Not Your Grandfather’s Blue Jeans.

Courtesy Lauren A. Badams.

Courtesy Lauren A. Badams.

A team of scientists from the U.S., Belgium, Portugal, and the U.K. have pushed back the first use of Indigofera tinctoria as blue fabric dye in the world to South America 6,200 years ago. The previous oldest physical specimen was from Egypt 4,400 years ago, although there were written references to blue dye going back 5,000 years. The blue dyed cotton fabric was discovered in an archaeological site that has been studied for many years, Huaco Prieta, located in the northern coastal region of modern Peru.

Publication of the study by Jeffrey C. Splitstoser and his colleagues in Science Advances this month has set off wisecracks in popular science publications about Andean Indians inventing blue jeans, but it is a much bigger deal than that. Besides, what was new about blue jeans was the rivets, not the color.

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Indigo blue was highly prized long before the Americas were “discovered.” The ancient Greeks understood India to be the source of the dye and indigo—along with spices and silk—made up the trade goods the Europeans were seeking when they got sidetracked by Aztec and Incan gold.

Why is it a big deal that indigo appears in South America long before Asia or Africa? If the dye required nothing but mashing up something blue, then it might be found everywhere the plant grew, but it’s a bit more complicated than that.

Most ancient dyes were fairly simple. Flower petals were boiled to make them yield up their color. Ochre yielded reds and yellows, depending on the exact iron content. A bright white dye can be extracted from milkweed.

The first difference indigo presents is that the dye is not in the flowers. It’s in the leaves. To make the leaves yield the color, they first have to be fermented. The fermented solids are then dried. The fermented and dried indigo is light and easy to ship.

The indigo solids must then be treated with an alkaline substance, commonly urine, to produce a dye that is apparently white. Yarn treated with the reconstituted indigo comes out white but then turns to yellow, to green, and finally to the deep blue that makes the dye so valuable.

In an interview with Live Science, Splitstoser speculated, “This was probably a technology that was invented by women.” He noted that women were typically in charge of weaving and dying in Andean cultures.

The discovery at Huaco Prieta adds another example of cultural knowledge either purposely destroyed or ignored out of arrogance by conquistadors who believed they were doing God’s work in destroying non-Christian cultures. That destruction fed the myth that Europe represented science when the Americas represented superstition.

These people who were burning Mayan writings and destroying works of astronomy and mathematics and chemistry were burning human beings for heresy at the same time. Indians had science and Europeans had superstition. It ought to be possible to compare cultures in a more objective manner than the settlers have chosen when they wrote all the histories.

Full article here.

Cool Stuff Friday.

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A chain of koi fish float through an exhibit space, illuminating their immediate surroundings with a self-contained, warm orange glow. The works come from a familiar yet unexpected name: Frank Gehry. Early in his artistic career, Gehry created several visual installations and furniture designs, many in the late-20th century, that would influence his later accomplishments in architecture. Fish Lamps draws upon the flowing and undulating movement of the water species, an aesthetic that often made an appearance in Gehry’s singular building designs.

I have very few lamps, but I’d be happy to give some of these a home. Full Story at the Creators Project.

What should you wear to keep cool on a hot day? One word: plastics.

A form of polyethylene — the common plastic that makes up ClingWrap — is a promising candidate for a textile that prevents us from overheating, researchers say. Hopefully, it won’t look like those PVC bodysuits that pop up every Halloween.

Many researchers are trying to create cooling fabrics, from cloth inspired by squid skin to electroactive textiles. But the team led by Yi Cui, a materials scientist at Stanford University, was inspired by materials that we don’t usually consider for clothing. In a study published today in Science, the team turned a battery component into a textile that lets our body’s natural heat escape better than cotton. The team hasn’t worn the fabric themselves yet, but Cui insists it feels “very much like normal fabric” and hopes it will be commercialized within two years.

Full story at The Verge.

Supergirl creator developing a Black Lightning TV series.

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Supergirl and Arrow co-creator Greg Berlanti is reportedly developing a series following Black Lightning, one of DC Comics’ first major black superheroes. According to Deadline, Berlanti is working with The Game creator Mara Brock Akil and her husband to get the drama off the ground, and the trio are currently shopping the project to multiple networks.

Black Lightning has the chance to be DC’s highest profile black superhero series to date. Created in 1977 by writer Tony Isabella and artist Trevor Von Eeden, Black Lightning, otherwise known as Jefferson Pierce, is an educator and eventual member of the Justice League with the power to control electrical energy. In the proposed TV series, Pierce will have retired from superheroics, but after his daughter’s life is endangered by his city’s underworld, he willingly steps back into his old alter ego.

Full story here.

Beauty of Horsehair.

Kestrel sent some more photos of her work, and they are just stunning. When I saw the first photo, all I had was “Oh, Wow.” Beautiful indeed. It’s been many years since I kept horses, but if I still did, I’d definitely have one of these made. Click for full size!

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Sometimes when I am working hair it strikes me as so beautiful I have to stop and take a photo. People don’t realize the beauty or the character of horsehair because they don’t see it the way I do. 25-strand double flat braid in horsehair. It looks like there are 4 different colors but the hair is from only 2 horses. At the roots where the hair emerges, it is generally darker (or in the case of white hair, really really white), and out in the brush of the tail where the sun shines on it and it can be stained by plants, it can be lighter, or, in the case of white hair it can actually be darker!

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The finished bracelet from the top, where you can see the section I photographed above on the left of the photo, and it’s also easier to see the slightly darker white from the brush of the tail.

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The other side of the bracelet. For the owner of these horses, this will be a cherished memento of two friends.

© Kestrel, all rights reserved.

Carpet Bombing

Detail of Jim Ricks’ Carpet Bombing. All images courtesy of the artist.

Detail of Jim Ricks’ Carpet Bombing. All images courtesy of the artist.

Carpets made in Afghanistan have a history of representing the imagery of war, but a recent work by artist Jim Ricks gives a conceptual perspective to this tradition. Carpet Bombing is a giant, handmade rug that depicts a “Drone Survival Guide” created by Amsterdam-based designer Ruben Pater. Pater’s diagram is a one-page illustration of various drone aircrafts, which references similar guides that were used to identify aircrafts in past wars. Ricks traveled to Afghanistan, where the drones on Pater’s survival guide are in use, to have a rug made by Kabul-based Haji Naseer and Sons Carpet Makers.

Carpet Bombing on display at Rue Red in Dublin. Photo: Andrew Hetherington.

Carpet Bombing on display at Rue Red in Dublin. Photo: Andrew Hetherington.

There’s more to Carpet Bombing than the illustration of a poignant pun, as Ricks tells The Creators Project, “I think there is a tendency to ‘read’ the carpet like a poster and stop there. What I think is important about the piece is that not only is the graphic appropriated, it is always shown horizontal and flat in the gallery, as a carpet should be, thus reversing the observer from drone back to human again, and that it can be sat or walked on, activating the work in the way that is in keeping with the Persian carpet as a social space.”

The Creators Project has the full story.

The Sioux Chef: An Indigenous Kitchen.

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I know I have been asking half the world of people lately, and yes, here I am again, asking. This too, is important. Chef Sean Sherman, Oglala Lakota from the Pine Ridge rez, wants to change a serious absence in the food scene. Where’s all the Indigenous food? Traditionally based indigenous food is delicious, healthy, and sustainable. This also marks a great potential for so many Indigenous kids, who are looking more and more to traditional foods, and would like to be able to earn a living cooking, doing what they love. The kickstarter for the restaurant is so close, so very close. If you have a few bucks, please become a backer in this most important venture. (Oh yeah, I’m a backer. I want travel over and eat, so gotta make this happen.)

There is a great deal of information at the site, so I’ll just include a bit here, but I’m putting up lots of photos of amazing, delicious food. Foooooooooood. If you haven’t eaten Indigenous food, seriously, you are so missing out. If we can get one Native restaurant up and running, others will happen. So please visit, and back if you can. If you can’t, please signal boost, spread the word everywhere!

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[Read more…]

Absolutely Amazing. Wow.

Kestrel is an incredibly talented and skilled artist, who not only makes full miniature tack, also makes jewelry, and braids horsehair. I have worked with human hair, exactly one time, embroidered a bit with it, and it is the devil to work with, to say the least. Everything Kestrel does is so beautiful and polished. Stunning work. Today is a look at some miniature tack.  Click for full size.

Bridle with romal reins, braided of hand cut kangaroo leather and thread, hand made sterling silver hardware. For a traditional sized model horse such as a Breyer. Horse is an artist’s resin sculpture by Carol Williams, painted by Liesl Dalpe, haired by Faye Cohen.

Bridle with romal reins, braided of hand cut kangaroo leather and thread, hand made sterling silver hardware. For a traditional sized model horse such as a Breyer. Horse is an artist’s resin sculpture by Carol Williams, painted by Liesl Dalpe, haired by Faye Cohen.

From the other side:

Bridle with romal reins, braided of hand cut kangaroo leather and thread, hand made sterling silver hardware. For a traditional sized model horse such as a Breyer. Horse is an artist’s resin sculpture by Carol Williams, painted by Liesl Dalpe, haired by Faye Cohen.

Bridle with romal reins, braided of hand cut kangaroo leather and thread, hand made sterling silver hardware. For a traditional sized model horse such as a Breyer. Horse is an artist’s resin sculpture by Carol Williams, painted by Liesl Dalpe, haired by Faye Cohen.

 

Detail of the floral-tooled popper and knots on the romal. Notice the knot tied inside the loop at the end of the romal.

Detail of the floral-tooled popper and knots on the romal. Notice the knot tied inside the loop at the end of the romal.

 

Detail of connection between romal and reins, again with a knot tied inside the loop at the connector.

Detail of connection between romal and reins, again with a knot tied inside the loop at the connector.

 

To show scale, in Kestrel's hand.

To show scale, in Kestrel’s hand.

You can see much more of Kestrel’s amazing work at Beautiful Horses, the horsehair braider.

Marcus Amerman.

 Marcus Amerman's work recently appeared in an issue of Sports Illustrated - Courtesy photo.

Marcus Amerman’s work recently appeared in an issue of Sports Illustrated – Courtesy photo.

Marcus Amerman (Choctaw-Hopi) is a very well known artist in Indian Country, and he’s been commissioned to do a series of beaded portraits in a national media campaign to promote the American Indian College Fund. The originals will be auctioned at their next gala fundraiser. ICTMN has a great interview with Marcus.

Amerman: Wieden + Kennedy, an international ad firm with an office in Portland, OR, contacted me about doing beaded ads for the AICF. They send me photos of current students who benefit from the AICF and I choose which ones I want to do based on their potential visual impact and bead-ability. They would run as full page ads in a number of national magazines such as, but not limited to, Sports illustrated, Harper’s Bazaar, Native Peoples, etc. They have just finished shooting photos of current students in New Mexico and Montana. I should receive them in two weeks and begin the third in a series of five 6.5″ x 8″ portraits which are enlarged to a full page bleed (8″ x 10″). This first image is Akisa Milk and he’s Oglala Lakota from Pine Ridge, South Dakota. The AICF will retain possession of all the pieces and auction them off at their gala fundraiser, I believe. I don’t know when it is.

The ad firm gives me 4 weeks to complete a 6.5” x 8” portrait and I use that format all that time. I only work on one piece at a time because of the time it takes to configure the trays full of separated beads specific to each project.

Marcus Amerman - Courtesy Photo.

Marcus Amerman – Courtesy Photo.

Marcus is also busy making bracelets and other wondrous works for the Indian Market in Santa Fe. http://www.marcusamerman.com/

Full interview is at ICTMN.

Rolled Paper Ocean Reefs.

Absolutely stunning work.

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For artist Amy Genser, paper is pigment. The Connecticut-based artist cuts, rolls, and arranges countless tubes of mulberry paper mounted to Masonite boards to produce vibrant reef-like canvases. The tightly rolled papers perfectly mimc the forms of sea coral that appears to grow organically in every direction across (and on the sides of) each canvas.

You can see more of her recent work in her portfolio.

Via Colossal Art.

Gettin’ organized.

Okay, long hours of getting organized. Again. I had to take my old jeans organizer down, because rats. Yes, they discovered it and started using it as a climbing wall. Wheee! Not so whee for me. Got that back up, because now I can close the door, and the magical climbing wall goes away for the night. This holds only the thread I’m using for the Tree Quilt. The Peace Quilt thread is in a large container of its own; the rest of my embroidery thread is in a 6 drawer cart. So, on with the organization:

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Then it was time to sort through and organize all the vintage thread I’ve come across in thrift stores:

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Then I tackled the small bag of perle 3 from Kestrel. That contained 170 skeins. I’m going to need a lot more containers before I tackle the big bag.

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Click for full size. © C. Ford, all rights reserved.