Cultural Codex.

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https://culturalcodex.com/

A new online publishing platform is working to preserve and share knowledge of the cultures and languages of indigenous communities. Cultural Codex, developed by software company Dadavan Systems, invites anyone to contribute stories and experiences that record aspects of indigenous culture they want to celebrate, through personalized galleries that support text, video, photographs, and sound recordings. Currently in its early stages, the website features just a few dozen examples so far, but its creators envision archivists, artists, curators, museums, cultural and language centers, and many others producing online exhibitions and libraries that feature everything from archival material to personal reflections. Like those ancient, handwritten books from which the project takes its name, the growing resource will come together as a collaborative effort.

For a new platform, there’s a lot to see already, so do a bit of exploring and learn a little! Cultural Codex.

If you’d like to read more about the project, Hyperallergic has you covered.

Looking for Lost Cattle.

Some more of Kestrel’s amazing work: I finished off some tack for someone and got some pics with a new set-up for the background. I’ve set the doll up so he looks like he’s looking for lost cattle here. Will send a couple more of this set, of romal reins, braided headstall, pencil bosal (“bosalito”) with mecate and hanger and spade bit. I’m only showing the bosalito and mecate with hanger, here. The  saddle is totally wrong but it’s the only one finished at present.

I think the background works amazingly well, and serves to highlight such beautiful work. Click for full size!

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You can see the hand made sterling silver buckle pretty good in this pic. Also you can see the tassel (the vaqueros call it “la mota”).

You can see the hand made sterling silver buckle pretty good in this pic. Also you can see the tassel (the vaqueros call it “la mota”).

aaaand here you can see all the gear that a vaquero or buckaroo would use. First the young horse is taught to respond to the bosal, then gradually taught to carry the spade bit, while the rider uses first the mecate reins and then gradually starts using the romal reins.

aaaand here you can see all the gear that a vaquero or buckaroo would use. First the young horse is taught to respond to the bosal, then gradually taught to carry the spade bit, while the rider uses first the mecate reins and then gradually starts using the romal reins.

All images © Kestrel, all rights reserved.

Gabriel García Márquez.

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He would have been 90 years old today. In reading a remembrance, there was this particular quote:

“The more power you have, the harder it is to know who is lying to you and who is not. When you reach absolute power, there is no contact with reality, and that’s the worst kind of solitude there can be. A very powerful person, a dictator, is surrounded by interests and people whose final aim is to isolate him from reality; everything is in concert to isolate him.”

— From The Paris Review Interviews, Gabriel García Márquez, The Art of Fiction No. 69

How very apt.

Load Bearing Felt.

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I find all of this to be wildly attractive, it’s so Geigeresque.

A group of MAarch students from the Bartlett School of Architecture have devised a method of turning felt into load-bearing structures that they hope to build into an fabric pavilion.
The Flextiles project focused on developing a design system using a composite of felt fibres and expandable foam for reinforcement.

Students Noura Mheid, Hameda Janahi, Minzi Jin, Zoukai Huo found inspiration in the traditional craft of felt-making as well as the differential growth patterns found in nature – which is what gives their finished structures their distinctive, seaweed-like curls.

After exploring the load-bearing potential of these structures by crafting them into chairs they could sit on, they finished the project by presenting a fabric wall unit. The unit forms one side of what they hope they can one day extend into a full pavilion.

Their process stands in contrast to most current fabric architecture, which usually features soft fabric attached to a support structure. The Flextiles structures can be soft in some places and hard in others, transitioning smoothly from one to the other.

“Unlike traditional uses of fabric in construction, this technology introduces a new perspective on how to integrate structure into a soft material such as fabric and go beyond the typical disintegration between the draping of fabric onto a completely segregated support,” Mheid told Dezeen.

You can read and see more at Dezeen.

Moisés Hernández.

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© Moisés Hernández.

Mexican designer Moisés Hernández’ dipped his Immersed Birds collection in dye to emulate the plumage of tropical fauna. The wooden birds are based on the form and colouring of toucans, hummingbirds and Mexican quetzals – chosen for their bright, contrasting feathers.Hernández used computer-numerically-controlled (CNC) technology to mill soft, continuous wooden shapes that replicate the structure of the birds’ bodies. Exaggerated tubes form tails, while slender spikes make for beaks.

The designer then developed an experimental painting technique that immersed sections of the wood in coloured water. This allowed Hernández to create overlapping and contrasting layers of colour, and play with transparency – leaving the grain of the wood visible beneath the dye.

“This way, the birds acquire a duality where handmade and machine-made complement each other, resulting in three decorative figures,” said the designer, who has exhibited his work around the world.

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© Moisés Hernández.

Via Dezeen. Moisés Hernández’ site is full of wonders, oh, have a visit!

The Walled Off Hotel.

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The Walled Off hotel may sound utilitarian, even bleak. Its owner says it has “the worst view of any hotel in the world”, while its 10 rooms get just 25 minutes of direct sunlight a day.

But, nestled against the controversial barrier wall separating Israel from the Palestinian territories, the West Bank’s answer to the Waldorf offers travellers something more elusive than any luxury destination.

The lodging in Bethlehem is a hotel, museum, protest and gallery all in one, packed with the artworks and angry brilliance of its owner, British street artist Banksy.

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From the disconcertingly lavish presidential suite where water splashes from a bullet-strafed watertank into the hot tub, to the bunk-beds in the budget room scavenged from an abandoned army barracks, the hotel is playful and strongly political.

All the rooms look out on to the concrete slabs of the wall and some have views over it to pill boxes and an Israeli settlement – illegal under international law – on the hillside beyond.

“Walls are hot right now, but I was into them long before [Donald] Trump made it cool,” said Banksy in a statement. The artist, who fiercely guards his anonymity, first came to Bethlehem more than a decade ago, leaving a series of paintings on the barrier that have become a tourist destination in their own right.

Since then, the town’s pilgrim and sightseeing-based economy has been ravaged by ever-tighter Israeli controls on travel between Israel and the Palestinian territories, so the new hotel is expected to provide a welcome boost in jobs and visitor numbers.

Banksy’s reputation is likely to keep all rooms fully booked, but he wants guests to leave with more than just a selfie. “(It’s) a three-storey cure for fanaticism, with limited car parking,” he added in the statement.

The hotel opens to guests on 20 March, with bookings via the website.

You can read much more here, and the photo gallery is here. I hope it’s a great success, in every sense.

The Colors of Home.

The second journey that Lufthansa #inspiredby HEIMWEH takes us on, “The Colors of Home”, followers Nepalese jewellery designer Arpana Rayamajhi from her adopted city of New York to her native land of Nepal, in search of the meaning of home.

In the film, Lufthansa accompanies Rayamajhi from New York back to her hometown of Kathmandu, where the designer searches for her creative and personal identity. Having experienced a childhood influenced by strong Nepalese women, Rayamajhi finds herself navigating a city that is at once familiar and distant. In between this tension, she must learn to reconnect with her roots, be inspired by different versions of creativity, and experience a new feeling of what it means to be home.

Beginning in Kathmandu, Lufthansa’s voyage transports the viewer through the journey of color, sound and vibrancy of the capital, as well as the city of Pokhara and its regional provinces. Sweeping views of the Himalayas alternate with vast cityscapes, showcasing the vast diversity of both the country and  Rayamajhi’s inner journey.

Via iGNANT.

Fighting for Cultural Survival.

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Everything Anywhere.

A steel blindfold covers the head of a human female figure, yet, unlike Lady Justice, her arms and legs too are bound. Fiber, in an interlocking braid, ties her wrists, wraps her neck and belly, and snakes down to hitch her legs at the ankles. Over her shoulder, however, her hands clutch the means to freedom from her bondage: a soft white blade digs beneath the rope around her neck. Salvation via ceramics.

Artist Cannupa Hanska Luger was born on the Standing Rock Reservation. He is of Mandan, Hidatsa, Arikara, Lakota, Austrian, and Norwegian heritage. A graduate with honors from The Institute of American Indian Arts, in 2016 he was the recipient of the Native Arts and Cultures Foundation Artists Fellowship Award for artists who “represent the cultural continuity of Native peoples in contemporary contexts, and are the creative voices of their communities.” His work in sculpture is figurative yet imaginative, assembling a panoply of cultural symbols—feathers, bones, textiles—into signifiers all his own. More mythopoeic than surreal, it frames him as a medium, a psychic intermediary between colonizer and Native, ancient tradition and modern understanding, soft clay and hard ceramics.

Nature.

Nature.

 

The Creators Project has an interview with Cannupa Hanska Luger, you can see and read much more!

http://www.cannupahanska.com/