Click for full size!
Matt Easton and Tod Todeschini got together to make a really interesting video that also pertains to my current project in work.
The breadth of Tod’s skill and knowledge is incredible. When I grow up I want to be just like him.
Much like people still use fungus riddled Diamond Willow to make walking sticks and other items, spalted wood was also a part of the art of Intarsia, a specific type of wood inlay. Here are a few stunning examples, and you can see and read much more about the history of this art at the Public Domain Review.
The technique of Intarsia — the fitting together of pieces of intricately cut wood to make often complex images — has produced some of the most awe-inspiring pieces of Renaissance craftsmanship.
Note: if you click over to the Met Museum, the way to see the images full size is to click on ‘download’. All the images here, click for full size!
Click for full size!
James Gillray did a scathing piece on Cagliostro, click for full size:
A brand new translation of Symphorien Champier’s The Ship of Virtuous Ladies is now available, and it sounds most intriguing. I’ll be ordering.
First published in 1503 in Lyons, Symphorien Champier’s The Ship of Virtuous Ladies helped launch the French Renaissance version of the querelle des femmes, the debate over the nature and status of women. The three books included in this edition include arguments for gender equality, and a catalogue of virtuous women modeled on Boccaccio’s Famous Women and Jacobus de Voragine’s Golden Legend. Titled “The Book of True Love,” book 4 is especially important in gender history, importing and transforming the male-centered Neoplatonic philosophy of Marsilio Ficino for pro-woman ends.
Medievalists has a look at some sex tips from the volumes.
1. The Right Age
Following Plato, Champier declares that the perfect age for women to marry is 16-20, and for men, 30-35. Any younger, and you might marry a girl who will be sick forever – “So instead of being served by them, [you] must serve them”, Champier warns. The only exception is if the young woman is tall. If she is short, you should definitely wait until she’s 21. And if both man and woman are over twenty-one, you’re in the clear: “the children will be attractive and have good temperaments, with well-proportioned members and will have good minds.” Be sure to wait, if at all possible, because if you have children earlier, “they will be imperfect and short.”
2. The Right Time
People should not have sex at just any old time of the year, Champier says. If you want to conceive, make sure you have sex in the spring, because it’s “warm and moist”, which is the best kind of humour. “Next after spring,” if you can’t manage it then, “winter is the season most conducive to conception, while summer is bad and autumn is the worst of all.” As for time of day, it can’t be right after eating. As we’ve always been told about swimming right after a meal, the consequences would be dire:
If a man, when he is full and has eaten, enters the world of the carnal, he weakens his body and his nerves and causes pain for himself in his legs and knees. He also causes obstructions all throughout his body and causes thick humors in his body; and if he does this regularly, his body parts retain too much water, he has great difficulty breathing, and his limbs start to shake.
If you thought it was safe to have sex before eating, think again:
If he acts carnally when he is hungry or thirsty or when he has an empty body or when his body has been bled … he damages his body and dries it out, and its natural heat dissipates, negatively affecting his sight, and sometimes he becomes paralyzed.
(Same goes for if you’re just been bled, bathed, worked, fasted, or been sad.) You’ve been warned. Best to play it safe and just have sex first thing in the morning, “after a [good] night’s sleep.”
You can read the rest of the tips at Medievalists.net.
By James Gillray. In this etching, he caricaturised a lecturer – most likely physician and chemist Thomas Garnett, as administering gas at London’s Royal Institution to a particularly long-winded member of parliament, Sir John Coxe Hippisley. Squeezing the bellows next to the pair is the grinning future Sir Humphry Davy. Just over a week after Hannah Humphrey published Gillray’s etching, Davy would replace Garnett as the Royal Institution’s Lecturer of Chemistry. Source. Over to the left, toward the bottom, there appears to be an interracial couple with a child. Click for full size!
George Cruikshank, click for full size.
The GIN Shop –
—”Now oh dear, how shocking the thought is They makes the gin from aquafortis:
They do it on purpose folks lives to shorten And tickets it up at two-pence a quartern.”
New Ballad.
You can read more about the Gin Craze here.
An interesting piece, addressing what was a great controversy, with people hotly on one side or another, as male physicians encroached on the world of childbirth. Additional information and sources under the image. Click for full size.
The text reads:
“A Man-Mid-Wife, or a newly discover’d animal, not Known in Buffon’s time; for a more full description or this monster, see, an ingenious book, lately published, price 3/6 entitled Man-Midwifery dissected, containing a variety of well-authenticated cases elucidating this animals Propensities to cruelty & indecency sold by the publisher of this Print who has presented the author with the above [illustration] for the Frontispiece to his Book.”
From the same source:
Summary
This etching illustrated a book criticizing (male) physician birth attendants–“man midwives”–today’s obstetricians. The etching shows a figure that is male on one side, female on the other. The male half stands on a plain wood floor next to a large mortar and pestle, holding an instrument labeled a “lever” in his hand, which is pressed against his thigh. The background seems to be a shop, with shelves lined with vials, bottles, and frightening looking instruments labeled “forceps,” “boring scissors,” and “blunt book.”
In contrast, the female half of the figure stands in a homey room on a decoratively carpeted floor; in her outstretched hand she holds a small cup. Behind her, a fire burns in a grate.
You can read a fair amount of what was written in the 18th century by people on both the pro- and anti- sides here.
Historian Ruby has an excellent rundown of the great controversy, where once again we encounter the scandal of Mary Toft in this excerpt:
Hugh Chamberlen, as well as being a physician, was also a speculative businessman, and when his proposed business dealings failed, his creditors forced him to flee abroad. With his credibility damaged, he was lampooned in verse in 1699 in Hue and Cry After a Man-Midwife, Who has Lately Deliver’d the Land-Bank of their Money. It was noted that ‘great belly’d ladies have mighty respect for’ the man-midwife, demonstrating that the fashion for men-midwives commenced in the seventeenth century and was not just an eighteenth century phenomenon. The verse also alluded to the outrage that was displayed in some quarters by opponents of men-midwives, ‘Among his profession he’s fam’d as a topper, By some call’d a midwife, by others a groper,’ hinting at sexual improprieties that the man-midwife could commit once alone with vulnerable females.
Public suspicion of the medical profession ran deep in the eighteenth century, in part due to the non-secular society believing that decaying bodies tainted the men who practiced medicine, but also, medicine was considered the least prestigious of the professions and the physicians’ failure to cure illness and stave off death impacted the public’s perception of them. The man-midwifery profession was further disparaged after several eminent London men-midwives supported Mary Tofts, who in the 1720s claimed to have given birth to a litter of rabbits. The absurdity of their support of Tofts in her fraudulent claim led to professional ridicule. Not only were the men of the medical profession considered asinine for agreeing with Tofts’ wild claims, there was a growing suspicion of the practitioner as a ‘corrupter of morals, a threat to female modesty and even as a libertine.’
Blunt’s book, Man-midwifery dissected ; or, the obstetric family-instructor : In fourteen letters, is available to read at the Internet Archive. You can also see the above image properly coloured as the frontispiece of the book.
Commentary
This etching was made in 1793, at a time when middle-and upper-middle class English women were being attended by physicians rather than midwives at the births of their children. Midwives were left to attend the beds of birthing women too poor to afford the services of physicians.
At the time, however, criticism was leveled at physicians who chose to demean themselves by doing “women’s work,” with some suggestion that their only motivations must be prurient ones. (This latter accusation is hinted at by one of the bottles on the shelves of the man half of the man-midwife; it is labeled “love water.”).
Today, while few would accuse male ob-gyns of perversion (although male medical students who choose this specialty probably still raise eyebrows in some corners), questions about the proper place, methods, and attendants at childbirth still are debated. Only in the past three decades, for example, has the presence of fathers at childbirth been considered proper, and we still argue about home vs. hospital births, the use of midwives, training for midwives, and the place of technology and medication in normal births.