The Art of Book Design: Tales of Mystery and Imagination

Edgar Allen Poe. Tales of Mystery and Imagination. London : G. G. Harrup ; New York : Brentano’s, 1919.

Here’s Marcus again and he’s holding his first edition copy of Edgar Allan Poe’s Tales of Mystery and Imagination, illustrated by Harry Clark.  Clarke was another of Caine’s favourite artists and many of the drawings that follow have previously been seen on this blog. Clarke’s illustrations in Poe’s Tales of Mystery are considered the best of any edition produced. According to the Public Domain Review:

 …perhaps it is the Irishman Harry Clarke who has come closest to evoking the delirious claustrophobia and frightening inventiveness of “Poe-land”. For the 1919 edition of Tales Clarke created the twenty-four monochrome images featured below. Their nightmarish, hallucinatory quality makes you wonder if he was on something, until you remember the stories.

I couldn’t agree more. All 24 full-sized illustrations are included below the fold.

Illustrations via: The Public Domain Review

The 1923 edition of the book can be viewed at The Internet Archive. This edition includes 4 colour plates that were not part of the original 1919 edition. I haven’t included them here. They’re worth taking a look at and so are the smaller page illustrations.

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The Art of Book Design: Fringilla or Tales in Verse

R.D.Blackmore. Fringilla or Tales in Verse. Illustrated by Will Bradley. Cleveland. The Burrows Brothers Company, 1895.

Fringilla, Illustrated by Will Bradley. Back Cover.

Will Bradley was considered the “Dean of American Designers” during the Art Nouveau and Art Deco Periods and he was the best paid American artist of the early 20th Century. Much of Bradley’s work was for magazine covers, advertising and posters, but his illustrations for this book, Fringilla, were considered to be among his masterworks.  All the full-sized illustrations are below the fold.

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The Art of Book Design: Flowers of Evil

Charles Beaudelaire. Flowers of Evil. Translated by C. Bower Alcock. Illustrated by Beresford Egan. New York, Sylvan Press, 1947.

Flowers of Evil, illustrated by Beresford Egan, Title Page

Flowers of Evil, Illustrations by Beresford Egan, Page 35

Flowers of Evil, Illustrations by Beresford Egan, Page 45

The Flowers of Evil (Les Fleurs de Mal) by Beaudelaire was one of Caine’s favourite books and a special edition of it was gifted to her by Marcus. (stderr) The edition that she received was printed in limited quantities in 1947 with artwork by Beresford Egan and that’s Marcus in the first picture holding a copy of the same book he sent to Caine. The next 2 photos are Marcus displaying 2 of the interior plates to the book. Caine published several illustrations from the book on the blog and always noted how much she enjoyed the exaggerated forms and dark, macabre style of Egan. I’ve included the rest of the illustrations in the book below the fold.

Illustrations via: Retro Sixty, Modern British Art

There are several other editions of this book available to read at The Internet Archive. If you desire to read this edition by Beresford Egan you will need to open an (free) account at The Internet Archive and formally borrow the book.

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The Art of Book Design: Salome

Oscar Wilde. Salome. Illustrated by Aubrey Beardsley. London : John Lane, the Bodley Head ; New York : John Lane Co., 1907.

Aubrey Beardsley was one of Caine’s favourite artists from the Art Nouveau and Art Deco periods. Beardsley was commissioned directly by Oscar Wilde for this edition of Salome. Wilde felt that Beardsley’s modern, dark and macabre style captured the true spirit of the book.

I’ve included all the interior plates below the fold and they are deliciously grim and gruesome. The entire book can be viewed at The Internet Archive.

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Baby Ravens are Adorable

We’ve gotten some wonderful pictures of baby ravens from Anne, Cranky Cat Lady. Her daughter Emily Davis took the photos and Anne has been kind enough to share them with us.

…they run from the first time she spotted the nest through their fledging.  They were still being fed by the parents at that point, even though they were almost adult-sized.

These are your basic Common Raven (Corvus corax), also known as the Northern Raven.  The nest was in La Jolla, on the UC San Diego campus in Southern California

May 16/19, ©Emily Davis, all rights reserved

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The Art of Book Design: The Miroir

This week I’ll be featuring books with art that Caine would enjoy. This first book is in homage to Caine’s mastery and love of needlework.

The Miroir or Glasse of the Synneful Soul, copied in her own hand by Princess Elizabeth when just 11 years old (1544) and Presented to her stepmother Katherine Parr. Featured in English Embroidered Book-bindings (1899) – source

 

via:The Public Domain Review

My first Commission – Part 5 – Hell is Forever

Shiny already, but still not even remotely enough. © Charly, all rights reserved. Click for full size.

Wheef. Making a commission when I still have to spend forty hours a week at my daily job is not something I would recommend. I could find this weekend seven more hours for grinding and polishing, and I am currently at Trizact A65 (the equivalent of grit P320), but not finished.

The right blade in the picture is finished on this side with this grit, on the left blade the false edge and the flat are finished, but the bevel is still only at P240. And to make my life easier when picking up the blades next weekend (or perhaps some evening during the week, but most probably not – it is not a good idea to try polishing when tired and sleepy), I have marked each surface that is not finished yet.

Chasing scratches is a nightmare. Partly it is my (lack of) skill. Partly it is the tool – I had to repair and improve some parts of my belt-grinder because the belts were not tracking properly and wobbled from side-to-side. That means I have welded on a threaded nut for the screw that adjusts the tracking wheel and I have given a little twist to the spring that provides tension to the belt. The twist helps to keep the arm with the tracking wheel steady, it tended to bend and thus was not stable.

Also, the whole machine vibrated too much – I had to remove the clamps that were holding it to the table, because they got in the way, but now it has wandered around. I put a few bricks in it for weight and that seems to have helped a bit, but possibly not enough. I suspect I will have to bolt it down, something that I do not like to do in case I will make changes to the workshop.

But as they say, it is not about the tools, it is about the hands.

And regarding my hands, things do not look so good in the long term. For the last eight weeks, I had persistent pain in the first joint of my both index fingers, so I finally went to an orthopedist. On an X-ray he found nothing, which is good – I probably just strained the ligaments in the spring and those take a long time to heal. I do not have arthritis. Yet. But he also has told me that because my mother was heavily hit by arthritis in her fifties, to the point that she had to get two artificial joints in her thumbs, the odds are that I will get the same. And there is nothing I can do about it, except making it worse. Works he particularly discouraged me from doing were works including hammering and working in a wet environment with vibrating machinery. Hand-forging is probably out of the question for me completely and for grinding I will have to develop and put to use quite a few helping jigs to reduce the strain put on my fingers.

The Art of Book Design: Korean Fairy Tales

William Elliot Griffis. Korean Fairy Tales. New York, Thomas Y. Crowell Company, New York, 1922.

It’s Fairy Tale Saturday and this week our book tells tales from the country of Korea. The author, William Griffis, lived and taught in Japan for many years and wrote many serious books on Japan and Japanese Culture. Mr. Griffis was brought to Japan in 1870 to assist in the modernization of Japanese Schools. He became a respected educator and author within Japan and was twice honored with the Order of the Rising Sun – in 1907 with the Gold Rays with Rosette and in 1926 with the higher honor of Gold Rays with Neck Ribbon.

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The Art of Book Design: Bound by a Spell

Hon. Mrs. Greene (Louisa Lelias Plunket). Bound by a Spell; or, The Hunted Witch of the Forest. London, Paris, New York & Melbourne: Cassell & Company, Limited, 1885. Illustrations by Gordon Browne. First edition.

I chose today’s book cover mostly because of the snow. I thought it would be nice on a hot day. Brrr…

 

Photo via: L.W. Currey, Inc.

The book is available to read at The Internet Archive

The Art of Book Design: Are We a Stupid People, by One of Them

Charles Joseph Weld-Blundell. Are We a Stupid People, by One of Them. London; Kegan Paul, Trench, Trubner & Co. Ltd., 1908.

A book of commentary about the social and moral conditions in Britain at the turn of the last century.

 

Cover photo via: Nemfrog

The book is available to read at The Internet Archive