A Few Words from Alan Cumming…

#ArtAgainstHate PLEASE SHARE by reposting, or volunteer if you would like to partake in this project. Help build a community with us by raising awareness of the bullying this administration is enabling. Find empowerment in the words they call you. In these chaotic times it’s easy to lose grasp of hope for this troubled country. Yet if we open our hearts and our minds to the lush array of souls and energy that surround us every day we can find common ground. And if we advocate others to try their best to learn just one positive thing about that person who may seem so alien on the surface, perhaps we all will discover that beneath the masks that we hide behind are actually more similarities than differences. And one by one, may we shed these words of hate that are spawned by fear of the unknown. #Model: @alancummingsnaps #Photographers: @StevenTrumon & @GINGERB3ARDMAN #MAKEUP: @makeupartbynoel #Retouch Collab: @shinehorovits #ArtistsAgainstTyranny #SpreadTheWord #LoveTrumpsHate #AmericaTheBeautiful #UnitedNotDivided

A post shared by Alan Cumming (@alancummingsnaps) on

#ArtAgainstHate PLEASE SHARE by reposting, or volunteer if you would like to partake in this project. Help build a community with us by raising awareness of the bullying this administration is enabling. Find empowerment in the words they call you. In these chaotic times it’s easy to lose grasp of hope for this troubled country. Yet if we open our hearts and our minds to the lush array of souls and energy that surround us every day we can find common ground. And if we advocate others to try their best to learn just one positive thing about that person who may seem so alien on the surface, perhaps we all will discover that beneath the mask we hide behind are actually more similarities than differences. And one by one, may we shed these words of hate that are spawned by fear of the unknown.

Source.

Looking for Knives.

Morissa Maltz.

Morissa Maltz.

Visiting Hot Springs, Arkansas is like walking into the past. A city stuck in time, it’s known as much for its history and naturally heated springs buildings as its mix of 1800s architecture and Art Deco—structures that are slowly crumbling yet still magical. One of the city’s iconic buildings, the gigantic and once abandoned Majestic Hotel, was recently demolished. A week before its dismantling, however, artist and filmmaker Morissa Maltz shot a video inside the hotel. Equal parts documentary, performance art piece, and music video for Dyan’s “Looking for Knives,” it is the final document of a space that held huge amounts of history.

In “Looking for Knives,” Maltz’s camera drifts through the hotels innards. Though The Majestic suffered a fire in 2014, the video focuses instead on paint peeling off walls and floors turning into dirt. Inspired by female artists like Pipilotti Rist, Francesca Woodman, and Maya Deren, for whom the body expresses emotion inside a space, Maltz also performs in the video, moving through the hotel’s crumbling corridors and interacting with its surfaces.

A lovely, haunting video and song. You can read and see more at The Creators Project.

The National Park Stunt.

White House press secretary Sean Spicer, right, holds up a check during the daily briefing with Interior Secretary Ryan Zinke, left, and Harpers Ferry National Historic Park Superintendent Tyrone Brandyburg. CREDIT: AP Photo/Susan Walsh.

White House press secretary Sean Spicer, right, holds up a check during the daily briefing with Interior Secretary Ryan Zinke, left, and Harpers Ferry National Historic Park Superintendent Tyrone Brandyburg. CREDIT: AP Photo/Susan Walsh.

First, another photo distraction. Look at Zinke eyeballing that check – he looks like he’s about to lunge, grab it and run. The National Park stunt, it’s bullshit, so don’t swallow it. The Tiny Tyrant needed a distraction from the set of Damocle’s Swords hanging over his head, so this little stunt was staged. And it is quite little – $78,333 to the National Park Service. Given that his ideal budget strips the NPS, among many others, this is an empty gesture, and worse. Neither Trump nor Zinke give one tiny squirtle of a shit for land. They are both in favour of more pipelines, poisoned water, coal mining, strip mining, fracking, drilling for oil in protected reserves, and wholesale pollution. This tiny little check of a photo op is toxic bullshit of the highest order. While the Tiny Tyrant could not possibly care less about caring for our planet, there is one thing he sorta kinda cares about, battlefields. Yep. So incredibly important to maintain historic battlefields! What’s more important than the reminders of bloody slaughters?

…And as far as his donation, it falls well short of the cuts Trump himself would impose on the National Park Service’s supervising agency, the Interior Department.

Trump’s budget calls for a punishing 12 percent cut to the department, which manages the United States’ public lands. It would eliminate some of the department’s programs altogether, including the $13.2 million National Wildlife Refuge Fund and the $20 million funding for the nation’s 49 National Heritage Areas. It would also decrease funding for land acquisition — such as land that would be added to the nation’s national parks, and then stewarded by the NPS — by $120 million.

Zinke, in his remarks thanking the president, said he would put the money towards the department’s $229 million shortfall in maintenance of the United States’ historic battlefields. According to Spicer, Trump chose to give the money to the NPS himself, specifically because he was interested in restoring the battlegrounds.

“It’s a decision he made. Counsel presented him with several options. He believed… some great work is being done there, especially work being done to restore our great battlegrounds,” Spicer said.

Right. Fuck you, Trump. Think Progress has the full story.

The Problem With Trump.

Los Angeles Times.

Los Angeles Times.

The LA Times has a searing series on all the ways the Tiny Tyrant is problematic. Part I is Our Dishonest President. * Part II is Why Trump Lies. * Part III is Trump’s Authoritarian Vision. Part IV will be published on Wednesday.

These are a must read. Clear, concise, and chilling with condemnatory truth.

In a matter of weeks, President Trump has taken dozens of real-life steps that, if they are not reversed, will rip families apart, foul rivers and pollute the air, intensify the calamitous effects of climate change and profoundly weaken the system of American public education for all.

His attempt to de-insure millions of people who had finally received healthcare coverage and, along the way, enact a massive transfer of wealth from the poor to the rich has been put on hold for the moment. But he is proceeding with his efforts to defang the government’s regulatory agencies and bloat the Pentagon’s budget even as he supposedly retreats from the global stage.

These are immensely dangerous developments which threaten to weaken this country’s moral standing in the world, imperil the planet and reverse years of slow but steady gains by marginalized or impoverished Americans. But, chilling as they are, these radically wrongheaded policy choices are not, in fact, the most frightening aspect of the Trump presidency.

What is most worrisome about Trump is Trump himself. He is a man so unpredictable, so reckless, so petulant, so full of blind self-regard, so untethered to reality that it is impossible to know where his presidency will lead or how much damage he will do to our nation. His obsession with his own fame, wealth and success, his determination to vanquish enemies real and imagined, his craving for adulation — these traits were, of course, at the very heart of his scorched-earth outsider campaign; indeed, some of them helped get him elected. But in a real presidency in which he wields unimaginable power, they are nothing short of disastrous.

Highly Recommended, go read!

Susan Rice: No Bombshell At All.

1 awHigO8Yji8mlINIGaqBng

National Security Advisor Susan Rice follows President Barack Obama across the South Lawn of the White House in Washington, to board Marine One, Thursday, July 7, 2016. CREDIT: AP Photo/Carolyn Kaster.

Conservatives and Nazis are jumping all over a non-existent bombshell, which has to do with former National Security Advisor Susan Rice. If you’re interested in the truth of the matter, go on over to Think Progress to get the facts. All that really needs to be noted about this compleat lack of a story is that it was spread all over the place by Nazi Mike “Pizzagate!” Cernovich.

It’s yet another case of bullshit. Don’t swallow it. The totally phony Susan Rice story, explained.

Also see: Trump Junior Is A Fucking Idiot.

Pye!

Early this morning, I noticed my favourite Grackle was back, Pye, who is leucistic. Pye is extremely touchy in the presence of a camera, so it’s not easy getting a photo. I do know how to get him to show up though, Pye has a serious weakness for any type of baked goods, so I baited the tray with muffin and waited. He finally showed, and hasn’t become more tolerant of shutter noise. Click for full size.

Pye1

Pye2

Pye3

© C. Ford.

The War Over the Blackest Black.

hqdefault

^That is Vantablack, a ferocious matte black which absorbs 99.96% of the light that hits it, and no matter what’s underneath Vantablack, it looks flat and completely empty. Vantablack was extremely exciting in artist’s circles when the news first broke, but it had barely broken before Anish Kapoor brokered an exclusivity deal. That didn’t go down well among artists. The world’s blackest black, and only available to one artist? Stuart Semple, another British artist, fought back with the World’s Pinkest Pink, and the Most Glittery Glitter, available to everyone except Kapoor. Now Semple has come out with Black 2.0, his answer to Vantablack 2.0:

1490980996634-black-20

Before anyone starts scratching their heads over this, wondering WTF, yes, artists are rather obsessed with black, and in particular, a matte black which will eat light. It’s a thing, what can I say?
Black 2.0 is available to all, except Kapoor.

Now, with the recent release of Vantablack 2.0, which is the world’s newest blackest black, Semple has released his own newest blackest black. Called Black 2.0, Semple calls it “the most pigmented, flattest, mattest, black acrylic paint in the world.” Much like Vantablack, it’s able to turn 3D surfaces into flat-looking holes, but it’s not quite got the staring-into-the-abyss qualities of the original. (Or the laser-eating capabilities of Vantablack 2.0, which the researchers at NanoSystem have said is “so black that our spectrometers can’t measure it!”)

You can read all about the blackest of black wars here.

Killer Cop: “It’s a lynch mob!” “I’m the victim!”

Tulsa police officer Betty Shelby (Photo: Tulsa PD).

Tulsa police officer Betty Shelby (Photo: Tulsa PD).

Remember Betty Jo? She’s the cop who murdered Terence Crutcher, who had his hands up. I’ve posted three times prior about this case: one, two, three. The third post was about her first attempt at a defense, “auditory exclusion”, claiming she was so stressed, she went temporarily deaf, and didn’t hear back up arrive. There were many problems with that so-called defense, not the least of which is how she missed the taser dot on Mr. Crutcher, aimed by her back up. Now Ms. Shelby has shown up on 60 minutes, where she woefully claimed that she was the victim, and she’s had a lynch mob after her.

In an interview with 60 Minutes aired Sunday night, Betty Jo Shelby both insists that her killing of Terence Crutcher was justified and portrays herself as the real victim in this saga. After a video snippet of protesters calling for her resignation, Shelby likens the Tulsa community’s accountability demands to “a lynch mob.”

“My situation was no different than — I don’t know whether I should say this — than a lynch mob coming after me. And I had those very threats,” said Shelby.

Lynch mobs kill people. Betty Shelby still has a job. She faces at most four years in prison in the statistically unlikely event that a jury decides her killing of Crutcher was unlawful manslaughter rather than justifiable police action.

It is unusual for someone accused of manslaughter to go on national TV to discuss specifics of a case before a jury has heard it. Potential jurors will now likely have seen both raw videos of Shelby killing Crutcher, and CBS’ tight repackaging of the Shelby team’s narrative of what the videos do and do not show.

This is beyond disgusting. It’s bad enough to have a bigoted, homicidal cop roaming about, and it’s already clear there won’t be justice for Terence Crutcher in this case. The charge is manslaughter, and even if convicted, which is doubtful, the maximum sentence is four years. That’s not much for gunning a person down in cold blood.

Shelby insists that implicit racial bias played no role in her decision-making that day.

[…]

She agreed with Whitaker that Crutcher’s death was “avoidable” but ultimately lays the blame on the dead man.

“If he would have communicated with me, if he would’ve just done as I asked him to do we would not be here,” Shelby said.

Right. Shelby isn’t a bigot at all, and Terence Crutcher is dead because Terence Crutcher. The depth of racism white people in uStates carry around is deep and ever present, and it’s past time that everyone else keeps turning a blind eye to it. That said, I have no faith the jury in this case will do the right thing.

Full story at Think Progress.