VitrificationNoun.
1. The process or act of vitrifying or the state of being vitrified.
2. Something that is or has been vitrified.
Vitrify
Verb -fied; -fying
Transitive verb: to convert into glass or a glassy substance by heat and fusion.
Intransitive verb: to become vitrified.
Vitrifiable – adjective.
Vitrification – noun.
[Origin: Middle French vitrifier, from Latin vitrum glass.]
(1594)
“This is in fact a DEEP SEVEN cadaver, and appears to have undergone some sort of postmortem vitrification process, or perhaps a hibernation from which it failed to emerge, approximately seven million years ago.” – The Jennifer Morgue, Charles Stross.
The math in crafting the budget was seemingly too difficult for an administration embroiled in scandal. President Donald Trump promised that he would balance the budget for the first time in over a decade and he would do it without cutting spending for defense or Social Security. The numbers were flawed, however.
According to New York Magazine, Trump’s budget assumes a $2 trillion increase in revenue through economic growth that can’t be verified or supported by any estimations by anyone, anywhere. Even the Trump administration’s supposed economic growth wouldn’t pay for the $2 trillion error. Previously, Trump claimed his cuts would be paid for by the growth expected to come in, as a result of his tax breaks. The plan is akin to a credit card that has an interest rate that pays off your card as you spend money on it. The administration has double counted the growth.
Via Raw Story.
This whole mess is turning out to be worse than the Fuck You Healthcare Plan. Apparently, our Tiny Tyrant is not in the least disturbed by numbers which simply do not work. It will be great, yes, of course it will, because it has ‘greatness’ on the label, see, and if you have branding, you don’t have to care about anything else. Might be best if everyone prepares for bankruptcy. There’s a great deal to be disturbed about, so here’s the Oh Fuck Roundup:
That’s enough bad news, ennit?
As it’s been one year since I did any work on it, I figured I’d get a leaf or two done on the Peace Quilt before getting back into the Tree Quilt. Not the best photo, because very windy outside. The quilt is around 60″ x 60″, the peace sign is 40″ x 40″. Click for full size.
© C. Ford.
The embroidery on the shirt is done. Finally. I swear, the small things can take bloody forever and ever. Not quite finished, the dread wash test is up next, here’s hoping it survives well. The designs are from Urban Threads. Serpents are 6″ x 5″, little black heart 2.5″ x 2″. Shirt is Liz Claiborne, bought at Goodwill, natch. Click for full size.
© C. Ford.
Absolutely wondrous portraiture by Yuki James, who does everything except conventional. I like ‘unconvential’ portraits of people, which simply means capturing people as they actually are, and how they wish to be portrayed, rather than the stiff, dressed up, traditional type of portraits. Just a few here, and most under the fold, possibly NSFW, so have a care.
The portraits feature a mélange of individuals caught in domestic moments to capture a provocative, elegant otherness that defies commonly accepted notions of race, gender, age, and individuality.
“Portraits are my passion and this show is a collection of my favorites,” James tells Creators. “I only shoot fashion or commercial work if the commissioning publication or client feels that what I do, and my voice, works with their brand. Or if I’m asked to collaborate with another artist or designer that I truly admire.” James recently collaborated with Jeremy Scott for Rollacoaster Magazine. “I love beauty in the unconventional. I love sensuality in those not expected to express it.” The portraitist says, “Emotions and feelings appeal to me. The things that tie us together as humans even when we seem so different.”
“An element of intimacy is something I strive to have with every person I shoot,” explains James of his process. “I take my time and ease into a space that feels comfortable and open, and then look for what they will give me. What poignancy can we tap into? In that way, each shoot is a collaboration.” Okachan, a picture of an older Japanese woman with a silk scarf covering her hair and a ball gag in her mouth, speaks to the contradictions of domesticity. The image is from a series of portraits the artist shot of Japanese women who are all over the age of 50, showing that modesty does not preclude tendencies like rough sex at any age.
