Thanks, Abear! Trumpeter Swans. Click for full size.
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Art, Fun, & Nonsense.
Thanks, Abear! Trumpeter Swans. Click for full size.
The Resurgence of Women-Only Art Shows
Clockwise from top left: Sonia Gomes; Shinique Smith; Perle Fine; and Eva Hesse. Credit Clockwise from top left: Ana Valadares; Gary Pennock; Maurice Berezov/AE Artworks; Henry Groskinsky/Time & Life Pictures, via Getty Images
While some artists are ambivalent about being viewed through the lens of gender, the all-women’s group show, which fell out of favor in the ’80s and ’90s, is flourishing again. At least a dozen galleries and museums are featuring women-themed surveys, a surge curators and gallerists say is shining a light on neglected artists, resuscitating some careers and raising the commercial potential of others.
These shows are “playing catch-up after centuries of women’s marginality and invisibility,” said the artist Barbara Kruger, who has both declined and agreed to participate in all-women shows. Galleries looking for fresh names to promote and sell have more than altruism in mind: They are sensing opportunity “to cultivate a new market,” Ms. Kruger said.
[…]
In Ms. Reilly’s 2015 Artnews article “Taking the Measure of Sexism: Facts, Figures and Fixes,” she showed statistically a vast gender imbalance in terms of museum exhibitions and permanent collections, prices, gallery representation and press coverage. Last year, just seven percent of the artists on view in the Museum of Modern Art’s collection galleries were women. “Obviously great women artists have emerged, but unfortunately those are still token achievers,” Ms. Reilly said.
If these shows don’t close the gender divide, they at least provide substantial investment and rigorous scholarship to illuminate narratives that have slipped from the art historical record. The intergenerational lineup of 34 sculptors at Hauser Wirth & Schimmel includes younger artists like Kaari Upson and Shinique Smith alongside modernist forerunners like Louise Bourgeois, Claire Falkenstein, Eva Hesse and Lynda Benglis.
An excellent article, and some great shows coming up.
Carl StrüweCourtesy Steven Kasher Gallery, New York
Carl Strüwe: Microcosmos showcases more than 50 black and white photos from the photographer’s archive. They’re a fascinating blend of art and science—despite the fact that Strüwe didn’t consider himself a scientist. A self-taught photographer, he worked as a graphic designer for most of his life in Bielefeld, Germany. In the waning days of World War II, a bomb fell on Strüwe’s studio and destroyed most of his prints, but the end of the war saw his career to take off. He had solo shows in the US and Europe and in 1955, published a compilation of his micrographs in the book Formen des Mikrokosmos.
Carl Strüwe: Microcosmoswill be on show from April 15 – June 4 at the Steven Kasher Gallery in New York.
http://www.wired.com/2016/03/designer-peered-microscopes-saw-high-art/
The most rewarding thing about this photography project is getting emails from LGBTQ Muslims from around the world who are finding out about the exhibitions via this Tumblr. It’s really, really restoring my faith in social media. Trying not to get too emotional about this but it’s hard not to.
The idea of doing a photography exhibition featuring queer Muslims came to me a couple of years ago. I wanted to show everyone the creative and brilliant LGBTQ Muslims I identified with the most and would hang out with at art shows, queer dance parties and Jumu’ah prayer. So I picked up my camera and decided to photograph what I was witnessing. In the words of the brilliant Dali (who I shot for this project), “we have always been here, it’s just that the world wasn’t ready for us yet.” I hope you love the photographs as much as I loved taking them.
Photography and interview by Samra Habib Who: Samira, Toronto
I was born in Tehran, Iran. I have very faint memories from that time, some I would like to erase and some are irretrievable. I can tell you however that there were always people over at our house and there were always lively debates happening, usually centred around world affairs and politics. My parents ingrained in me a deep appreciation for social and political justice; from a very young age. … http://queermuslimproject.tumblr.com/
By Turbotorque (Own work) [Public domain], via Wikimedia Commons
The whole process is annoying and meant to be humiliating, and generally speaking, those who get to undergo this nonsense aren’t exactly getting the great stuff, med-wise. Anyway, what with all the holiday stuff happening right at the time of my last appt., my PMP forgot to get a test from me, so tomorrow is my first time being placed squarely under the federal thumb of drug paranoia. Oh what fun. I loathe the idiotic drug laws in this country.
Jayne & Dolly. (Those names weren’t our idea. They had firm feelings on what they’d answer to.) Jayne (in the back) is eight years old, and Doll is thirteen years old.
TW: descriptions of vicious, horrible violence below. Take care. Also, links are NSFW.
© Andrew Mroczek and JuanJose Barboza-Gubo
Today we are featuring two series by collaborative artists Juan Jose Barboza-Gubo and Andrew Mroczek. With these projects, the artists hope to increase dialog and promote awareness and positive change for LGBTQ communities, especially in Peru, where transwomen are targets for violence, rape, and murder, and have been forced to lead lives on the fringe of Peru’s society with minimal opportunities, limited access to education and healthcare, and no laws to protect them.
For the first series, Virgenes de la Puerta, many of the images in the series were captured with an 8×10 view camera.
The second series, Fatherland, examines haunting spaces and landscapes throughout Peru, both rural and urban, where murders or violence against LGBTQ people have occurred.
Joel Arquímedes Molero Sánchez, 19 (Gay, Murdered, 2013)
Joel was tortured by having his genitals, fingers, and toes cut from his body. He was beheaded and burned on a straw mattress beside a landfill. His body was identified by the bracelet he wore on his right hand. Rodriguez de Mendoza, Chachapoyas, Amazons, Peru, 2015
The McClain Gallery in Houston, Texas is presenting both series in an exhibition titled, Canon, which will be in conjunction with the FotoFest 2016 Biennial, opening March 19 and running through May 14, 2016.
This work has also been featured in The Advocate. The images at the links are not safe for work. NSFW.
Oh, so beautiful! Visit Mark Mawson and Alberto Seveso. Thanks to Marcus Ranum for the heads up.
© Mark Mawson
© Alberto Seveso
Picasso’s signature Image: Wikimedia Commons
Looking for a blockbuster piece of art investment advice? Here’s one: “It is more profitable to invest in the artworks of more narcissistic artists.”
That a line from a new paper in the European Journal of Finance by Yi Zhou, a Florida State University professor who studies empirical asset pricing.
“You know, my data does support that: Narcissistic artists will have higher prices and they will have more recognition in the art world,” Zhou told me earlier today in a phone interview. “If I had a large pool of money, I am pretty confident that this result holds strongly.”
Maybe it’s no surprise that art actually rewards the self-absorbed. But how to prove it?
Zhou’s answer: Measure their signatures.
I’m no scientist, and this strikes me as shallow at the very least. There is one thing I can seriously agree with though:
Zhou cites one definition of clinical Narcissistic Personality Disorder: “an exaggerated sense of entitlement, exploitative tendencies, empathy deficits, and a need for excessive admiration.” Sounds like behavior that is rewarded in the art world to me!
Yep, absolutely. If you’re looking for pretentious assholes, the art world is a great place to find them.
Photo taken by contributor Kyle Anderson, a man from Saskatchewan, Canada. Kyle is a health care professional in his forties who has battled depression and addiction for most of his life. He escapes by letting the camera become his mind’s eye, and hopes that each photo he takes allows others to see the world as he sees it, even for a split second.
About this photo: “Selfie. Who is the one that is really seeing a distortion? Is it you or I?”
The Broken Light Collective, the online photography gallery for people affected by mental illness. Broken Light’s main goal is to create a safe and accepting environment where photographers of all levels who are affected by mental health issues can display their work, as well as inspire one another to keep going and keep creating, despite the dark or scary places in which they may find themselves.
I think it’s important to remember that art has an important place in helping people cope with serious illness and problems. Myself, I know how much focusing on photography can get me through very bad times with PTSD, and how much art work can help in not focusing on every day physical pain. There are times when the physical pain I deal with is enough that I just want to stop altogether, because pain is my whole landscape. Those are times when channeling all that into art is the only thing that saves me. Life is a struggle for so many, and art can ease that struggle a great deal. Being involved in art work, especially with others who are coping with illness can provide strength and a necessary social connection, as well as helping to fight off the internal and external stigmas of mental illness.
The rest of the animal fence can be seen here.
