James’s apprenticeship in crime fiction became a lifelong commitment, as she came to believe “it is perfectly possible to remain within the constraints and conventions of the genre and be a serious writer, saying something true about men and women and their relationships and the society in which they live”. To suggest that the formal constraints of crime fiction prevent its practitioners from producing good novels “is as foolish as to say that no sonnet can be great poetry since a sonnet is restricted to 14 lines”, she argued. [Read more…]