All dark now, but the spectacular thunder grumbling continues, along with sky wide multi-strikes of lightning.
© C. Ford. All rights reserved.
Bolen’s featured works at Newspace include a series named after Vieques, an island belonging to Puerto Rico that was used for weapons testing by the United States between when the US bought about two-thirds of the island 1941 and when the military left the island in 2003.
According to Arizona State University’s Walter Cronkite School of Journalism, “More than 80 million pounds of chemical weapons, bombs and ammunition were dropped on the eastern portion of the island for a good part of the 20th century. Its soil still harbors bullets filled with radioactive depleted uranium and unexploded bombs.” In 2010, about 7,000 residents of the island jointly sued the US Navy claiming that military operations on the island were the cause of Vieques’ higher-than-average rate of cancer, along with a slew of other long-term medical issues. A Puerto Rican Federal District Court dismissed the lawsuit, and the US First Circuit Court of Appeals upheld that dismissal in 2012 due to the Navy’s right to sovereign immunity.
Bolen went to Vieques—though not to the restricted-access area on the eastern side of the island—and buried some of his film in the soil before it was exposed to visible light. He later dug the film back up and developed it, finding chromatic irregularities in the resulting prints. The artist’s prints are accented by bits of dirt (occasionally painted or gilded), and accompanied by a photo of the location where he buried his film, hung behind swatches of window screen.
For Bolen, adding the dirt to his irradiated film elucidates the “tension between the visible and the invisible,” that comes with living at these sites, as many in Vieques still do.
From Lofty:
I had a botanist friend over who identified this bush in our garden as a Western Australian native, “Calothamnus graniticus”, normally found in sandy soils derived from granite. It grows well in our garden, it was here when we moved in 20 years ago.
So fuzzy! Click for full size.
© Lofty. All rights reserved.
…But for a select group of photographers in Japan, Summer signals the arrival of fireflies. And for very short periods – typically May and June, from around 7 to 9pm – these photographers set off to secret locations all around Japan, hoping to capture the magical insects that light up the night.
One thing that makes these photographs so magical is that they capture views that the naked eye is simply incapable of seeing. The photographs are typically composites, meaning that they combine anywhere from 10 to 200 of the exact same frame. That’s why it can look like swarms of thousands of fireflies have invaded the forest, when in reality it’s much less. But that’s not to discount these photographs, which require insider knowledge, equipment, skill and patience.
Fireflies live for only about 10 days and they’re extremely sensitive. They react negatively to any form of light and pollution, making finding them half the battle. Here, we present to you some a selection of our favorites from the 2016 summer season.
When it comes to magical things, little beats the magic of fireflies. See all the magic at Spoon & Tamago.
Click for full size. This astonishing photo was taken by a pilot.
Taken from a plane at the moment of a lightning flash, it illustrates both the ferocity of a turbulent atmosphere and the beauty of Mother Nature. A strong, roiling updraft; a smooth, flat anvil; and the overshooting top — all features of intense developing thunderstorms.
The photo was taken over the Pacific Ocean from the cockpit of an airplane. The photographer and pilot, Santiago Borja, says he was circling around it at 37,000 feet altitude en route to South America when he captured this spectacular view.
Borja said it was difficult to get the shot in near-darkness and during a bumpy ride. “Storms are tricky because the lightning is so fast, there is no tripod and there is a lot of reflection from inside lights,” Borja told The Washington Post in an email.
“I like this photo so much because you can feel the amazing size of the storm and its power,” Borja said. “But at the same time it’s wonderful how peacefully you can fly around it in still air without touching it.”
[…]
The photo was taken with his Nikon D750 camera south of Panama on a Boeing 767-300.
Full story at Washington Post.
“Capturing emotion of places through photographs.” That’s the tagline on Mikko Lagerstedt’s website, and it is delivered with power and beauty.
Spending an entire evening under the stars in near pitch darkness, photographer Mikko Lagerstedt captures spectacular landscapes of frozen tundra and misty mornings of Iceland and his native Finland. With a camera mounted on a tripod he takes a multitude of exposures as the light gradually changes. Certain elements are then stitched together digitally and enhanced with Photoshop and Lightroom—a process he candidly shares in tutorials and presets he sells on his website and blog. The resulting images are a result of hours of photography, editing, and a keen sense of color and composition to create heavily modified images that are almost hyper-realistic.
Mikko Lagerstedt’s galleries are to be lost in, gazing with wonder, awe, and near heartache from the sheer beauty of this planet of ours. To say the emotion of the landscapes is well captured is a complete understatement.
Via Colossal Art.