Noether’s Theorem: Visualized Music.

This is one of the coolest things ever. The Creators Project has an in-depth story, and stills from the video.

Noether’s Theorem concerns itself with symmetry in physical systems. “Symmetry is the idea that one aspect of a system can change while another remains constant,” Cooper explains in the video’s description. “The idea of natural laws themselves rely on the forms of symmetry that mean the same forces will apply to you as they do to me, independently of our position in space or time… The principle is also responsible for music, in that our enjoyment of tonality, melody, harmony and rhythm comes from our subconscious appreciation of different types of patterns (i.e. symmetries) in sound waves.”

McLoughlin, whose experimental films have showed us what a Googol looks like, an extra-dimensional portrait of his dad, and sleep deprivation distilled into visual style, applies the mathematical theorem to a spiraling universe of flat circles. “The law of symmetry struck a chord with me in a huge way,” McLoughlin tells Creators. “There’s just something so divine about that law, it’s just so primal and insanely complicated. Almost like the soul of everything. It just feels spiritual to me.”

If you’re into math stuff, learn more about Noether’s Theorem here. If you’re rather feel it than read about it, watch Kevin McLoughlin’s video for Max Cooper’s “Symmetry”.

Commercial Break.

Meriem Bennani, Your Year by Fardaous Funjab, 2015, Courtesy of Jayson Wyche and Public Art Fund, New York.

Meriem Bennani, Your Year by Fardaous Funjab, 2015, Courtesy of Jayson Wyche and Public Art Fund, New York.

If you find yourself in Times Square, downtown Brooklyn, or at Westfield World Trade Center in New York City, you may be surprised to see those spaces’ ubiquitous ads for soft drinks, fast fashion, and electronics swapped for poignant and gorgeous video art. The switch, part of a citywide exhibition called Commercial Break, kicks off Public Art Fund‘s 40th anniversary season with disruptive, artful advertisements taking over the city’s largest and most technologically advanced screens. Curated by Associate Curators Emma Enderby and Daniel S. Palmer, Commercial Break features 23 artists whose work can be seen on billboards in Times Square, the 360-degree “Oculus” screen outside Barclays Center, 19 digital screens at Westfield World Trade Center, hundreds of LinkNYC kiosks all over the city, and embedded as pop-up “ads” on PublicArtFund.org.

The idea for Commercial Break sprang from Public Art Fund’s formative exhibition series Messages to the Public , which ran on an 800-square-foot animated Spectacolor screen in Times Square from 1982 to 1990. Every month, one of 70 different artists, including Jenny Holzer, Guerilla Girls, and Alfredo Jaar, presented a 30-second animation within a 20-minute loop of commercials. The intent of the project was similar to that of Commercial Break: fighting propaganda by means of propaganda. The artists this time around had to confront time limits and embrace brevity. Their challenge is cutting through a litany of information surrounding outdoor advertising by relying solely on visual language.

[…]

Commercial Break is on view through March 5. For a full rundown of Public Art Fund’s 40th anniversary programming, visit their website.

You can read much more, and see more about this fantastic art project at The Creators Project.

Conservation Lab: Glass Preservation.

Glass

Glass1

Pitcher from the Roman Empire, before and after restoration.

The small city of Corning, New York, population 11,068, counts more works of art than people. The world’s largest collection of glass art is harbored here, at the Corning Museum of Glass, which cares for over 50,000 objects spanning 3,500 years of history. Across the Chemung River, a short walk away, lie the headquarters of Corning Incorporated—the glass and ceramics manufacturing giant responsible for the creation of brands like CorningWare and Pyrex. The company founded the museum in 1951, as a “gift to the world” to mark its 100th anniversary. The museum’s facilities have grown tremendously since then: In addition to gallery spaces, they include a research library, glassmaking studios, and an amphitheater for live demonstrations.

Fragile Legacy: The Marine Invertebrate Glass Models of Leopold and Rudolf Blaschka.

There’s much more to read and see at The Creators Project. For more information about conservation at the Corning Museum of Glass, go here. Videos of the conservation team at work are available here.

Trump’s Blame Shifting: False Flag!

Tucker Viemeister.

Tucker Viemeister.

Trump is worse than a little sprog. Whenever something bad happens, he immediately looks for someone to blame, anyone except who is actually responsible, like white supremacist scum. In regard to the recent acts of anti-semitism, which are increasing, Trump decided to imply that while sad, they could, y’know, be a false flag operation, done to make someone else look bad. Apparently, the Tiny Tyrant hasn’t figured out that no one needs to make the current nazi infested government look bad, they are doing a fine job of that themselves. Not in the least bit surprising, various white supremacists are also spreading the false flag bullshit. Just in case this is needed: the false flag crap is just that, it’s a lie.

President Donald Trump received a lashing online after suggesting that his supporters were being framed for anti-Semitic bomb threats.

Trump on Tuesday suggested to attorneys generals that threats targeting Jewish community centers and attacks on Jewish cemeteries could be false flag operations. When speaking about the acts, which he called “reprehensible,” the president said “the reverse can be true,” according to Pennsylvania Attorney General Josh Shapiro. “Someone’s doing it to make others look bad,” Trump added.

“He just said, ‘sometimes it’s the reverse,’” Shapiro recalled. “‘It’s to make people or make others look bad.’ He used ‘reverse’ two to three times in his comments.”

The Anti-Defamation League quickly released a statement calling on the president to clarify his remarks.

You can see many of the responses here.

In case that wasn’t enough idiocy, Anthony Scaramucci is trying to pin the blame on democrats, citing Breitbart as his go to source for this claim. Seriously, can we stop the world, I want the fuck off.

A senior adviser to President Donald Trump suggested Democrats may be to blame for dozens of threats recently against Jewish community centers.

Anthony Scaramucci, founder of Skybridge Capital hedge fund and a former employee at Goldman Sachs, sent out a pair of tweets questioning the possibility that Trump’s anti-Semitic supporters may be behind the threats, reported The Hill.

[…]

Scarmucci, a top Trump fundraiser tapped as White House public liaison to government agencies and businesses, linked to a Breitbart News article Tuesday morning on a Project Veritas investigation of “trained provocateurs” at GOP rallies.

“It’s not yet clear who the #JCC offenders are. Don’t forget @TheDemocrats effort to incite violence at Trump rallies,” Scaramucci tweeted.

A reporter called him out for his baseless claim, and Scarmucci doubled down.

Via Raw Story. Same response here: the only thing making Trump look bad is Trump and his crew of henchtoadies.

Abusive Assholes Might Have A Change of Heart.

Mississippi state Rep. Andy Gipson (YouTube).

Mississippi state Rep. Andy Gipson (YouTube).

Domestic violence as grounds for divorce? No, no, those abusive asses might have a change of heart, y’know. Could happen, right? Wrong. Wrong, wrong, wrong. That said, Rep. Andy Gipson really thinks marriage ought to be a prison for abused spouses.

The Republican chair of the Mississippi House Judiciary B Committee this week killed a bill that would have made domestic violence grounds for divorce.

According to Mississippi Today, Republican Chairman Andy Gipson said that he would not take up Senate Bill 2703 before a Tuesday deadline, effectively allowing the bill to die.

The bill would have amended Mississippi law “to create domestic violence as additional grounds for fault divorce.”

[…]

Gipson, who is a Baptist pastor, has said that laws should encourage people to stay married.

“At a time I think we need to be adopting policies that promote marriage and people sticking together, I have some serious concerns about opening the floodgates any more than they already are,” the lawmaker explained. “I think the floodgates are already open and this just tears the dam down.”

“We need to have policies that strengthen marriage,” Gipson added. “If a person is abusive, they need to have a change in behavior and change of heart.”

Jesus fuckin’ Christ. You know what I think, Mr. Gipson? I think being christian ought to be a legal bar to being a politician. Especially asshole christians like yourself.

Via Raw Story.

You Can’t Kill Light.

You Can’t Kill Light.

This is what we need! More please. And sign the letter, too.

Out of a place of darkness I began to think of all the amazing individuals, known and unknown who have risen up and created movements that change history. This is in honor of the people who truly do make America great.

We built a fire
The fire burns bright
You can blow hard
But you can’t kill light

We come together
Sometimes we fight
You can knock us down
But you can’t kill light

You Can’t Kill Light
No you can’t kill light

We built a railroad
Out of the past
We nailed down every tie
And we won’t go back

High in your tower
Of steel & glass
You can sign the order
But we won’t go back

No we won’t go back,
we won’t go back

We built this house
That we could share
Now you want it for yourself
But we’re still here

You think we’re different
It makes you scared
So you raise a wall around you
But we’re still here

We’re still here,
we’re still here

We lay the table
We shared our cup
Now you tell us we’re not welcome
But we don’t give up

We outlast hate
We rise above
You can knock us down
But you can’t kill love

You can’t kill love,
no you can’t kill love

We built a fire
The fire burns bright
You can blow hard
But you can’t kill light

We come together
We come to fight
You can knock us down
But you can’t kill light

You can’t kill light
No, you can’t kill light

Monica Pasqual

Via Plus.

Border Wall Becomes A Message Wall.

Mexican activists opposed to U.S. President Donald Trump’s immigration policies left graffiti on the border fence seperating the two countries with a message to the leader.

“We are neither criminals nor illegals. We are international workers,” it said.

Trump has vowed to build or extend a wall between the two countries and deport millions of undocumented Mexican workers living in the U.S.

“We decided to do this here, on the wall, to reject (U.S. President) Donald Trump’s racist policies against the people of the world and specially against the persecution that our Mexican brothers are going through on the other side of the border,” said activist Lluvia Rocha.

Via Youtube.

Tiny Rallies.

The Tiny Tyrant hasn’t been feeling validated enough lately, so he called for Trump fans to have rallies to make ‘merica great and all that shit, BIG HUGE MASSIVE MORE MASSIVE THAN EVER BEFORE rallies. The result was on the teeny tiny side.

Full story here.

White Lies Matter.

Daniel Kaluuya in “Get Out.” CREDIT: Universal Pictures.

Daniel Kaluuya in “Get Out.” CREDIT: Universal Pictures.


Last October, I posted about the film Get Out: Get Out: Making White People Mad. (Trailer is at the link). I still haven’t seen it, but I am looking forward to it. Think Progress has a serious look at the film, but be warned, it’s full of spoilers, so if that sort of thing upsets you, don’t click over. (I was spoiled last year, but it doesn’t diminish my desire to see the movie at all).

What Get Out encapsulates so well is that modern racism can manifest not just as straightforward hate but also as a mix of jealousy and disdain that, in many ways, can be much more sinister. Disgust, on the part of white people, that black people have the audacity to excel at anything, joined with a desire to siphon off that excellence, to restore some rightful order.

Peele’s comedy and horror bonafides are well established from his run on Key and Peele, as is his ability to be deft and analytical about race without sacrificing the joke or the story at hand. Get Out, which Peele wrote and directed, marks his feature debut. He started making the movie when Trayvon Martin was killed; as he told the New York Times, “What originally started as a movie to combat the lie that America had become post-racial became a movie where the cat is out of bag, and now we’re having this conversation.”

Though he expected the movie to premiere in a different kind of America — namely, one with a different president — Peele said this 2017 context made the movie “more relevant. The liberal elite who communicates that we’re not racist in any way is as much of the problem as anything else. This movie is about the lack of acknowledgment that racism exists.”

Spoilery article here.

Free People! God Given Liberty! No Healthcare!

Rep. Steve King (R-IA) wants to ensure that no part of Obamacare is “left behind.” CREDIT: CNN.

Rep. Steve King (R-IA) wants to ensure that no part of Obamacare is “left behind.” CREDIT: CNN.

The shameful, craven republicans aren’t even attempting to hid behind their various cowardly excuses anymore. They simply want to repeal ACA, they don’t want to replace it at all. Of course, this is hardly news to people who have been paying attention.

Last week, CNN obtained a draft Congressional Republican bill to replace the Affordable Care Act with a plan that would replace subsidies with smaller tax credits, allow insurance to charge senior citizens more, decimate Medicaid, and cause millions of Americans to lose their coverage altogether.

On Monday and Tuesday, however, a trio of prominent House Republicans made it clear that even this bill was not conservative enough for them. While the bill would mean the loss of health insurance for millions of Americans, they object to provisions in the bill that would help some people remain covered.

Rep. Mark Meadows (R-NC), who chairs the House Freedom Caucus (a group of a few dozen of the most conservative Republicans in Congress), announced on Monday that he could not support that proposal because included refundable tax credits to help people pay for health insurance and some tax increases. “A new Republican president signs a new entitlement and a new tax increase as his first major piece of legislation? I don’t know how you support that — do you?” he asked, adding that many members of his caucus would be willing to vote against the leaked draft.

Rep. Mark Walker, another North Carolina Republican and chair of the Republican Study Committee (a group that calls itself the “conservative caucus of House Republicans” and includes more than 170 of the 238-member GOP majority), followed suit soon after.

“The draft legislation, which was leaked last week, risks continuing major Obamacare entitlement expansions and delays any reforms,” Walker said, adding that the proposal “kicks the can down the road in the hope that a future Congress will have the political will and fiscal discipline to reduce spending that this Congress apparently lacks.” He said he would urge colleagues to oppose the proposal.

On Tuesday, Rep. Steve King (R-IA), joined the pile-on. He told CNN’s Chris Cuomo that he presumed the leaked plan did not include entirely “hard facts,” but said the he wants to see only “a full, 100% repeal of Obamacare.” “I don’t want any of it left behind,” he explained, because “a free people that are the recipients of God-given liberty… have had our health taken over by the federal government.”

Think Progress has the full story, and video, if you can stand to watch the smug and stupid King.

San Francisco.

If the counterculture of the 1960s and ’70s had an anthem, this was it. Written by John Phillips, performed by Scott McKenzie. I’d say it’s past time a counterculture rose again, a whole generation with a new explanation.

If you’re going to San Francisco
Be sure to wear
Some flowers in your hair
If you’re going to San Francisco
You’re gonna meet
Some gentle people there

For those who come
To San Francisco
Summertime
Will be a love-in there
In the streets of San Francisco
Gentle people
With flowers in their hair

All across the nation
Such a strange vibration
People in motion
There’s a whole generation
With a new explanation
People in motion
People in motion

For those who come
To San Francisco
Be sure to wear
Some flowers in your hair
If you come to San Francisco
Summertime
Will be a love-in there

If you come to San Francisco
Summertime
Will be a love-in there

– John Phillips.

So you can’t build a counterculture in one day. You can start by signing a letter. Pass it on.