums are featuring women-themed surveys, a surge curators and gallerists say is shining a light on neglected artists, resuscitating some careers and raising the commercial potential of others.
These shows are “playing catch-up after centuries of women’s marginality and invisibility,” said the artist Barbara Kruger, who has both declined and agreed to participate in all-women shows. Galleries looking for fresh names to promote and sell have more than altruism in mind: They are sensing opportunity “to cultivate a new market,” Ms. Kruger said.
[…]
In Ms. Reilly’s 2015 Artnews article “Taking the Measure of Sexism: Facts, Figures and Fixes,” she showed statistically a vast gender imbalance in terms of museum exhibitions and permanent collections, prices, gallery representation and press coverage. Last year, just seven percent of the artists on view in the Museum of Modern Art’s collection galleries were women. “Obviously great women artists have emerged, but unfortunately those are still token achievers,” Ms. Reilly said.
If these shows don’t close the gender divide, they at least provide substantial investment and rigorous scholarship to illuminate narratives that have slipped from the art historical record. The intergenerational lineup of 34 sculptors at Hauser Wirth & Schimmel includes younger artists like Kaari Upson and Shinique Smith alongside modernist forerunners like Louise Bourgeois, Claire Falkenstein, Eva Hesse and Lynda Benglis.
An excellent article, and some great shows coming up.
It’s back! That’s amazing in itself, but most people will never have heard of this art project from the 1970s. If you have the chance to visit, take it. The Sister Chapel will be exhibiting at Rowan University Art Gallery West, Westby Hall, 201 Mullica Hill Rd., Glassboro, New Jersey, March 28–June 30, 2016.
Claudia Bicen shows the deep beauty of age, of impermanence. I’ve always had a deep and abiding love for Vanitas work, but I think there’s a tendency to show humans in vanitas only as skulls, or what detritus they may have left behind. Perhaps it’s in self defense that we skim over aging, in every day life as well as art. As an aging person, I’m all for seeing the beautiful in age, rather than looking away or being engaged in a desperate fight to fob it off. Bicen’s work is exquisite, go have a look.
Tat tvam asi – Pastel on wood block 12″ x 12″ – © Claudia Biçen 2013
Gauntlet Gallery, Visions & Reflections Group Exhibition (SOLD)
Editor’s Award – Portrait Competition 2013 – www.myartcontest.com
Denver Student’s Art Work, withdrawn
A 10th grade Denver student withdrew her work after receiving criticism from police. There’s insistence that this was done voluntarily, and it most likely was, but it both pains and infuriates me that the artist felt the need to do so. It’s not as if police killings, especially those where the victims are non-white people are some sort of rare event here in the States. The work seems self evident to me, but according to the meeting with the mayor and chief of police:
“I wanted to know from that perspective exactly what are you saying and what can you share with me that I can share with the men and women of the police department to kind of correct what that artwork portrayed,” Chief Robert White said after Friday’s meeting.
So, the work wasn’t clear, and he expresses a desire to “kind of correct” cops killing black people. I think that alone expresses very clearly the need for this type of artwork, whether the police like it or not. If they don’t wish to be portrayed as bigoted killers, perhaps they should stop being bigoted killers. (Yes, fine, qualifier: not all cops, just way too fucking many.)
The Engineering and Physical Sciences Research Council photo competition allows researchers and doctoral students to share their work in pictures, with winners from categories ranging from eureka to weird and wonderful. Award winning images of science in action. Thanks to Opus for the heads up.
A rotating jet of a viscoelastic liquid, which won first place in the weird and wonderful category
Photograph: Professor Omar Matar/EPSRC/PA
There’s a quotation group on Moblog, and it’s a lot of fun. You choose a quotation, then illustrate it photographically. Some quotations can be a real challenge. I’d like to do that here, but with a bit of a twist. Leave quotations you’d like to see illustrated here, and anyone can choose one, and illustrate it any way you like, with a photo, drawing, or other art form, then send it to [email protected]. Here’s an old one I did for the Moblog group, way back when, titled Perhaps:
“Perhaps the most lasting pleasure in life is the pleasure of not going to church.” – William Inge