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© C. Ford.

In this photo taken April 21, 2010, Sen. Orrin Hatch, R-Utah, speaks about financial reform at a news conference on Capitol Hill in Washington. In a letter circulated by Hatch Thursday, March 3, 2011. CREDIT: AP Photo/Charles Dharapak.
With all the secrecy and other slimy moves in the ramming through of the Fuck You Care Plan, an interesting op-ed has surfaced, from Orrin Hatch. It certainly highlights the ongoing hypocrisy of rethuglicans, and why you can never trust anything they might say, and certainly not what they might do.
In short, in less than a week, Senate Republicans are considering ramming through a major piece of legislation that the public has not seen and will not be able to respond to, and they’re using a method specifically designed to circumvent any mechanism the Constitution allows the Senate’s minority party to stop it.
But don’t take it from me: Take it from Republican Senator Orrin Hatch (R-UT), who agitated fiercely against the Senate Democrats’ rumored plan to pass Obamacare through reconciliation in 2010.
“This use of reconciliation to jam through this legislation, against the will of the American people, would be unprecedented in scope,” Hatch wrote in a 2010 Washington Post op-ed titled “Reconciliation on health care would be an assault to the democratic process.” “And the havoc wrought would threaten our system of checks and balances, corrode the legislative process, degrade our system of government and damage the prospects of bipartisanship.”
In the op-ed, Hatch details exactly how reconciliation allows a majority party to abuse parliamentary power, and why it’s inappropriate for health care. “It sharply limits debate and amendments to a mere 20 hours and would allow passage with only 51 votes (as opposed to the 60 needed to overcome a procedural hurdle),” he wrote. “But the Constitution intends the opposite process, especially for a bill that would affect one-sixth of the American economy.”
Now, of course, Hatch is all for the terrible process, and defends the secrecy on the basis it won’t give democrats a chance to criticise, because as we all now know, criticism is just the worst thing ever.
According to Hatch, holding public hearings on Senate Republicans’ Obamacare replacement plan would be useless, because those hearings would only give Democrats opportunity for criticism.
“We have zero cooperation from the Democrats,” he told reporters. “So getting it in public gives them a chance to get up and scream.”
When it was Obamacare on the table, Hatch was a staunch proponent of bipartisanship, arguing in an open letter to Obama that “our nation expects us to solve this challenge in an open, honest and bipartisan manner.” He added that “the American people deserve an open and vigorous dialogue on this critical legislation and the use of this process would be a clear signal that Washington continues to ignore their voices.”
Think Progress has the full embarrassing story. Well, it would be embarrassing to anyone except a rethuglican.
The Trumpholes are so very upset over Moby’s latest, claiming it’s breeding hate and terrorists because, y’know, it’s not all fawning over the Tiny Tyrant. For assholes who love to shout “loser” and “snowflake” at people, they sure are a thin-skinned bunch, coming unglued over any criticism at all. One could say they are rather hysterical.
Working on the foliage. The trunk was all Candlewick knots, which are much too small for the foliage. Even French knots are on the small side with the Perle 3, so I’ve combined the two. I get to keep the in front, half infinity movement of the Candlewick, with two wraps added. This gives me a bulkier knot, with the added plus of keeping movements which are now automatic. I usually work with thread lengths of 65 to 85 inches, because it takes very little time to go through that length of thread. Click for full size.
© C. Ford, all rights reserved.
Raw Story has an article up about the witless and empty-headed Jill Stein, who says the whole Russian thing is no big deal; she agrees with Putin, and y’know, there’s really no major difference between Clinton and Trump. *spits* Oh yes, and she’s all proud of being criticized, because “hey, look, someone is paying attention outside of election season!” It should be criminal to be that damn stupid.
What got to me though wasn’t Stein, it was one Sherry Wells, Chair of Michigan’s Green Party:
“In some ways, Trump is one of the best things to happen to this country because look at how many people are getting off their posteriors,” said Sherry Wells, chairwoman of Michigan’s Green Party. “So part of me is giggling.”
All of me, Ms. Wells, is not fucking giggling over all the damage already done, and more to come. All of me, Ms. Wells, thinks you are a fucking idiot, and a fine example of what is wrong with so many citizens of this lost country. All of me, Ms. Wells, tells you to fuck right the fuck off, shut the fuck up, and go the fuck away until you develop a brain and figure out how to use it.
Via Raw Story.
From hawking sports cars to hamburgers, advertising has always relied on the objectification of women to market products. But starting June 26 SaveArtSpace, an arts organization that transforms advertising spaces into canvases for public art, is reclaiming New York City billboards for the female gaze.
SaveArtSpace: The Future is Female will showcase work by female artists on advertising spaces across the city. The exhibition includes a variety of media and styles, ranging from cartoon sketches to puppet-like sculptures. In one piece, titled Grace Meets Matisse, artist Elise Peterson has photoshopped Grace Jones’s iconic Island Life album cover onto Matisse’s La Danse, distorting the painting’s dimensionality in certain ways but contributing to its overall sense of movement.
You can see and read much more at The Creators Project and at SaveArtSpace: The Future Is Female.
There’s a new Pride flag in the wind. If the people behind the MoreColorMorePride site had bothered to make their video shareable, I wouldn’t have had to go to youtube searching for it, and would have missed all the people who are extremely upset by this inclusive move. The upset isn’t surprising, but the bigotry and pained ‘reasoning’ employed, well, I’ll just say I expected better of queer folk. I’m not sure why I expect better, being bi and having dealt with all the nasty views in that regard over the years. I guess I remain more hopeful when it comes to queer folk.
I think it’s a fine idea, an in your face reminder that inclusiveness matters, and a rather gentle reminder to always check your privilege. You can see and read more here, and download the art to make your own stuff.
The exhibit starts tomorrow!
Artists include: Aneta Bartos, Anna Biller, Amanda Charchian, Nona Faustine, Monica Kim Garza, Rebecca Goyette, Joanna Grochowska, Koak, Natalie Krick, Natalie Krim, Joanne Leah, Kristen Liu-Wong, Pixy Liao, Maidenfed, Shona McAndrew, Sophia Narrett, Polly Nor, New Level of Pornography, Taira Rice, Erin M. Riley, Amy Ritter, Lissa Rivera, Scientwehst, Tschabalala Self, Marie Tomanova, Brandi Twilley, Paula Winkler, Jessica Yatrofsky.
You can read more at The Creators Project, or just head over to MoSEX for tickets.
