And Now, Gingerbread!

Courtesy IPCC Pueblo Gingerbread House Contest submission includes a mini Pueblo building structure in a decorated bowl. Note: The submission is entirely edible.

Courtesy IPCC
Pueblo Gingerbread House Contest submission includes a mini Pueblo building structure in a decorated bowl. Note: The submission is entirely edible.

The Indian Pueblo Cultural Center’s 8th Annual Gingerbread House Contest is its most successful to date, with more than 70 submissions by adults and children.

The contest was judged last week by prominent Pueblo artists and elders, as well as leaders from the Albuquerque community. Winners in both Adult and Children’s categories will be announced on December 14, with a combined $2,500 in prizes to be awarded.

Though the formal and initial voting process is complete, the public is welcome to visit the East Lobby of the IPCC, 2401 12th Street NW, Albuquerque and vote for their People’s Choice Award favorites through January 3. The People’s Choice Award is sponsored by Isleta Resort and Casino. Winners will be announced on January 5.

Pueblo Gingerbread House Contest submission (courtesy IPCC).

Pueblo Gingerbread House Contest submission (courtesy IPCC).

 

 Pueblo Gingerbread House Contest submission (courtesy IPCC).

Pueblo Gingerbread House Contest submission (courtesy IPCC).

You can read about, and see more at ICTMN.

Exquisite Chemistry.

I don’t have words. There’s such a numinous sense to the birth of these crystals. You can see this video in a much larger size at Aeon.

A project by the Italian chemistry student and photographer Emanuele Fornasier, Crystal Birth features close-up time-lapse photography of electrocrystallisation, a process in which an electrical current running through a chemical solution results in the gradual buildup of metal on an electrode. By carrying out this process over hours or days, depending on the chemicals present in the reaction, Fornasier is able to capture crystals piling on beautifully, layer by layer, in a remarkable synthesis of science and art.

Via Aeon.

Masayuki Kojo: Live Art.

Yesterday, I posted about Masayuki Kojo’s Bujinga Sumi-e. Today, a video of his work being done, live art. This is amazing, wondrous, and purely joyous to watch. The energy of the artist’s chosen music is infectious and you find yourself filled with that energy. I wanted to be right alongside him, painting.

You can also see this at Masayuki Kojo’s website: http://www.macfamily57.com/live-art.

Runaway Bay, Jamaica.

From Saad: This photo was taken over 60 seconds on the coast at Runaway Bay in Jamaica. We also made an unexpected feline friend who decided to keep us company while I was setting up. Fortunately it was in the mood to sit for a portrait. :) Breathtaking! Click for full size.

runawaybay

jamaicacat

© Saad, all rights reserved.

Stocking Stuffers.

og-sithrackfacts_2

Just a little reminder, if you’re looking for little goodies this Saturnalia, to delight your favourite atheist, happy hedonist, or religious relative, remember Oglaf!*** There are the fabulous tracts, or this nifty Sithrak pin, because you don’t want to go upsetting Sithrak, as he is an insane god for an unjust world:

og-sithrak-pin

as well as many other wonderful goodies. I hafta get that pin. Actually, Dear Santa, I would like the whole Oglaf store… The Oglaf store is here.

***If you are new to Oglaf, never heard of Oglaf, do not open link at work. Lots of naked people, lots and lots and lots of sexy fun times with fully visible genitalia, and a whole lot of irreverence, intelligence, and biting wit, so if you’re sensitive about that sort of thing, don’t click.

 

Bujinga Sumi-e Star Wars.

star-wars-bujinga-fb-e1480478202940

Bujinga is a very specific Japanese art form that evolved in the Kamakura period. Bujin (武人) means warrior and ga (画) is painting. And so the bujinga portraits were depictions of samurai warriors intended to capture the legacy of the brave and pass them on to future generations.  In a contemporary iteration, bujinga artist Masayuki Kojo captures characters from Star Wars, creating versions of Darth Vadar and the Storm Troopers like never seen before.

You can read and see more at Spoon & Tamago.

Facebook: Stealing from Standing Rock.

https://www.facebook.com/ntvsclothing/photos/a.248774832000321.1073741828.245852668959204/527999037411231/?type=3

People being what they are, there are many who are more than willing to steal and scam from actual Native artists, and using the good-heartedness of people who want to do something to show their support for Standing Rock. Indigenous artists have a difficult enough time, there are always a host of people trying to rip off what they do, but this is not only out of control, but once again, FB won’t do shit about it. So, it’s up to you. The people doing the scamming are mostly based outside the U.S., and they have enough money to buy sponsored ads on FB, which are resulting in millions upon millions of views, and worse, shares. Most Native artists and small business owners cannot afford the same amount of sponsored ads, their attempts to alert people don’t get very far, and as Aaron Silva noted in comments in the above post, FB was not allowing him to boost it.

We all know how lax FB is about such matters, in spite of what they might say. If you’re someone who wants to support Standing Rock, and thinks doing a donation by way of getting a cool shirt is a good way to do things, then do that, but do everyone a big favor by putting on your thinking cap, and keeping those eyes sharp. Verify, verify, verify, because money you think is going to Standing Rock isn’t, it’s going into the pocket of a thief. Aaron Silva has some helpful tips on what to look for at NTVS Clothing.

BuzzFeed has an extensive article about the problem. If you see a fake site, please, report them. Warn others, all the things you do on FB when you know something is bad. Native artists and all those at Standing Rock thank you for doing whatever you can to combat this ongoing problem.

Edited to add: If you fell for one of these scams, don’t feel bad, but do get mad, and help take them down!

Putin: Artists, Do Not Be Dangerously Creative!

The Russian President told members of the artistic community not to “divide society” during a televised debate with theatre and screen star Yevgeny Mironov who voiced concerns about growing restrictions on artistic freedom in Russia.

The Russian strongman said there was a “very subtle line between what I would call dangerously outrageous behaviour and creative freedom”.

“It’s a very subtle thing, a very subtle line. It depends on a feeling of tact, from all of us: officialdom on the one hand and people in creative professions on the other,” he said.

No, it’s not subtle, nor is it a feeling of tact. It’s anything you decide to take offense with, anything you feel just might contain a criticism of some sort, or express a dissatisfaction with the status quo. When you start suppressing artists with made up excuses, you have just screamed “There will be no dissent!” You may as well just come out and say so.

Mironov, who heads the Theatre of Nations in Moscow, told Putin in the televised exchange that fears are growing in creative circles over restrictions on artistic expression.

“Creative freedom is guaranteed by the law of our country” and bans “can be enforced only through a legal process,” Mironov said.

In recent months, religious and politically conservative activists have interrupted theatre productions and stormed galleries and defaced exhibits.

Orthodox activists this year campaigned to close a provincial staging of the Andrew Lloyd Webber musical “Jesus Christ Superstar”.

[…]

Last year the director of a Siberian staging of Richard Wagner’s opera Tannhaeuser went on trial for offending believers, although the charges were eventually dropped.

Oh, the boot stomp of Christianity, those lovers of fascism. This is a dangerous time for artists, who are always irrepressible.

Full story here.

Engineering and Art, Which Came First?

ochre

Anthropologists often use ochre processing as a proxy for the origins of human symbolic thought. That’s partly because ochre is relatively difficult to make, requiring a few steps and at least two kinds of tools. As the researchers write, ochre comes from “rocks containing a high proportion of iron oxides, often mixed with silicates and other mineral substances, which are red or yellow in color, or are streaked with such shades.” Ochre itself is made by pulverizing the rock with one kind of tool and then reducing it to a powder between two grindstones.

There are many aesthetic uses for ochre, including as fabric dye, paint for cave walls, or a stain for rocks and other materials. All these artistic or cosmetic uses imply symbolic thought. But early humans used ochre for utilitarian purposes, too. The powder was mixed with other adhesives to keep weapons snugly attached to their hafts. Put simply, ochre was a key ingredient in glue.

The question that has long raged among archaeologists is whether people first began using ochre as a tool for engineering or as a substance for making art. In other words, does symbolism start with science or aesthetics? By examining 23 ochre-processing tools from Porc-Epic Cave, researchers figured out that the answer is that both emerged at the same time, in the same workshops.

A fascinating article, the full story is here.

Cool Stuff Friday.

Song Peilun is a hermit, an artist, a former professor, and now can be called the father of Yelang Valley.

After spending almost 20 years trying to build a wonderland-like place, Song’s vision has finally materialized.

It all started in 1996 when he quit his teaching position and spent his lifelong investment to buy a 200,000 square meters’ of land in an isolated mountainous forest area in Huaxi, southwest China’s Guizhou Province, and decided to stay there – just to pursue his quest of building a utopia-like community that resembles characteristics from the Middle Ages, or Winterfell from the hit TV series Game of Thrones.

But Yelang Valley’s civilization is believed to be older than the Middle Ages, before the area was part of modern-day China. Here, experts say, multiple ancient cultures were rooted, which have prospered for tens of thousands of years.

Song, now 76, has been studying the colorful minority cultures that have existed in the Guizhou region for years. After visiting the United States, he was particularly touched by the parallels between the ethnic minorities in Guizhou and the Native Americans – he was deeply saddened to see cultural infiltration had contributed to the loss of age-old traditions and heritage.

But the retired professor and cultural enthusiast wanted to restore that heritage in Huaxi, if not entirely then at least a part of it. He was inspired by the Crazy Horse, a mountain monument dedicated to a Native American warrior, in the US state of South Dakota. Song wanted to create something similar in the mountains of Guizhou.

Before he arrived, some of the villagers living in the area were working as masons, mining in the mountain and selling the stones to make a living.

“It is not fun selling them,” Song remembers suggesting them.

“Let’s build blocks,” he told them.

And the villagers agreed. They later became the architects of the valley that Song was visualized.

Through the years, Song trained them to become landscape architects – he had previously tried building an artist community in another area aiming to bring economic benefits to protect their culture but had failed. In Yelang Valley, he was continuing his pursuit. During the years, many locals aged, some died too, but their collective dream only thrived. And when Song ran out of money, the villagers even volunteered to contribute.

After all, Yelang Valley would become their spiritual home.

After two decades, Song says they have attracted visitors. Many locals, including him, now live in wooden houses perched in trees and the place looks like a settled community, but it is still an ongoing project, the creator adds.

However, along these years, Song’s wish of creating, and then retaining a village far from the hustle and bustles of city life has been hit hard by signs of modernization that are slowly seeping into the community.

But Song says he is not worried – if destroyed, he says, he will spend another 20 years to build another community in the other end of the valley.

This is so wonderful. I’d live in such a place, and happily so. We could use communities like this everywhere. Via CCTV News, Alfalfa Studio, and Great Big Story.