Cuttlefish Love!

Katja Novitskova, “Earth Potential (Cuttlefish Love, Earth)” (2017), digital print on aluminum, cut out display, steel and aluminum armature (all photos by the author for Hyperallergic).

Oh, these are all so dynamic and wonderful!

…This fuzzy zone of magical looking is where Estonian artist Katja Novitskova operates, and her current exhibition in New York’s City Hall Park is a wonderfully incongruous reminder that all our photos are manipulated.

EARTH POTENTIAL, a Public Art Fund exhibition, is that rare outdoor photography show that actually works. Instead of the usual billboards or placards clumsily affixed to a wall or fence, Novitskova’s photographs are printed on freestanding aluminum panels between six and eight feet in diameter, lending them sculptural dimensionality. Most combine two elements — one astronomic, the other microscopic — printed on separate, custom-cut supports.

[…]

Two of the seven pieces in EARTH POTENTIAL feature just one scientific image rather than a pair — one is a bulbous cluster of orange stem cell embryos, the other a towering, pale pink strand of E. coli bacteria — and they are the show’s most abstract and ambiguous. Without the humor of juxtaposition and jarring shifts of scale of the other pieces, they confront us with the enormous power of scientific imagery and the frontiers of microscopic photography. They also hint at places where the boundaries of human knowledge are butting up against the limitations of human morality.

Katja Novitskova, “Earth Potential (E. coli)” (2017), digital print on aluminum, cut out display, steel and aluminum armature.

You don’t want to miss any of this, head on over to Hyperallergic to read and see more!

Katerina Kamprani: The Uncomfortable.

Katerina Kamprani has some very interesting and entertaining work:

All the objects you will see in this website are deliberately designed to annoy you.

This project started after I failed to finish my studies in industrial design around 2011 and it has continued to grow ever since. My goal is to deconstruct the invisible design language of simple everyday objects and tweak their fundamental properties in order to surprise you and make you laugh. But also to help you appreciate the complexity and depth of interactions with the simplest of objects around us. As a poor designer I have started the project by making conceptual 3d visualisations, but recently I have decided to spend all my savings to produce prototypes, because what would the world be if there were no Uncomfortable objects out there?

Many of these did make me laugh, but there was also a sense of cynical despair, because if these objects were marketed, people would buy them. The concrete umbrella would become a popular garden ornament. The thick buttons would become a new anti-fashion fashion statement. The wineglass would become a new party drinking game favourite. The chain fork would become fashionable jewelry. Ms. Kamprani is in Athens, but here in uStates, people have become such slaves to marketing, I don’t think there would be a problem in selling any of Ms. Kamprani’s prototypes. I certainly wouldn’t be surprised to see unscrupulous people taking advantage.

You can visit Ms. Kamprani’s site to see more.

Rune Guneriussen.

© Rune Guneriussen.

Rune Guneriussen uses these everyday objects to construct stories, assembled and photographed on-site without any digital intervention in various rural locations all over his native Norway. Embedded into dreamlike landscapes, these surreal, humorous photographs of his installations seem almost computer-generated. As an artist he believes that art itself should be questioning and deceptive as opposed to patronising and restricting. Guneriussen does not explain the stories he is trying to tell, he just leaves them completely open ended. The hidden agenda of his art is not to give clarification, but rather “indicate a path to understanding a story.”

© Rune Guneriussen.

© Rune Guneriussen.

© Rune Guneriussen.

You can see much more of the wonderful and evocative work of Rune Guneriussen at iGNANT  and the artist’s website.