© C. Ford.
The U.S. Department of Justice is about to announce next steps on de-escalating the standoff regarding construction of the Dakota Access Pipeline, according to the Standing Rock Sioux Tribe.
“Today, the Department of Justice announced in federal court that it will be announcing the next steps on a ‘path forward’ for the Dakota Access Pipeline crossing at Lake Oahe,” said Standing Rock Sioux Chairman David Archambault II in a statement on November 10.
Energy Transfer Partners is refusing to stand down on its construction plans despite two requests from the U.S. Army Corps of Engineers that it do so.
The company, builders of the Dakota Access Pipeline (DAPL), said on Tuesday November 8 that it planned to begin drilling in two weeks—even though at the moment it does not have the easements necessary for it to tunnel under the river legally.
Full story at ICTMN.
Happy Native American Heritage Month #NoDAPL pic.twitter.com/CTfxayT2tC
— Joe D. Horse Capture (@NativeCurator) November 7, 2016
Speaking of, Alysa Landry has an excellent article up at ICTMN, about spending the last forty-five weeks writing about all the U.S. presidents, and their impact on Indigenous peoples: Indians Are Invisible: What I Learned Researching US Presidents. Highly recommended reading. The whitewash goes deeper than anyone thought.
Today, Americans will decide who will be the 45th President of the United States of America. An online exhibition considers the national and international consequences of this election. The group exhibition entitled, Pulling Down The Walls, organized by Galerie Number 8, examines some of the bigger issues—immigration, race, gender and equality—of the year. Featuring artists, Campbell Addy, Ivan Forde, Justin French, Nicolas Henry, Hector Mediavilla, Leonard Pongo, and David Uzochukwi, the pop-up show uses portrait, landscape, and reportage photography, to show what’s at stake in this presidential election. Read and see more at The Creators Project.
Mario Patiño is a multidisciplinary artist born and living in Mexico. In order to create awareness of LGBTQ diversity, his photographic work focuses on gender transgression. Patiño pushes back against what he sees as the world of prejudice and oppression from the male chauvinist, heteronormative Mexican society toward this community.
“I began working with LGBT performance artists, as their body language is intense, mannered, and uniquely different from heterosexuals. They are also accustomed to dealing with nudity and transgression with an open mind.”
“How to speak of the periphery? Peripheral is all that gets out of control, that corrupts a system, that lives on the edge, that adheres to the margins, that puts in doubt, that causes questioning, that rebels, that revolutionizes, that rises, that organizes insurrections, it’s everything that doesn’t fit, that resists, that refuses to play the game by the rules, it’s the possibility of change, of something new.”
Absolutely amazing work, this. Exquisite, thought provoking, and poignant. You can see more at The Advocate, and at Contemporary Multidisciplinar Performance Art. More photos below the fold – there’s nothing graphic, but you might want to have a caution if you’re at work.