Youtube Videos: European and Japanese Armor Mobility

Two short videos comparing two different types of medieval armor from practical point of view. One by an enthusiast owning a medieval armour replica in European style, and one by an enthusiast owning a medieval armour replica in Japanese style. Both armors were made specifically for these individuals, so they are fitted as well as they should be.

A lot of the things I learned in school about medieval armor and swords was evidently completely wrong. Like that armor restricted movement so much that it was impossible to move quickly, or that swords in Europe were blunt metal bars out of poor quality steel.

The Amazing Egg Dance: Peasants to Politics.

Contrast between Carnival and Fasting (ca. 1550–99), artist unknown — Source.

Contrast between Carnival and Fasting (ca. 1550–99), artist unknown — Source. Click for full size.

Whoever the artist of the above piece was, I’d say they had been most impressed with Hieronymus Bosch. The Egg Dance, from village revelry to romance to politics. This is a wonderful piece of history, which demonstrates several cultural shifts throughout the centuries.

The egg dance was a traditional Easter game involving the laying down of eggs on the ground and dancing among them whilst trying to break as few as possible. Another variation (depicted in many of the images featured here) involved tipping an egg from a bowl, and then trying to flip the bowl over on top of it, all with only using one’s feet and staying within a chalk circle drawn on the ground. Although, as shown in many of its depictions in art, the pastime is associated with peasant villages of the 16th and 17th century, one of the earliest references to egg-dancing relates to the marriage of Margaret of Austria and Philibert of Savoy on Easter Monday in 1498.

[…]

This blindfolded version of the egg dance features in Goethe’s novel Wilhelm Meister’s Apprenticeship (1795). … According to some scholars Goethe’s mention gave birth to the phrase “einen wahren Eiertanz aufführen” (to perform a true egg dance) which refers to moving carefully in a difficult situation. This particularly association of the egg dance with navigating danger was expressed time and time again in political cartoons of the 19th-century: various political figures, from Bismarck to Disraeli, precariously trying to make there way about a floor strewn with potential upsets.

Democracy’s Disastrous Egg-dance, (1884), Joseph Keppler. A woman labeled “Democracy” wearing a blindfold labeled “Stupidity” is pushed by Samuel J. Randall toward a chair labeled “Presidenti[al] Chair”, with several eggs in the way on the ground, they are labeled “Honest Naval Appropriation, Civil Service Reform, Honest River – Harbor Appropriation, Economy, Anti-Silver Coinage, National Banking System, Tariff Reform, [and] Prompt Legislation”, two of the eggs are broken; among a group of men laughing, in the background on the right, are John Logan, John Sherman, and William D. Kelley. — Source.

Democracy’s Disastrous Egg-dance, (1884), Joseph Keppler. A woman labeled “Democracy” wearing a blindfold labeled “Stupidity” is pushed by Samuel J. Randall toward a chair labeled “Presidenti[al] Chair”, with several eggs in the way on the ground, they are labeled “Honest Naval Appropriation, Civil Service Reform, Honest River – Harbor Appropriation, Economy, Anti-Silver Coinage, National Banking System, Tariff Reform, [and] Prompt Legislation”, two of the eggs are broken; among a group of men laughing, in the background on the right, are John Logan, John Sherman, and William D. Kelley. — Source.

The Journalistic Egg Dance (ca. 1840), Andreas Geiger. A caricature of press censorship before the 1848 revolution in Austria. During the Restoration after the defeat of Napoleon in 1815, the European powers, led by Austrian Chancellor Clemens von Metternich (1773-1859), restricted the freedom of speech and expression to contain any kind of critical, nationalist or anti-authoritarian movement — Source.

The Journalistic Egg Dance (ca. 1840), Andreas Geiger. A caricature of press censorship before the 1848 revolution in Austria. During the Restoration after the defeat of Napoleon in 1815, the European powers, led by Austrian Chancellor Clemens von Metternich (1773-1859), restricted the freedom of speech and expression to contain any kind of critical, nationalist or anti-authoritarian movement — Source.

You read and see much more at The Public Domain Review.

Anatomy Atlas Part 3 – Upper Limb Skeleton

Human hand has always fascinated me and its skeleton is truly a marvel. Modern industrial robots still lose a lot to its flexibility (hands have seven degrees of freedom of movement, robots have one to six) and versatility (a hand can have a secure grip on almost anything from an egg to an axe).

Upper limb bones

©Charly, all rights reserved. Click for full size.

For learning and examination we did not have a plastic skeleton mounted on a stand in the corner of the class. We had a box in which the real prepared bones of a man who committed suicide at a relatively young age were stored. So each bone could be taken out and examined separately.

One of the scary stories circulating about Professor Kos was relating to this fact. Small bones, like carpal and metacarpal bones, were stored in little pouches so they do not get lost or too mixed up with the rest. It was said that Professor Kos’s favourite way of examination in his former job at medical university was to shake up the pouch, pull one carpal bone out of it and ask which one it is. Any aspiring physician who failed to give prompt and correct answer was fired.

He did not do this to anyone of us that year, but we always felt he might to.

Inside Cancerland: Distortion Series.

The Neulasta not only gifted me with a fucktonne of pain, it caused a full body shake. Shaking hands aren’t exactly conducive to drawing or painting, so I put the stuff I had been working on away, and started the distortion series, because it’s easier to cover up all the mistakes and slips. So, Inside Cancerland: Distortion Series 1, Infusion Invasion. 16″ x 20″, Watercolour and marker on Bristol. Click for full size.

© C. Ford, all rights reserved.

The Drolatic Dreams of Pantagruel (1565).

The Drolatic Dreams of Pantagruel is an accompanying work of François Rabelais’ The Life of Gargantua and of Pantagruel. The woodcuts are wonderfully creepy, and well worth a look even though they were most certainly not done by Rabelais.

The Public Domain has an article up about this work, and there’s an excellent post about it at Poemas del río Wang. Or, you can head right to the original images at Gallica.

Trump Behind Bars.

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower (all photos by Jason Goodrich for Indecline and used with permission, unless indicated otherwise).

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower (all photos by Jason Goodrich for Indecline and used with permission, unless indicated otherwise).

Robert Mueller may not have succeeded in bringing Donald Trump to justice yet, but for a fleeting few hours Friday night, the shadowy art collective Indecline did what millions of people in the US and beyond have dreamed of doing since November 2016: they put Trump behind bars.

It may not have been the actual maximum security prison of our collective dreams, but Indecline — most recently known for surreptitiously staging a graveyard at Trump’s Bedminister Golf Course, hanging a troupe of “Ku Klux Klowns,” and previously for planting naked Trump statues in multiple cities during the 2016 election — managed to stage a prison cell installation, dubbed “The People’s Prison,” in a suite on the third floor of the Trump International Hotel & Tower next to Columbus Circle. The work was installed in less than 24 hours, entirely undercover, and without the knowledge of hotel employees, who unwittingly helped carry all of the props and equipment to the room.

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower.

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower.

Surrounding the one-man prison cell were portraits rendered on American flags, burned and tattered at the edges, each illuminated with its own individual lamp. Indecline worked with 12 artists — including Molly Crabapple, Ann Lewis, LMNOPI, and the Panic Collective — to create the portraits of 12 artists and activists from across history, including Muhammad Ali, Leonard Peltier, Angela Davis, Hunter S. Thompson, Howard Zinn, Noam Chomsky, and even more contemporary figures like Erica Garner and Edward Snowden. Interviews with each of the portrait subjects played for the duration of the show over a background soundtrack of strangely relaxing ambient music.

All of the figures in the portraits, an Indecline spokesman told Hyperallergic, are “activists and fighters that we look up to. Activists that made a difference and made a good point. He has to sit here with the people who actually made a difference.” The spokesman continued: “Everyone on these walls fought to make this flag stand for something greater than it does currently under the Trump administration … they’re the ones who should be regarded as historical figures.”

You can read and see much more at Hyperallergic!

Anatomy Atlas Part 2 – Lower Limb Skeleton

Colloquial Czech does not distinguish between a foot and a leg. The word “noha” normally refers to the whole limb from the hips down. Medical terminology differs from this and the word “noha” means only the foot, and “dolní končetina” is used for the whole limb. Professor Kos has hammered this point home throughout multiple lectures and we were suspecting that if someone were to use the term “noha” in its colloquial sense during an exam, it would be an insta-fail.

Lower Limb Skeleton

©Charly, all rights reserved. Click for full size.

Legs and feet are our means of movement, so they are very important. It is therefore important to look after them. Which, regarding the bones, means adequate exercise and not more than the body can handle.

What ordinary people do not usually know is that bones are not fixed structures. They are consumed from within and regrown throughout our lives. That way they can heal, but also change shape. That way they can also get injured in a rather peculiar fashion.

One of the stories Professor Kos was telling was a story of “march fractures”. Fresh army recruits, especially those from cities who were not accustomed to walking a lot, were often complaining about pains in their legs and feet bones after long marches. Initially they were deemed as pretenders becaue the x-rays looked normal, but some of them broke their legs when forced to go on. Then someone took a magnifying glass to an x-ray of the alleged pretenders legs and feet and noticed microscopic fractures developing before a clearly visible fracture occurred.

These are so-called fatigue fractures and they happen when a bone is deprived of nutrients. The bone continues to be consumed at a normal rate, but it does not manage to regrow back fast enough. Over time these tiny deficits accumulate and the bone starts to hurt and can even break.

A colleague of mine has developed just that in her foot during nordic walking strolls that were just a bit too much, too sudden and too long for her. It took a few weeks to develop and over a year to heal, with a surgery and a very long rehab being necessary.

Too much exercise is just as bad as none.

Stephen Shames.

Stephen Shames photograph archive.

The Briscoe Center has acquired the photographic archive of Stephen Shames. Perhaps best known for his role as the Black Panther Party’s photographer between 1967 and 1973, Shames has also documented many political and social issues over a 50-year career.

“Shames has used his camera to document the intimate histories of a wide range of subjects, including black political activism in the Bay Area, everyday life in New York City, and child poverty across America,” said Don Carleton, executive director of the Briscoe Center. “His archive will not only be preserved here at the center, it will be actively utilized in our mission to foster exploration of the American past, which is why a selection of his work prints is currently on display in the center’s exhibit hall.”

[…]

“As a young man I was privileged to have inside access to the Black Panther Party. Later, as a photojournalist and artist I traveled the world and embedded myself in the lives of many living on the edges of society,” said Stephen Shames. “I hope students and scholars can use these archives to enter worlds they cannot see in person, but can experience through historic photography. I learned a great deal from the people I photographed. I hope others can expand their knowledge and understanding of our world through my work.”

An exhibit of Stephen Shames’s photography is now on display at the Briscoe Center, University of Texas at Austin. You can read more here.