Shunsuke Tani.

Absolutely mindblowing, this. Delight and joy in every look. Shunsuke Tani builds coin sculptures, which can, and do fall apart now and then, but the beauty of these ephemeral sculptures can’t be denied.

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With a little bit of creativity and, occasionally, a whole lot of patience, any household item can be turned into material for art. And it’s often the most mundane of items that have the greatest impact. For Shunsuke Tani, a young biologist major-turned childcare specialist, it was spare change that was lying around his house that became one of his greatest passions.

Specifically, Tani primarily uses 1 and 5 yen coins, the lowest of denominations, and the occasional 500 yen or foreign currency coin, to create stunning, gravity-defying sculptures that, at any moment, look like the could come tumbling down. And indeed they do. To prove to skeptics who, understandably, claim he uses glue or some advanced form of computer graphics to render his creations, Tani occasionally shares videos of his sculptures falling down. It’s a painful moment that stands in stark contrasts with the hours of time and patience required for assembly.

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Tani posts his creations to a twitter account where he often shares how much time each sculpture took to create (usually 2 – 3 hours). He also adds some self-deprecating humor like “I have no other skills in life, other than this” or “I sacrificed 2 hours of my life.”

According to an interview, Tani originally began stacking coins about 4 years ago. The inspiration came from the simple act of stacking a 10 and 1 yen coin had with him at the time. Tani’s art is a testament to the fact that even the most simple and ordinary can be honed to perfection.

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There’s much more at Spoon & Tamago. And yes, I’ll probably give this a try, or at least make Rick try, we have the obligatory huge jar of coins. Don’t hold your breath though, I’ve never been good with coins, outside spending them. :D

Ice, Part 2.

From rq: As created inadvertently, a by-product of the skating rink, and from what creates itself on the ground from fallen water-ice.
This effect is particularly impressive when water is first misted onto open grass, because the ice is then perfectly clear, like glass marbles all over the lawn. The first year we tried rink-making, this happened, and it was glorious. Since our method has changed from then, I haven’t had the pleasure of seeing that same gloriousness, but this is a small taste. Click for full size!

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Speechless. Just Speechless.

The one good reason I can come up with for wanting to live longer is to have time, more time to discover all the amazing artists in the world. Ippitsuryu. Did you know about this? I didn’t, and I haven’t managed to pick my jaw up just yet. Truly amazing technique, unique. And so beyond impressive, I don’t have words, I’m right back to being speechless. Ippitsuryu, the art of painting single stroke dragons. Look at this:

WOW, right? I could watch that 10 more times a least, and probably will. It’s like watching magic happen.

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Fumiko Takase holding up a completed ippitsuryu painting.

In Japan’s Nikko region there exists an artistic tradition known as ippitsuryu: ippitsu (sometimes called hitofude) meaning single-stroke and ryu meaning dragon. It’s a technique, passed down from generation to generation and kept tightly in the family, of creating the flowing, river-like body of the dragon in just a single stroke.

The artist will typically begin by creating a detailed depiction of the head. Once that is completed the artist moves on to the single-stroke-body. Here, the large brush slowly traverses the canvas, making gentle twists and turns, never once being lifted up until the body is complete. Later, the artist goes back and adds details like whiskers and claws.

The current proprietor to the tradition is claimed by Fumiko Takase, the 3rd in the Takase Family. The tradition is carried on by her siblings and she is also training her son. The tradition, however, is not without controversy. Just steps from Takase’s shop and studio in Nikko is another family, the Kousyu Family, who also practices the same tradition.

According to the Takase Family, a member of the Kousyu Family stole the technique several years ago and then opened up shop claiming to be legitimate proprietors. The Takase Family has a detailed account on their website as to how the technique was stolen. They also have a family tree showing the descendants. The Kousyu Family has no mention of this on their website.

There’s much more at Spoon & Tamago. Who doesn’t love amazing dragons?

Ethics & Team Trump: Never the Twain Shall Meet.

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The Office of Government Ethics has been attempting to chase down Team Trump, who are doing everything in their power to evade, so far, successfully. Is “people who have nothing to hide have nothing to fear” still a thing? If so, it would appear that Team Trump has everything to fear.

New emails reveal that the Office of Government Ethics (OGE) reportedly “lost contact” with President-elect Donald Trump’s team during the ongoing transition to power, despite efforts to warn officials about ethical issues posed by nominees and “blind trusts.”

According to emails uncovered by MSNBC, OGE director Director Walter Shaub contacted Trump aides in November expressing deep frustration with the lack of cooperation between his organization and the president-elect’s team. Shaub reportedly cautioned Trump against creating a blind trust of his business holdings without speaking to the OGE first, noting that the ethics office only considers something a blind trust if its assets have “been sold off”—a very different standard that the “half-blind” trust floated by Trump’s own team. (To date, Trump has not suggested that he will sell off his assets.)

MSNBC noted that the emails, which it obtained through a Freedom of Information Act request, included few details regarding any efforts by the president-elect to divest from assets that could result in potential conflicts of interest during his presidency.

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Shaub also argued that Trump’s staff was risking “embarrassment” by refusing to allow the ethics office to review the financial records of potential cabinet selections before they were announced, saying some could potentially violate federal law.

“They run the risk of having inadvertently violated the criminal conflicts of interest restriction at 18 USC 208,” Shaub wrote. “If we don’t get involved early to prevent problems, we won’t be able to help them after the fact.”

The tension may explain the OGE’s effort to troll Trump on Twitter in late November.

Look, a bonus Sunday Facepalm! The only way to maybe get the Pendejo-elect’s attention is to troll him on Twitter. For fuck’s sake. Even some conservatives are appalled:

Yes. And not only that, but McConnell’s deep hypocrisy is on show as well:

The Republican-controlled U.S. Senate plans to rush forward this week with confirmation hearings for many of Donald Trump’s nominees for cabinet and other key executive positions. Though many of the picks have not yet completed the customarily required ethics clearances and background checks, Senate Majority Leader Mitch McConnell (R-KY) has shown no willingness to delay.

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But back in 2009, McConnell took the exact opposite view. A letter to then-Senate Majority Leader Harry Reid (D-NV), posted on Twitter by Citizens for Responsible Ethics in Washington co-founder and former Obama administration ethics adviser Norm Eisen on Sunday, shows he demanded that “financial disclosures must be complete” before any confirmation hearings be scheduled.

How things change, eh?

Think Progress has the full stories: Government Ethics and McConnell.

Whitesplaining Apologies.

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Lawrence Ware at Fusion addresses the massive facepalming wrong of whitesplaining apologies by people caught doing things which are racist as hell. Mr. Ware lists the 5 worst whitesplaining strategies, which also apply to other types of notpologies.

1. “I apologize to anyone who may have been offended.”

This is the classic non-apology. To say that these words have meaning at all is pushing it. The person in the wrong isn’t expressing remorse over what they’ve said or done; they’re merely acknowledging the response of the offended. This statement is but a logical step away from saying, “Y’all just need to stop being so damn sensitive.”

2. “I have black friends.”

Somehow a white person caught doing something racially problematic thinks having a black person as a favorite in their iPhone absolves them of racism. Someone should tell them it just doesn’t work that way. Put succinctly, we don’t give a damn if a white racist has a black friend.

3. “I know MLK quotes.”
Some white people have a tendency to take MLK’s words out of context. When King wrote in Where Do We Go From Here, “Whites, it must frankly be said, are not putting in a similar mass effort to reeducate themselves out of their racial ignorance. It is an aspect of their sense of superiority that the white people of America believe they have so little to learn,” he was probably talking about the same white folks who are misusing his words, like Seattle Mariners backup catcher Steve Clevenger, who apologized for his offensive comments about the Charlotte, North Carolina, protests by harkening back to MLK’s “I Have a Dream” speech: “I am also proud that my inner circle of friends has never been defined by race but by the content of their character.”

4. “You misunderstood.”

This is insulting. The statement implies that what the offended party heard was not actually what the offensive person said. A slightly more authentic, yet just as problematic, approach is the “that’s not what I meant” defense. In that case, one owns that what they said might have been distasteful, but insists that they didn’t intend for it to offend. It’s similar to a 5-year-old who accidentally hits their sibling, but thinks screaming “I didn’t mean to do it” will sufficiently solve the problem. Just because a person didn’t mean for something to be racist, doesn’t mean that they didn’t do something hella racist. Just ask the folks who believe that the Confederate flag is all about heritage. Yeah, white folks who say this sound about as dumb as them.

5. “I don’t see race.”
Aside from the fact that it is nearly impossible, this is a statement centered in white privilege. In Racism Without Racists, Edwardo Bonilla-Silva argues that pretending that race doesn’t exist only perpetuates white privilege because it doesn’t force us to address the systemic nature of oppression. Racism is not just interpersonal—it’s also institutional.

A few words of advice to white folks caught being racist: Just own it. It’s not cool, but admit it and learn from your mistake. Your attempts to whitesplain your way out of having said something racist is coming off about as ridiculous as Shaggy’s attempts to prove his fidelity in “It Wasn’t Me.”

Full article at Fusion.

Sunday Facepalm.

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Something a little different today. I was asked in TNET to watch this video, and what I thought about it. A quick glimpse informed me that ‘LindyBeige’ is a person who lives to complain. I made it through the modern art hate video, decided to skip the rant about global warming. I’ve known a number of people who live to complain, and I can’t say I’ve cared for them much.

Oh, art. In general, people adore spouting off about art, and the sport of art hating has been going on since forever. That’s what a lot of modern art haters miss – they aren’t super bright and doing something new. I’m pretty comfortable saying there were most likely a host of cave art critics who never shut up, and had a great deal of trouble with that modern art. Every generation – modern art. All that said, most people operate on a “I know what I like” basis when it comes to art of any kind, and that’s fine. I do that myself, even when it comes to work I can appreciate, but don’t particularly like personally. There will always be things which grab you immediately, and things you’ll hate, and things which will leave you cold.

Mr. Beige had a problem with one artist in particular, I wasn’t able to catch the name, but this artist worked with shit, or least that was Mr. Beige’s assumption. [Being told who the artist was, and looking up some of their work, it seems rather doubtful dung of any kind was used.] That got a shrug out of me, because that’s hardly new or unusual. Such art tends to be done in order to make a statement. If you get so hung up on the material, you’ll miss that, and I guess that’s fine, too, you don’t have to ‘get’ everything in the art world.

I did almost snort my tea laughing when Mr. Beige announced, in such a sniffy manner, “It made no attempt to please me.” Spare me, please. Artists are not making the slightest effort to please you, Mr. Beige. I’d say most of us are gratefully unaware of your existence, like I was a short while ago. That’s not what art is about. Well, not most of it anyway. There’s an almost unimaginable amount of art in the world, and only a sliver of it ever gets into shows or museums. If you go looking, you’ll find plenty which manages to please you.

As for Mr. Beige’s “I am so insulted” reading of  Mirsad Begič’s blurb, I would have thought that a professional whinger would be, at the very least, marginally aware of all the pretentiousness in the art world, and know to take it all with a healthy dose of salt. That said, life, love, death? Yes, they all do involve a great deal of shit, on the physical and metaphorical levels.

There was then a very rapid look at some other work, and more complaining. All Mr. Beige saw were works which were made without taking his personal sensibilities into account. I saw a number of works which were thought provoking. One function of art is to make people think, to open up, change, or twist perception. It’s not all about painting a pleasing little picture, and if all you’re after is a pleasing little picture, there’s plenty of that to go around. If you’re a person who is going to get their knickers in a knot over going to a particular show based only on the pretentious blurb, that’s on you. A difficult to please person should learn to do their research.

I see a great deal of art work which I find disturbing on a personal level, but even then, I take the time to find out just what it was the artist was out to express, and view it all through different eyes. I may still not like it, or still find it disturbing, but I generally come away with a more thoughtful understanding, and often, a new perspective. That’s rather the point of art.

As for Mr. Beige, I can’t say I think much of his creative endeavors, but I don’t find whinging to be all that.

The artist who set Mr. Beige off?

Mirsad Begič

Graduate of art, born in Glamoč in Bosnia in 1953. After completing art school he continued his studies at the Academy of Art in Ljubljana, where he graduated from the sculptural department under Professors Zdenko Kalin, Slavko Tihec and Drago Tršar. Between 1982 and 1983 he undertook further training in London at St. Martin’s School of Art.

His creative heritage includes several independent exhibitions and many group exhibitions at home and abroad. He has taken part in various international sculptural symposium and colonies. He lives and works in Ljubljana.

He has received a number of awards for his work, including the Prešeren Award in 2000.

I’m now busy looking at a whole lot of Mr. Begič’s work, and I’d be more than pleased to see any of it in person.