So whilst I am coating the dagger handle, scratching it with 600 grit paper and giving it each day a slight buff with acetone diluted linseed oil, I can continue to work on the scabbard. It will take a few weeks for the linseed oil to harden really properly, so there is no rush. However some of the works shown here were done in parallel with works already shown.

First thing to do is to properly shape the scabbard, leaving only about 1 mm thickness. Because the poplar wood that I have used is extremely soft, I was afraid to cut it for fear of taking away too much material. The most important rule in woodwork is – you can always cut, but you cannot ad. So I did not use chisels or a rasp, just an 80 grit sandpaper on a padded sanding block. My sanding block is a piece of wood with old carpet glued on the faces, and I am spanning on it endless belts that I used for my now dead small belt grinder. A wine cork is an excellent spanning device, allowing for quick change of belts and giving me the option of slack belt as well. When sanding around the throat of the scabbard I took care for the throat always face downward, so no loose grains fall into the scabbard and ruin the blade.

Next thing that I have done was to soak the whole surface with hot hide glue, priming it so other materials can be glued on. After the hide glue has dried, I have covered the scabbard with linen, which I have again thoroughly soaked in hot hide glue. I do not know whether this was actually done for scabbards (although from some of the images that Caine has posted it seems plausible), but I know for sure that the technique was known from early medieval times through to the modern times. Covering wood in fabric soaked in hide glue is very effective way to prevent the wood from splitting and twisting. Firstly it adds fibers that are perpendicular to those of the wood, secondly hide glue shrinks significantly as it dries, effectively pressing everything tightly together. This is one area where real hide glue has an irrefutable advantage over any modern glue. After the hide glue has dried up, I have again sanded the whole thing with 180 grit sandpaper to smoothen all knots and irregularities in the fabric.

To remain true to the game, I should use plain vegetable tanned leather, but this is one of the instances where I deliberately choose to stray away from my template and do something differently. For years I have a piece of dashing red leather that I wished to use for this project from the very beginning. It was of very irregular shape, but I was able to cut a piece big enough to cover the whole wooden scabbard from tip to throat. First I have cut a rough rectangle and then I continued to cut away tiny strips here and there until I had a piece that could be wrapped tightly around the scabbard with just about 1 mm space between the edges.
Then I had to make holes for stitching. This is fairly thin leather, so I had to make the holes very close to each other for fine stitching. I have made leather sheaths before, but I have never done this, so I did not know how exactly spaced the holes should be. I reasoned that about two-three times the thickness of the leather space between the holes and from the edge should be about right in order to be able to sew the edges together tightly without the leather ripping.

I could not find my awl, it seems that I have lost it. Luckily I had this super old knife whose blade was almost completely eaten away that could be quickly modified for the task of pokey-holey. About 200 holes. Oh boy.

For sewing I was going to use thick thread that is used for sewing jeans. For thicker leather I would have used thick linen thread, but that was a bit too thick for this job. Other threads we had at home on the other hand were too thin.

Before sewing, I have soaked the leather in lukewarm water (about 37 °C) for an hour so it becomes more stretchy and pliable. And I prepared the thread with the use of the unseemly mixture you see on the picture to the right. That mixture was made by boiling pine resin and beeswax and it was used by medieval shoemakers and saddlers to coat the thread before sewing. What are the advantages of that, you ask? Well it makes the thread bugger to work with as it becomes all sticky and latches onto everything – hair, pants, fingers, itself… Oh sorry, you asked about advantages. The thread does not split or fray during work, it is firmer and sleeker, despite the stickiness. If I coated the thread in advance and let it dry for some time It would not even be tacky, but I forgot about that. And I did not know how much thread I will need – it transpired that about ten times the length of the scabbard is about right.

When the leather was all soaked, I have prepared a small batch of hide glue again and started covering the scabbard. First I have sewn together the tip and about 1 cm of the length. Then I painted that part and the whole face of the scabbard with hide glue and inserted it in the leather pocket and started sewing and adding hide glue all round for each sewn piece. I have used a two-needle technique that I have found on the internet. It has the advantage of pulling the edges together very regularly and equally on both sides, so it does not warp and zig-zag as it could had I used just one thread. I must be honest with you – my needle work leaves a lot to be desired. I was doing my best, but I was losing the holes in this very thin leather and I skipped a few here and there without wanting to. It took me two hours to sew the whole scabbard – about 100 stitches on 27 cm length. My back ached and I was happy when it was over.

Last step was to poke and wrap holes for the straps. For these I have simply cut holes with a scalpel and inserted in the wet leather three skewers. The thread wrapped around will make visible grooves when it all dries up. If I wanted to, at this point I would also stamp and press the leather to decorate it. But I did not want to bite more than I can chew, for this project plain leather will have to do. I also formed the leather around the throat a bit, although I will have to get back at it once more – when it dries, I will have to cut all excess, wet it again with hot hide glue and form it better.

The scabbard is now nearly done, but the most challenging part is yet to come – I want to make metal chape and throating. And that is something I have never done and I will have to be really, really careful to not botch that up. And also think hard about how to do it, before I go cutting, bending, banging and soldering metal pieces together.

More about that next time. In the meantime you can admire my irregular stitches.

Let me tel you one thing upfront – this was the most nerve-wracking part of the whole job. For a moment there I thought that I have destroyed the whole thing and I will have to start all over again, which I am not completely sure I would be able to.

First setback was the guard – look on the picture, do you see it? I did not notice it when I have made it, and it escaped my notice for quite a few days, but when trying the assembly I noticed a sizable gap between the guard and the tang. It is only about 0,3 mm, but the mirroring of the blade and the guard make it visually double that size. I thought that I will use it anyway, but it pissed me off and in the end I reckoned that having a botched project on which I have already spent probably about 50 or more working hours due to a part that takes about 3 hours to make is not worth it, so on Friday I have made a new guard. The fit was still not perfect, but this time it was good enough for me to live with it.

As I said, the wooden handle was a bit shorter than intended. Original intent was to have the bowl-shaped rondel fit snugly onto the end of the handle. But since I had to make the end of the handle flat, I had to do something to prevent the rondel from collapsing. So I needed not only the knob/nut into which the tang will be peened, but also a washer between the handle and the rondel. Both of these I have made from an old window hinge. which I first have polished with angle grinder and soft abrasive pads and then cut off a piece with hack saw. I drilled a 5 mm hole in the middle (badly) and cut the piece into two parts – the washer flat on both sides, and the nut flat on one side, and rounded on the other. I have also chamfered the outer edges on the hole in the nut, for the peening to hold on to.

Then came the fitting of all the parts together. You might think that since I have burned the hole with the tang, there would be a perfect fit, but you would be wrong. It had quite a lot of radial wobble and charcoal dust kept falling out of it. So I have taken a rat-tail rasp and filed the burned wood away, which of course made the wobble even worse.

But I had a solution to that in mind. I remember that in Ivanhoe it is mentioned that tangs were fitted into handles by a mixture of glue (resin) and crushed brick. That makes sense – crushed brick is chemically stable, compression-strong material that is nevertheless porous enough to be effectively glued. Crushing brick was no brainer, just wrap it in a rag and let a 2 kg hammer fall on it a few times, letting the gravity do the job, and then sieve it to get fine dust. However since I run out of resin and have not yet managed to get to the forest to get some new, I have decided to use hide glue instead.¹ It did not work out as intended.

To be fair, I think the idea was sound, it is my execution of it that was wrong. I have used paper masking tape to protect the blade against scratches during this work, but the guard and the bolster were completely unprotected. Further I knew that this paper tape does not protect against moisture and rust, so I had to do the whole assembly in a few hours so I can remove the tape afterwards and oil everything. Had I used molten resin, that would be possible (probably – we will see next time), but hide glue needs of course time to dry, and I did not dare to let it wait for fear of rust getting on the polished surfaces.

Here you can see that I had a lot of tang before my first attempt. Until this point everything went smoothly and I did not expect any trouble. Oh was I wrong, yes I was. In addition to the glue not being hardened I have made a few bloopers.

First was that I have not secured the rondel with tape – it fits properly only one way around and could not be rotated willy-nilly without unseemly gaps appearing. The side that is supposed to point towards the cutting edge of the blade was marked, but only on the inside, not on the outside.

Second was that I have not hammered the nut sufficiently on the whole thing and it remained hanging on the tang a few tenth of a mm above the rondel without me noticing it.

Third was to not shorten the tang sufficiently.As a result the tang was too long and its end has bent during peening.

The result was a handle that wobbled and was out of center and a rondel that did not fit and was askew like drunkard’s hat. I did not take a picture of that shameful display. Nor did I make pictures of following works, because I was too stressed out to think about that.

Because his was the point where I thought that I have botched the job and that I will have to at the very least try to weld on a tang extension. I ground off most of the badly peened end and after a few minutes of work with a vice I managed to rip the nut off. Luckily it seemed there is enough tang left when I make the nut a bit thinner. So I have filed the nut about 1 mm down and tried again. The trouble was the centering of the grip. The mixture of glue and brick was just not strong enough in such a short time to get the grip center and hold it there. In the end I had to hammer and file three small (circa 0,5 mm thick) steel wedges that I have positioned around the tang before hammering the handle onto it until the bolster met the guard. I had to pull it of and monkey around with the wedges three times, filing them and hammering them thin, before I was satisfied.

For second attempt at peening I have not only made a mark on the outside of the rondel with a sharpie, I have also fixed it with tape before peening. And before peening I have put aluminium tube on the nut and hammered it down so it lies tightly on the rondel. This time peening the end of the tang with ball peen hammer went smoothly and without problems. There was a teensy bit too little tang for  the peen to completely hide during polishing, but I can live with that. Here you can see the peen before polishing.

The dagger is now nearly complete. Now I have to re-polish and re-buff the rondel, because I have scratched it, and to soak the handle with linseed oil. That will take a few days to polymerize properly, and in the meantime I will continue work on the scabbard.

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1 – I could of course use epoxy and save myself a lot of trouble, but from the start I wanted to do this project using only materials and methods that are appropriate for medieval-ish dagger. I have only used modern things where that saves time, but does not have an effect on the composition and aesthetics of the result.