The double reversals of Jane Roe

The landmark US Supreme Court decision that in 1973 legalized abortion in the US is Roe v. Wade where ‘Jane Roe’ was the pseudonym given to the woman who brought the case who feared using her real name given the highly charged nature of the case and the violence that was, and still is, directed against women who seek abortions, abortion providers, and supporters by anti-choice zealots. Over time, Roe’s name was revealed to be Norma McCorvey and she later created a sensation said in the mid-1990s when she said that she had become a born-again Christian and an anti-gay, anti-abortion activist. (She had been a lesbian for almost all her life.) This was treated as a tremendous coup by the Christian right who would parade her before any media microphone and indeed anyone who would listen.

But in a new documentary AKA Jane Roe made by the TV channel FX that is due to be released tomorrow, in interviews just before she died in 2017, McCorvey confesses that her religious conversion and change in attitudes was all a sham. She said that she was broke and homeless and that she was given a lot of money by the religious right to entice her to do what she did.
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Fred Willard (1933-2020)

Fred Willard who died yesterday was one of those actors you see all over the place in comedies. He was always in supporting roles, never the star, and sometimes those roles were just cameos. There was something intrinsically funny about him, a kind of appealing goofiness without being slapstick, combined with an ‘aw, shucks’ obliviousness that always made me smile whenever he appeared on the screen. He had a vast number of film and TV credits to his name and the chances are that even if his name did not register in your consciousness, you have seen him. I just learned that he was born in Shaker Heights, OH the town I lived in for thirty years.
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TV mini-series review: Unorthodox (2020)

Netflix has just released this four-part mini-series based on a memoir by Deborah Feldman about how and why she left the world of Hasidic Orthodox Judaism, though as is usually the case with film adaptations, the story has been changed in several ways. The film is about a very young woman Esther (known as Esty), who is a member of the Yiddish-speaking Satmar community that lives in the Williamsburg neighborhood in Brooklyn, New York. As is the custom in the ultra-Orthodox community, she has an arranged marriage to a very young man. The expectation in such marriages is that the woman will start having babies immediately, as many as she can.
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The stimulus package has conditions to stop Trump and his family from benefiting

The Trump family’s grifting and exploitation of his office is so shameless and obvious to all that the stimulus package apparently has language preventing them from using it to benefit themselves. Although it does not name him but instead says that it applies to the president, other lawmakers, and their families, it is clearly Trump that lawmakers had in mind.
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Watching Bizet’s Carmen while ‘sheltering in place’

I am not a fan of opera, having seen only one live performance in my life. It was a long time ago when I was in Germany and we were taken as a group to see Wagner’s The Flying Dutchman. My reaction? Kind of meh. But I decided to take advantage of the New York Metropolitan Opera’s decision, during the time when they are shut down due to the pandemic, to broadcast recordings of their past live streams of operas for free with a new one every night. (See this post for details).
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A boon for opera fans

If you are a fan of opera, New York City’s Metropolitan Opera announced that they will, starting tonight and continuing for the duration of their closure due to the pandemic, live-stream, free of charge some of the recordings they have of past performances, no doubt to keep people entertained while they are restricted to their homes.

Since 2006, the company has been transmitting live performances to movie theaters via satellite as part of a series called The Met: Live in HD; now the Met will be streaming those performances for free, one per day, for the duration of the closure.
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Each opera will be available on the Met’s website beginning at 7:30 p.m. Eastern and will remain available to stream until 3:30 p.m. Eastern the next day. They’ll also be available through the Met’s Opera on Demand apps.

You can see the first week’s offerings here. Tonight will be Bizet’s Carmen.

TV review: The Good Place (no spoilers)

I watched the finale of this NBC TV series a couple of days ago. The series consisted of 52 half-hour episodes spread out over four seasons. I have long been a fan of this show that dealt with issues of ethics and morality and what makes a person good. I gave it a rave review after seeing the first season, and have been following it since.
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TV Review: Good Omens (2019) (No spoilers)

This six-part mini-series based on the book by Terry Pratchett and Neil Gaiman is superb. The 1990 book of the same name is very good but this TV adaptation is even better. It definitely benefits from being made into a miniseries that lasted a total of nearly six hours, rather that a shorter feature film. It enabled the screenwriter Gaiman and the director to provide a much richer texture to an already complex story. The series is available on HBO which I do not subscribe to but I happened to be staying at my daughter’s place and they do subscribe so I took the chance to watch it. I can strongly recommend it. In fact, I plan on seeing it again because the dialogue and acting are so good that it is the kind of thing that benefits from a second viewing, where one picks up on gags that one missed the first time around.

The story is based on the impending Armageddon that will climax in a major battle between the forces of Good and Evil that will be triggered by the Antichrist, who is boy named Adam, soon after his 11th birthday. The TV series expands the roles of Aziraphale (an angel) and Crowley (a demon). Aziraphale was the angel guarding the gate of the Garden of Eden who took pity on the banished Adam and Eve and even gave them his flaming sword to protect them from the wild creatures they would encounter in the hostile world outside. Crowley initially appears in the form of the serpent who tempted Eve. The angel and demon are supposed to be on opposite sides in the war but over thousands of years of crossing paths at various major events in human history have developed a sort of friendship that is grudging at first but becomes stronger when they realize that they both do not see the point of destroying the Earth and all its inhabitants and decide to try and thwart the grand plan. This puts them in the bad books of their two organizations, who try to pull them back into line.
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Color, credits, and Cary Grant

After watching the inscrutable film The Lobster, I decided I needed a break from high-brow art films and so decided to watch films that just entertained and did not tax the mind. And for that purpose, I have been on my own personal Cary Grant film festival. I first watched That Touch of Mink (1962) that co-starred Doris Day, then Alfred Hitchcock’s To Catch a Thief (1955) co-starring Grace Kelly, then my favorite Charade (1963) with Audrey Hepburn. Next in my queue if I can find them are Indiscreet (1958) with Ingrid Bergman and The Grass is Greener (1961) with Deborah Kerr, Robert Mitchum, and Jean Simmons.

Grant almost always plays a suave, witty, sophisticate. These old romantic and/or suspense comedies all provide the promise of being very pleasant and unchallenging. You can be sure that everything will end happily and that they will never take a sudden dark turn, though one false note that one should be prepared for is the casual male chauvinism on display that was taken for granted in those days but now strikes the viewer as jarring.
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Violent reaction to Brazilian comedy film

Last week I favorably reviewed the Brazilian comedy The First Temptation of Christ that has drawn protests from Christian groups because of its suggestion that Jesus may have been gay. Now the protests have spawned violent offshoots that have attacked the filmmakers’ offices with firebombs.

Police are investigating a fire-bomb attack on the Rio de Janeiro office of a production company behind a controversial Christmas special aired on streaming service Netflix.
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