Not a Masterpiece But…

… I am really proud of this knife and I think I have done a good job. I genuinely think I am getting better.

You have already seen the blade, twice. It is a big, fullered, mirror-polished, 5 mm thick at the base blade based on my working knife from a failed attempt at making a machete and a bushcraft knife that I have made for my friend. It has some issues – the fullers are not entirely regular and they are not symmetrically positioned, especially towards the tip. But it is a well-hardened blade and the geometry has been already tried and tested by both me and my friend and it is suitable for camping tasks, from preparing small firewood to cutting BBQ ingredients. So functionally, it is a good blade.

But the asymmetry was bugging me, so I have decided to make a visually asymmetrical handle too. First I have tried to use a piece of black elder, a light-colored wood with dark knots that I have thought would work nicely with the mirror polish. But that piece of wood failed me so I had to seek out an alternative

And I am glad it turned out that way because the alternative I chose was a piece of an old and gnarly juniper wood (probably Juniperus x media). Any piece of that has pretty much guaranteed stark asymmetry in every piece and it is a reasonably hard softwood (oh the peculiarities of the English language!) with very small pores, so it is suitable for small woodwork.

The wood also has two distinct colors – white-ish sapwood and reddish-brown heartwood and lots of small knots, which quite coincidentally ended up positioned in – in my opinion – aesthetically quite pleasing places, especially on the right side. It has curly bits too, so it changes in some places color depending on the viewing angle. My original intent was to make the fittings from pakfong with bone plates for color contrast, but I thought that a combination of pakfong and bronze would look better and would fit the wood’s color palette more. And when I see it, I think I was correct. The pakfong part was stamped out of 1 mm sheets but the bronze half had to be made out of 4 mm sheets simply because I did not want to spend another day making a second set of punches. But I probably will at some point if I make more knives in this design. I was thinking about whether to solder or glue the two halves together and I have decided to go with epoxy glue since I needed to fill the hollows anyway and the knife tang stops them from experiencing any great shearing forces so it should be fine. And if someone uses a knife like this instead of a hammer or tosses it into a fire, then, well, some conditions do not have a cure…

Anyhoo, enough of babbling, here are the pics:

It is a big, big boi. ~18 cm long blade, ~14 cm long handle, ~270 gramms. Balanced on the index finger but still packs a punch.

I did not make a sheath yet and I would like to ask you if you do not mind giving me some ideas to consider in the comments. I want to make something really fancy, keeping the two-color scheme. With a pocket for a striker and ferrocerium rod. Maybe some basket-weave with differently colored weaves? Or dragonskin?

I also need to find a suitable paracord, none of those that I have in stock fit the color scheme, I might have to go with a simple beige color.

Beading: The Coral Reef Bracelet

I cut this off from yesterday’s post, as it was getting too long. I hope you enjoy my currently favourite piece:

The “magic carpet” bracelet. I loosely followed this tutorial on youtube, but my result was a bit different.

First, the base is a bracelet weaved in “brick stitch” and that alone took about 8 hours because you need to go through each bead several times, but I’m also sure that this will never tear.

Remember what I said about the different sized beads? The lady in the tutorial uses size 6 seed beads. The smaller the number, the bigger the seeds, and she made rows of 6 beads. I only had size 8 beads and therefore made rows of 8. Now, the number of loops that are then stitched onto the base depends on the number of beads, so I was already adding more loops per row than the original. The next big difference is the beads used for the loops. I once bought a bag of “mixed blue beads” that ranged from size 6 to 13 (the 13 ones are too small for my needles), from white to black and actually, they are useless for anything else, but oh so pretty. I also used up some “mixed bags” of small Bohemian glass beads (again, what is it with me and those mixed bags?), with the exception of the red ones. The increased density of the loops plus the irregularity of the beads created a completely different look and do I love it. It’s got something organic, like an encrusted coral reef.

Now, the original pattern stitches the loops onto the bracelet by going through the beads, which I did up until the point you see above. It was hell. Getting in between those densely stitched seed beads on the base was horrible, it ruined my fingernails and my needles. At that point I simply switched to going between the beads and that was much easier and more comfortable. Not to mention faster.

With the weight of that bracelet, a magnetic clasp was out of the question, so I made a toggle. Again I had to change this a couple of times to make it fit In the end I also added loops to it to make it fit optically as the original version looked too neat.

Here’s for the finished one. With having to alter the toggle a few times it turned out a bit wide, but it’s still ok, no risk of slipping over my hand.

Here you can see that it’s quite a size and also the many different colours and beads.

Even closer. You can see part of the original “too neat” ring on the left.

Some pretty bling in ugly times: More beadwork

Yeah, I know, my apologies are getting old, but right now I find myself unable to engage in internet discussions much. While you all know me as “argumentative”, I find the current situation too dire to quibble about it on the net. Instead I’m trying to do my best offline, take care of the Ukrainian kids arriving at school, etc. And I craft. Because crafting is my #1 stress relief. Also, beading is something I can do on the couch while watching TV, unlike working with resin or sewing, so here’s the latest bling. It also helps with cutting down on snacks.

These are made with peyote stitch and look much more complicated than they actually are. I’m currently working on a matching necklace.

The next two pieces look like I robbed some ancient treasury, despite being nothing more than wax and glass beads. All I need now is for an occasion to wear them.

Again, youtube is a well of inspiration and comprehensive tutorials. One thing that is absolutely not the fault of the people doing the tutorials is the fact that you rarely have the exact same beads as they have. With stuff like the earrings and the necklace, that’s not a problem. They turn out a bit bigger or smaller than the original, but all in all they’re just fine. Things like the bracelet and the pendant are tricky, though. With those, the proportion needs to match and I often end up undoing and redoing them several times, swapping out beads, until I get them right.

I already have a rainbow necklace in resin, and i noticed something when wearing it at school: It’s important. Sometimes it acts as a discussion starter. We have a huge problem with homophobia at school. Many very religious kids (I recently shocked one kid by simply not believing in any deity) and also just plain secular toxic masculinity homophobia. they see my rainbow, they ask me if I “support LGBT people”. Since these are conversations that happen “off record”, kids are more willing to openly discuss matters. The other part is that of course having loudly homophobic pupils doesn’t make LGBT kids disappear, they just stay in the closet. I get a few shy “I like your rainbow jewellery” comments from kids and I thank them and they know I’m safe. Maybe they don’t dare to wear a rainbow openly, so I do it for them.

About the technicalities: The ends are glued into the caps, as simple as that, and the clasp is magnetic, so I can put it on and take it off myself, though it also means that I need to pay attention so I don’t lose it. The added semi precious beads act as a counterweight. the clasp is often the lightest part of a bracelet and will end up on top. This way it stays down.

Ay Maid Some Knives Again – Part 2

Now for the remaining three sets. I won’t be posting all pictures here, there will be more on Instagram and sometime today or tomorrow on the Shoppe if someone is interested to see both sides of the blades and all kinds of angles for the blocks.

So first a set of black locust wood.

I did not originally intend to make this with the “leaning tower” design bloc, but when I have seen how it looks on the other set, I have decided to make this one in the same fashion. The handles have a hexagonal profile for a very secure but still comfortable grip. I have decided on the hexagonal profile for the two-wood design to accentuate the angled boundary between the dark and light wood, and I thought it would look well on pure black locust too, due to its very visible annual rings.

Next is a set from oak. The wood is reclaimed from an old church Jesus stick, a fact that I probably should not advertise on the shoppe or on Instagram. For me, it is an improvement since now the wood is made into something actually useful and beautiful, whereas having a depiction of a mangled corpse hanging from it in a shrine to a sadistic god is just a gross waste of resources, but some people have a different opinion and might take this as a sacrilege.

Anyhoo, I still have enough of the cross left to make more sets, either more two-knife sets like this or some three-knife sets. I shall decide in the future, but ultimately, all of that wood will go into knife handles and blocs and what can’t be used as such will heat the workshop.

BTW, his is seasoned, old oak, so it is a very hard wood. But let me tell you – after working with jatoba and black locust, it feels like a sponge.

And thus we come to the last set, made from jatoba. It has the same design and an overall feel as the oak set – rounded bloc, ergonomic handle.

I have enough jatoba wood to make several dozens of these, which I, unfortunately, can’t. I just love how this wood looks and I am still incredulous that I have bought it as firewood expecting to get enough for maybe a dozen knives tops and getting enough to be able to even make knife-blocs, end-grain cutting boards, and maybe even presentation boxes in the future instead.

Ay Maid Some Knives Again – Part 1

The weather was no longer so cold that I could not heat the workshop at a reasonable price and work there, whilst not warm enough to be able to do some meaningful work in the garden. So I have finally finished four two-knife sets that were mostly done since the end of last year. Essentially the wood needed to be buffed and the blades sharpened. And now to take photos and upload it all to the interwebs.

Today I present the probably most original set of them all, a set where I tried to combine jatoba and black locust wood. I think the colors match together really well and I will definitively continue making sets with this color combination. The woods have contrasting colors but very similar grain and hardness, so they work together beautifully both in the figurative and the literal sense. They are unfortunately also extremely hard, so they eat abrasives.

I have accidentally made the bloc section for the smaller knife way too short, demonstrating my ability to diligently measure more than twice and then cut once and wrong at the same time. As a result, I could not lean the stand forward enough for it to be stable without the blae sticking out at the bottom, so I have leaned it slightly to the side too. I have named the design “The leaning tower” and I think I saved it nicely.

More pictures below the fold

[Read more…]

Small resin project: Totoro

If by now you’re annoyed with my obsession for the cute monster, you’re out of luck. With the temperatures increasing I finally got around to doing some small resin projects again. There are some larger ones that I’ve been wanting to do for a while now, but honestly, I don’t have the spoons. Right now I need instant gratification like a toddler.

I got the moulds a while ago and I must say, they really came out cute. I worked with a combination of epoxy and UV resin. First I cast the bodies in grey and then I painted in the details with UV resin. The former took about 3 min, the latter about 3 hours, because I needed to cure the resin in layers. I finished them into a pair of earrings, 4 pins and 2 keychains. The small ones are a bit more bunny than Totoro, but they’re cute nevertheless.

Corona Crisis Crafting: Just Bead It

As you probably have noticed by now, crafting is my stress relief #1. I craft so I don’t kill. And right now, stress is getting high. Omicron is raging and our governments have abandoned us. I regularly get messages from the ministry of education that resemble WW 2 perseverance commands: complete bullshit and dangerous to follow (did you know, schools are safe because we wear masks. Nobody who says that has ever tried to make a kid wear a mask correctly for 6 hours and Covid doesn’t are if you mostly follow the rules).

Well, all in all I needed some pretty escape, I saw a tutorial on youtube and thought “I still have all those seed beads from Uli, for once I wouldn’t have to buy supplies”. Well, let’s put it like this: the cheap plastic seed beads were enough to let me try it out and conclude that I like it, so off to Etsy I went. Charly clearly lives in the land where glass sparkles, because no matter what type of beads one might need, you can’t do better than Czech glass beads.

There are different techniques for beading, so let’s start with the first one: The wheels on the bus go round and round:

These are Miyuki delica beads, they are cylindrical. I found these flat patterns easier than the 3D ones we’ll see later. It’s a bit like crocheting doilies: skip here, add x there, repeat for the round, next round do this.

Same technique, different pattern. These combine seed beads (roundish) with Bohemian crystals and white wax beads. If you wanted to try your hand at beading, I’d recommend something like this, they’re fairly straightforward and don’t take to much time. Unlike the next project…

These are all glass seed beads, except for the black ones, which are Bohemian crystals. After a while you get the hang of the 3D shapes, but until that a lot of cursing was involved. The last tecnique I want to try is block weaving, but for that I’ll have to wait for some supplies to arrive…

A Studio Ghibli Appreciation Bottle Garden

Well, it’s probably no secret that I love Studio Ghibli animes and their magical worlds and being. And I wanted to do a bottle garden for a while, the jar has been standing in the cellar for ages. A bottle garden is a close eco system, where the plants produce oxygen and carbohydrates that then gets consumed by the microorganisms that feed on the decaying plant matter. They’re an invention of 19th century botanists that needed to transport their precious plant samples by boat. The closed boxes don’t need water or fertilizer and there are some that are decades old.

I finally decided what I wanted to do with it and got some supplies, only to be foiled by transport damage. I love the kodama, the little tree spirits from Princess Mononoke and happily ordered some on Etsy, only this is how they arrived:

The seller promised quick replacement, but I didn’t want to wait because who could tell if I had time then, so I glued them back together. They’re extremely detailed gypsum casts, so I covered them with clear nail polish because I was afraid that otherwise they’d melt inside the bottle garden. Then I wanted a small dead twig from our old apple tree and ended up tearing off a big branch…

Next: assembling the garden. First layer: pebbles for drainage.

I actually wanted to add a layer of clay substrate, but I couldn’t find it anymore. I won’t claim to have a photographic memory, but I have a very good memory for “where did I see this last”, otherwise I wouldn’t be able to deal with my chaos. Mr, not so much, and while I don’t blame him, it’s endlessly frustrating to know that he put something somewhere and him not even remembering that the thing exists. Well, the pebbles do the job anyway. You could now add some charcoal, which I’m probably going to do retroactively.

Next: potting soil and plants.

This is pretty moist and probably a thriving ecosystem already. I planted an offspring of one of my succulents and a semper vivum (next pic). those are not ideal plants for a bottle garden. We will see how they do. If they don’t thrive I need to remove the lid and keep watering them like ordinary plants (I only keep orchids and succulents indoors because I suck at watering them).

Next step: Moss and decoration

I collected the moss from a tree stump in the garden. Did you know that by now you can by “moss for decorating” in the garden centre? Like, what?

Sadly, taking the pics through the glass is, well. The light just refracts too much.

I added some fairy lights by drilling through the lid and then sealing the hole with hot glue. Pics are even worse like this.

They do look happy in their new home, don’t they? Now I got to balance the water and hope that they like it in there.

Plush of the In Between: My Neighbour Totoró

One of the things we like to do as a family is to have movie nights: Problem is, with two teenagers, they disagree on principle on a movie to watch. Anything Kid 1 deems a good choice is hated by Kid 2 on principle. Exception to this are Studio Ghibli animes. I mean, how can you not love them? Their most beloved film is My Neighbour Totoró, and how can you not love the title character? This is my trial version made from fleece blankets to see if the borb pattern fits and to scale the eyes/arms/ears/etc. Isn’t he lovely?

A very round grey plush with a white belly. There is a grey triangle pattern on the chest. It's got large arrowhead shaped ears that stand upwards and big round eyes. At each side of the head are three bigh whiskers standing out. Front view.

Pin Cutting Thingamajig

As I am (very slowly) ramping up my production, some problems arise that simply are not an issue when making knives only on occasion and each time of a different design. One of the most recent challenges was to cut a lot of 10-11 mm long pins & dowels for the “hidden pins” construction that I have decided to deploy as my main thing for kitchen knives with full tang. Currently, I am making four two-knife sets, and that means sixteen wooden dowels and sixteen metal pins. And whilst the length must not be exactly precise, it does need to be at least somewhat uniform.

Putting the dowel/tube/stick into the vice, cutting it, and then filing them in a jig to exact length was very boring and time-consuming, and fiddly. And I am glad to say I came up with a much better solution.

I drilled a 6 mm hole through a piece of black locust wood (6mm being the diameter that I will be mostly using for this design). Then I used the table saw to gouge approx 2 cm in the middle in a way where the blade cut just below the hole and just touched one of the edges, creating a sloped surface between two walls with holes.

Here you can see it in action. The screw on the right side plugs one of the holes and allows me to adjust how far a dowel/tube can be inserted on the left side. Then I can cut the dowel with a hacksaw inserted into a slot on the left side, cutting it off at an exact-ish length. The cut-off falls then off the slope onto the vice and the table. I might add some simple paper funnel in the future so they fall directly into a receptacle of some sort.

I haven’t tried it on metal tubes yet, but it has proven to be absolutely perfect for wooden dowels. I have cut more than 20 in under five minutes. If it works on metal too – and I hope it does – I will be very happy in da tent indeed, because that is one time-consuming and boring task reduced to near nonexistence. And it also should minimize material waste. Brass tubes don’t grow on trees, you know.

Getting a Different Grip on Handles

I have recovered from the vaccine haze and Christmas laze so today I was able to finish (i.e. sharpen and clean up) five knives. Initially, I have intended to make these with the usual rounded ergonomic handles, but during the work, I have decided to try something a bit different and I have made the handles with a hexagonal profile. With a flat back and belly and ridges somewhere around the middle of each scale. They do feel comfortable enough in the hand and this profile is very safe against the knife twisting in the hand if big force needs to be applied. With a knife, everything is about trade-offs between comfort, safety, costs, and functionality. What a piece of wisdom that surely does not apply anywhere else /s.

The first one is my medium-sized universal knife, with a rounded (or this time “clipped”) tip. The wood is a piece of very uniform birch wood that was pickled in ammonia which gave it a slightly brown color.

The second one has a handle from jatoba, and it is a kinda prototype of the type of knives that I want to make to make use of my jatoba treasure-trove.

Both of these have a bit thicker blades than I ideally want them to have. That makes them very sturdy, but perhaps less ideal for cutting some hard foods. Still should cut about anything with ease.

Of the five finished knives, three are chef knives.

One has again the handle from jatoba. I am very pleased with the handle, not so much with the blade. The curve of the cutting edge did not come out as I wanted it and I was unable to correct it during sharpening without risking destroying the blade.

The same objection applies to a knife with the handle from black locust, with the addition of the blade not having proper taper at all. – I have messed up the grind mightily on this one. Nobody else is probably going to notice it and the knife will be still perfectly functional, but I need to hold myself to a higher standard than that. Anyone can make a perfectly functional knife, it is not that hard.

The third one, with the handle from spalted poplar wood stabilized with honey-color dyed resin, is the closest to what I was aiming for of these three. A broad blade comes to an extremely fine cutting edge, slightly curved to allow for slicing as well as draw-cuts. This is a knife that I have no objections about. Well, except for a slight asymmetry in the handle shape. The asymmetry in coloring is of course due to the used wood and is part of the character,

These knives were supposed to be parts of sets, but I have messed up the numbering, so they will have to make their way in the world solo. I could not make a set of the spalted poplar anyway, I only had two pieces of that wood and I messed one of them up.

These angular ergonomic handles are easier to make than fully rounded ergonomic handles so I will make more of them, especially for cheap-ish knives with handles from jatoba and black locust. The pile of naked blades shrinks, but very slowly. There is still a lot, and I mean a lot of work to do.

Plush of the Month: Dragons!

Yes, I know

I’m two months behind, but in my defence, I don’t actually need any. This is supposed to be fun, and I didn’t have the spoons. But now I have a few days off and finally finished one of the three dragons I embroidered and cut out. Next project will be a bit more freestyle, but I’m not going to spill the beans yet. Anyway, here’s Fuego, the latest addition to the Giliell household. I think we need a third bed…

An orange plush dragon with big tan horns, a tan belly and floppy ears. He#s looking straight at the viewer

An orange plush dragon with big tan horns, a tan belly and floppy ears. You can see the tail fluff in red. Side view.

Well, Fuego got quickly adopted as Knöpfchen’s best friend

View of my Knife Testing Lab

Its Christmas and that means cutting up a lot of food in a lot of different ways. So I thought I might share a little peek in our humble knife testing facility.

My mother is giving the knives thorough testing and so far she has not found any task they are not suited for. I have tested them too, yesterday, when I was gutting, skinning, and fileting the carp for traditional Christmas dinner. The three knives were up all the tasks, including sewering the head from the body and de-boning the fish (which consists of cutting out the ribcage and spine). I am usually very critical of my work, and these knives do have some cosmetic issues but functionally I am very satisfied with the design. The handles do allow for a variety of grips that are commonly used in the kitchen by both noobs and pros. The rounded tips on the medium and the chef knife did allow me to easily scrape off the scales with the former and place one hand safely on the blade for additional pressure for the latter. The tip on the smaller knife was sharp enough to pierce the wall of the abdominal cavity and its shape did help to avoid piercing the guts as well when cutting it open. Which is important, especially regarding the gall bladder – if you pierce that, it can render a lot of the meat useless.

The testing will continue of course – what is not known yet is how the cheap oil finish will stand up to time. For that several months are needed at least, several years would be ideal. But I do know already that when I am finished with my current batch of knives, it is worth making these sets for sale because they are not just ornaments and will be genuinely useful to whoever buys them.

Regarding my third Covid shot, yesterday the slightly elevated temperature was gone and I was feeling mostly OK. But I did notice a symptom that I do not remember from my previous two shots – in addition to a sore shoulder near the injection site, the lymphatic nodes in my left armpit swole a bit and became tender, and the pain extended to my left pectoral muscle. It has receded a bit, but it still hurts somewhat, although not as much as to impede me in any meaningful way anymore.

It seems that I had a different reaction to each of my three shots, although they were all Pfizer. And not only different in duration, but also where, when, and how the symptoms are expressed. Interesting but hopefully not very consequential.

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Not a Masterpiece But…

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Beading: The Coral Reef Bracelet

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Some pretty bling in ugly times: More beadwork

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Ay Maid Some Knives Again – Part 2

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Ay Maid Some Knives Again – Part 1

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Small resin project: Totoro

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Corona Crisis Crafting: Just Bead It

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A Studio Ghibli Appreciation Bottle Garden

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Plush of the In Between: My Neighbour Totoró

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Pin Cutting Thingamajig

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Getting a Different Grip on Handles

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Plush of the Month: Dragons!

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View of my Knife Testing Lab

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