Make Our Planet Great Again.
TrumpiLeaks.
Via Raw Story.
Affinity
Art, Fun, & Nonsense.
Kaldari/Wikipedia.
A fascinating story about a rain of jumping spiders, their penchant for hunting laser dots, scientists being brought together on Twitter, and how Jumping Spider eyes are built just like Galilean telescopes – they can see the moon. If you, like me, start following videos from the main one at the site, you’ll find all manner of people who keep these friendly and smart beings as companions.
Twitter Audit.
Bots have always been a problem. They are now a much bigger problem, on Twitter in particular. Too many people are gullible, and far too many people simply do not take minutes out to fact check things. Fact checking can be tedious, but it’s part and parcel of being informed these days. Twitter bots have gotten a bit more sophisticated, not much, but enough to fool people, and that’s really all they need to do. This makes it much more difficult to refute all the fakery and Trakery™ out there. Bots can also outperform people, so there’s much more nonsense than valid information on the loose.
A bot will write on Twitter in clunky English, reciting paragraphs of propaganda or fake news in compartmentalized tweets, often featuring rudimentary linguistics and nondescript profiles. Unlike computer programs, frustrated citizens and real people online engage with the context of specific posts, respond to counterpoints and typically use profiles that reflect human personalities. “They’re yelling fools,” Philip N. Howard, a sociologist at the Oxford Internet Institute, told the New York Times, “and a lot of what they pass around is false news.”
But bots—including those designed to support the Trump presidency—are continuing to invade social media and create chatter at such a rapid speed, that the differences are becoming blurred for many users attempting to keep a grasp on reality in 2017.
[…]
But as of recently, many of those bots appear to have one common and undeniable goal: to protect and defend the 45th president of the United States.
[…]
The Trump bots are active virtually 24/7, and especially during times when the president is furiously tweeting.
“A bot army can be utilized for a number of dishonest purposes, chief amongst them, misrepresenting public sentiment about whichever topics the controller has interest in,” Brad Hayes, fellow at MIT’s Computer Science and Artificial Intelligence Lab’s Interactive Robotics Group, told NY Daily News Saturday. “If 3 million people started tweeting in favor of or against a particular topic, would it shift public perception? What if those same 3 million people targeted every source you use for information? It’s fair to say that this kind of written ‘show of force’ can certainly alter perceptions.”
There’s much more at Raw Story.
Sharif Hamza.
Sharif Hamza.
London-born, New York-based image maker Sharif Hamza collaborated with make up artist Georgina Graham and video artist Tony Oursler to create the photography project “Purple. Oursler”.
You can see and read more at iGNANT.
無料欲望/yoshi47 from GOOKUDA on Vimeo.
Mural for “Forest For the Trees” in Portland.
The art of Yoshi47 is a must see, vibrant, engaged, happily psychedelic, and mindful. You can see much more, and read more at Spoon & Tamago.
And last, but not least, TOIO!
Toio, at first glance, is stunningly simple: the core of the toy is just 2 white cubes with wheels. But don’t be fooled by their appearance. The tiny cubes pack a whole lot of tech. They respond to motion, are able to detect the exact location of the other, and can be programmed but also remote controlled.
It would seem that the possibilities for toio are endless, which is why the developers teamed up with various creatives and designers to come up with various craft sets that help kids explore what robots can do. You can create your own robotic beast and battle others, you can play board games with them and you can make obstacle courses for them to go through. Sony has even teamed up with Lego for this project, allowing kids to build Lego structures on top of their robots.
But one of the most attractive features is a craft set designed by the folks behind the lovable PythagoraSwitch TV segment. It’s a simple paper set that encourages kids to join the two white cubes using paper. The cubes then interact with each other and come alive, resulting in different movements.
Check out the videos to get a better sense of what toio can do. Sony has released a limited quantity of toio sets that start at 21,557 yen (about $200 USD) and go up to 33,415 (about $300 USD) depending on how many craft sets you want to add on.
Via Spoon & Tamago.
Credit: Imzy.
Imzy, the “nice Reddit” has been laid to rest, and is being mourned by its users. It would seem that nice has little place on the ‘net, and has once again been chased into small pockets here and there in the netverse.
After a long bout of illness and injury sustained from battling racism, misogyny, and general depravity, Imzy — the last hope for human decency on the internet — has died. It was 2 years old.
Imzy, the “nice Reddit” created by Jessica Moreno and Dan McComas, two former Reddit executives who left the company in 2015 amid intense controversy over their anti-harassmentpolicies, will officially shut down June 23.
The reason? There’s no room for a platform that promotes basic politeness in the social media market.
In a blog post announcing the impending shut down Wednesday, McComas wrote “it is time for us to shut down the site” as Imzy couldn’t find a “place in the market.”
[…]
Imzy’s sunset isn’t just a loss for users, who regarded it as a place of belonging, it’s also a sign that the worst things about human interaction — bullying, harassment, forums dedicated to promoting racism, anti-Semitism, and xenophobia, unsolicited photos of genitalia, beheading and other snuff videos, child pornography — are likely permanent fixtures on the internet, and by extension in society.
[…]
Maybe this is what life on the internet is supposed to be. After all, the internet is just a mirror of the society it serves and a product of the biases and blind spots of a technology’s creators, so why would we expect it to be any different? Why should the internet somehow be better than the casual and blatant nastiness people experience every day?
It seems that belief in duality persists, this idea that online is distinct and separate from ‘real’ life. Yes, the ‘net is societies, writ large, often in crayon and spray paint. There’s a whole lot of ugly in human societies, so it should not be a surprise that ugly rears up on the ‘net. There’s a whole lot of kindness and creativity in human societies too, and that also shows up on the ‘net. It’s true that nice, fun, and kind don’t garner the same attention as ugly and malicious; we are all attracted to the worst excesses of humankind, if for no other reason, to tsk and be shocked that people could do such a thing. I’ve done my own tiny experiments here on Affinity, with doing nothing but art / photography / nice and fun stories in a day of blogging. When I do that, my stats take a serious hit. Blog about politics, assholes, bigots? Much better for my stats. I try to strike a balance, but it’s not always easy to do.
I am not a social person, at my keyboard, or away from it. I find socializing to be exhausting, and can only handle it in limited amounts, so for someone like me, the internet is ideal, because I can wander away when it all becomes too much. That’s why I don’t indulge in social media much, because being involved with social media means being involved with people, and all the consequent obligations to those people. I don’t think there is any particular reason nice can’t thrive on the ‘net, there are pockets of it all over the place, if you go looking. PZ has written about Mastodon a couple of times, and seems to enjoy it. If you’re trying to be a massive media giant, maybe it doesn’t work so well, I don’t know. Imzy had a great deal of money in October, $8 million. I won’t pretend to understand why it’s now being considered a failure, and those in charge don’t seem to want to explain it fully. Perhaps if there was less focus on the money, nice would thrive better on the ‘net, I don’t know. Seems to me that greed and nice don’t go hand in hand, but what do I know?
Archive Dreaming from Refik Anadol on Vimeo.
Archive Dreaming, a stunning project, and one I hope becomes a reality before I die, because it would be an amazing experience! You can read all about this, and see more at The Creators Project.
Minutiae Photos.
There’s a new app in town, but it’s not like other social media in any way. This one is to document entirely mundane moments of your life, and you don’t get to do it at any given time.
Thus was born Minutiae, an anonymous photo-sharing app that, unlike uber-serious photography apps, encourages people to embrace the boring and mundane instead of meticulously sculpting the digital replica of their everyday lives.
Once a day, at random, all participants receive an alert to take a photo simultaneously, regardless of time zone. After taking the photo, the user is paired with a random stranger somewhere in the world who also just took a photo, and they are given 60 seconds to browse their chronological timeline or that of the stranger with whom they were matched. When the minute expires, the app shuts down, and the users must wait for the next alert to use the app again. Beyond the anonymity and its focus on the quotidian, Minutiae also prevents users from following anyone.
Despite Minutiae being a fully functioning app, Adolfsson and Wilson agreed that it should really be an artwork in and of itself. As Wilson tells Creators, it helped that they had a bit of a Swedish Arts Council funding instead of venture capital, so they were able to make what they see as a collective embrace of global mundanity.
“Our thesis is not that social media is ‘bad,’ just that it ends up making us look at the world, and documenting our experiences, in a very particular way,” says Wilson. “Through our use of Facebook and Instagram and Snapchat, etc., we are in the continuous process (often unconsciously) of refining filters that determine how we capture our lives… Minutiae frees us from this pressure to perform since you no longer have the option to choose what you are documenting—connections are singular and random.”
Another way Minutiae frees users, according to Adolfsson, is by restricting the time spent on the app to one minute per day. This flies right in the face most apps, which are designed to keep users locked in for as long as possible, or returning again and again like an addict.
“The app is a tool to help participants document their own in-between moments of life,” says Adolfsson. “The type of moments that we usually don’t think of as important enough to capture.”
You can see and read more at The Creators Project. Minutiae.
Metalliferous Streams from Eric Bellefeuille on Vimeo. All I have is WOW.
Paris at night by Roberto Estupinián.
You can blame the Evil Empire, aka Verizon. Trying to get net access has been extremely trying lately; I have to kill and reboot the wireless unit from 4 to 12 times in order to even have my connection show up, and even when it does, I keep getting kicked off, making blogging a right pain in the arse. There’s a tower down or summat like, and as Verizon doesn’t seem to be overly aware of rural users, it might be a while until it gets back to the normal level of truly crappy, overpriced ‘service.’
Anyroad, if I’m late getting started (like today), or gone entirely for a day, I’m fine, I’m just probably trying to walk off the desire to smash the wireless unit into tiny splinters.
Aaaaaaaaand, in line with this being a remarkably shitty day, just pulled a fucking godsdamned tick off my head.
Facebook’s policy on threats of violence. A tick means something can stay on the site; a cross means it should be deleted. Photograph: Guardian.
The Guardian has an in-depth look at the ongoing problems of Facebook. If you’re on FB, you’re no doubt already familiar with all these problems and inconsistencies, but you might want to still take the time to do the reading, it’s very interesting, to say the least. As I remarked on this post, the big problem with FB is that they are well aware of the fact that no matter how much people get upset, they won’t kill their account and walk.
As for the above graphic, one of many, “To snap a bitch’s neck, make sure to apply all your pressure to the middle of the throat.” is allowed because it’s not considered to be a credible threat, too generic. Given the sheer amount of women murdered every single. damn. day., I have a whole lot of problems with that, to say the least. Someone, somewhere, will appreciate that information, and put it to use. All I have here is WTF FB?
I had been considering going back to FB, for an Affinity feed, but have been very hesitant to do so. This made up my mind. No. My personal principles won’t stand for it.
*Ob. Disclaimer: Yes, I know most of the effing world is on FB, and that’s fine. I’m making a judgment call for myself, no one else.
Full story at The Guardian.
Can you tell I’m not in the mood for politics today? I’m not. I haven’t even checked the news, and I’m not going to check today. If the world explodes this day, I’d rather not know anyroad. Instead of anxiety, depression, and paranoia, have some soothing silicone:
Silicone Annealing – Cruz Culture.
Mixing Silicone for Rubber Moulding – Butser Rubber Ltd. (Yes, that name made me laugh.)
Life on the line: kneading pigment into silicon – Stephen Woolverton.
The Guardian.
Carole Cadwalladr has an extensive and in-depth piece on the shadowy world of the Mercers and others, and their aims, none of which will make you rest easy. The age of reasoned paranoia is upon us. Recommended reading.
“That was before we became this dark, dystopian data company that gave the world Trump,” a former Cambridge Analytica employee who I’ll call Paul tells me. “It was back when we were still just a psychological warfare firm.”
Was that really what you called it, I ask him. Psychological warfare? “Totally. That’s what it is. Psyops. Psychological operations – the same methods the military use to effect mass sentiment change. It’s what they mean by winning ‘hearts and minds’. We were just doing it to win elections in the kind of developing countries that don’t have many rules.”
Full story at The Guardian.
Harvard University Octobot.
Researchers at Harvard University have designed a soft 3D-printed robot that can move on its own, powered by a chemical reaction, instead of electricity or batteries.
Shaped like a cartoon octopus, the Octobot contains no electronics or other hard parts, relying instead on a silicone body that houses a fluid-filled circuit.
Previously, soft-bodied robots had needed to rely on rigid components for power. But the Octobot uses hydrogen peroxide as fuel.
The liquid flows around a network of pre-printed hollows in the robot’s body, and creates a reaction as it passes over platinum embedded inside. This produces gas that inflates and moves the arms, to propel the robot through water.
You can read and watch more here. Do I need to say I want one? I want one.
No-To-Scale Studio.
Malaysian design office No-To-Scale Studio has issued a satirical proposal to President Trump, suggesting a radical means of representing the US-Mexico border: a 1,954 mile-long dining table.
Citing “logistical, financial and nationality” limitations, the studio’s design claims to be cost-effective in taking a domestic item and scaling it to massive proportions.
While the proposed slab of “continuous polished marble” may prove costly, diners will bring their own chairs in order to participate.
You can see and read more here.
Neri Oxman, Lazarus Mask.
Neri Oxman and the MIT Mediated Matter group have unveiled their latest collection of 3D-printed death masks, designed to contain the wearer’s last breath.
The Lazarus masks, described by Oxman as “air urns”, are modelled on the facial features of the deceased individual.
Each 3D-printed structure encompasses colourful swirling patterns that have been informed by the physical flow of air emitted from their last breath.
“Traditionally made of a single material, such as wax or plaster, the death mask originated as a means of capturing a person’s visage, keeping the deceased alive through memory,” said the team.
You can read and see more here.
A fascinating concept, and it’s rather fun to see a positive image of the future, like we did back in the ’70s. That said, just enjoy this, rather than be an asshole who just has to find fault with everything. You can read all about it at Dezeen.
