One of the most annoying features of South Park is the creators’ hypocrisy. They’re so infatuated with tearing down that they never bother to build up. Trey Parker has an odd comment in an interview:

“All the religions are super funny to me,” Parker said. “The story of Jesus makes no sense to me. God sent his only son. Why could God only have one son and why would he have to die? It’s just bad writing, really. And it’s really terrible in about the second act.”

But Parker says atheism is more ludicrous to him than anything else.

“Out of all the ridiculous religion stories — which are greatly, wonderfully ridiculous — the silliest one I’ve ever heard is, ‘Yeah, there’s this big, giant universe and it’s expanding and it’s all going to collapse on itself and we’re all just here, just ‘cuz. Just ‘cuz. That to me, is the most ridiculous explanation ever,” he says.

Nah, he doesn’t even get the physics right. We’re here; we have the observations and measurements and experiments to show how we got here; it just is, no because about it.

But here’s the cowardly part of his statement: he implies he’s not a Christian, he implies he’s not an atheist — neither of which are particularly interesting comments — but nowhere does he say where he thinks we came from. You know why, and he knows why: he’s made a profession out of tearing down and ridiculing ideas (no problem there, it’s often a good thing to do), and he is well aware that if he actually gave even tentative support to some idea, not only would others reciprocate and rip into it with ridicule, but he’d be expected to do a show where he laughs at it himself. Of course, it may well be that he accepts the physical explanation of the universe — or even the Christian story, for that matter — but still thinks it is ridiculous because that is his only response to everything.

I think his show is often funny, and it does sometimes do a good job of satirizing even stuff I like (and often does a bad job, but heck, 95% of everything is crap), but the depressing pattern it constantly exhibits is that it is so damned hollow.

Oh, and I think the recent Mohammed episode falls into the 95%, and I really don’t believe their claim that the network forced them to censor it — I find it hard to believe anything they say, and think it’s just Parker and Stone gaming their audience some more. Just ‘cuz that’s what they do.

Are you ready for civilization to end? I guess the television show South Park is going to show a cartoon rendition of Mohammed tonight. I think the show has been steadily declining in quality, but I’ll tune it in one more time just to support the public desecration of the sacred.

Have they ever done a show where they lampoon juvenile libertarianism? I’d also tune in for that, but that probably hits a little too close to home for the creators.

I saw the most awesome tech demo reel tonight — a little show called Avatar. It was well worth the admission cost, but you should be prepared with reasonable expectations.

There isn’t a plot. Well, actually, there is…but it’s so predictable that they might as well have left it out. It’s a wish-fulfillment fantasy on rails. Don’t worry about it, as long as you don’t expect to be challenged or surprised, it’s fine.

There are good guys and bad guys, and the good guys are really, really good, and the bad guys are really, really bad. Like straight from the associate of arts degree program at the local Cartoon Villain College. When there’s nothing else to do, they blow things up that gain them nothing but universal loathing. They also have standard cartoon villain military tactics, which usually involves sending in swarms of moronic foot soldiers to accompany their high-tech airborne missile platforms and act as targets for the defenders.

There is a climactic battle scene that puts the Ewok’s Battle for Endor to shame.

You get the idea. Don’t go in to the theater looking for cleverness or wit or even, dare I suggest it, intelligence in the story. But it’s OK, I heard several ten year olds behind me cheering at key points.

The planet Pandora is the real star, anyway, and it’s inhabited by strange alien creatures that exhibit some real creativity in their design. Except, unfortunately, for the protagonist aliens, who are basically human beings stretched out to be 8 feet tall and with lovely golden Keane eyes plastered on, but otherwise follow our body plan pretty much exactly, right down to the toenails. If I saw that situation for real, I’d be an intelligent design creationist, because it’s obvious that the intelligent aliens did not evolve from the animal stock on that world.

I kept wishing that the makers had shown a little bravery and made the aliens alien. Some of the animals had this creepy slick black epidermis, for instance, that looked like a mucous-covered wetsuit; why not drape that over the aliens instead of the pretty blue skins they had? Most of the alien animals also had an interesting complex dentition with a lipless covering — again, be daring and make the aliens look like something that you wouldn’t ever want to kiss. District 9 did it, and got away with it — the aliens in that movie were definitely different.

But then, this was a demo reel. They were showing that they can get awfully close to realistic human performances with computer graphics, and this was a story about native Americans anyway, not really about aliens on a different planet. And it actually pulled it off: the characters were impressive and expressive.

Speaking of which, one thing I was wondering about was that the aliens, and in particular the lead female character, were hot: lithely sexy, and barely clothed. It had me wondering what kind of rights the lead actress, Zoë Saldaña, has retained to the image. After all, it’s clearly her, despite the distortions of the alien form, and that image is now in a great big digital bucket on some computers somewhere, and could be trundled out and reused in other films. I imagine it would be valuable information to the porn industry, which you just know is itching to get its hands on that technology. There must be some kind of legal protections for digital likenesses being hammered out somewhere, because one thing this movie is going to do is start making that potential problem acute.

I’ve been belittling the movie, but it really wasn’t that awful. It’s a phenomenal demonstration of a technology that will let movie-makers create anything on the screen, where all the stories are told by geeks and nerds with very sophisticated machines. In a lot of ways, it reminded me of Star Wars: an absolutely enthralling experience on its opening day which completely changed the look of all science fiction films to come, which changed the way the movie industry worked (for good and bad), and which used visual spectacle to help us overlook the silly story and the embarrassingly bad dialog.

Now we can look back at Star Wars, especially with the aid of the hideous prequels, and see that a lot of it was pure crap movie-making. Avatar is in the same situation (although I hope it isn’t mined out making a series of increasingly terrible sequels) — but it’s also got the shine of some magic in it.

Tonight, on NOVA, it’s The Last Great Ape, promising to have lots of sex and violence (violence provided by the genus Homo, I’m afraid). These are very cool apes, well worth watching.

Richard Dawkins will be interviewed on Australian TV tonight, at 8pm. Since the news down under is full of this nonsense about the canonization of Mary McKillop, I hope they’ll talk about that madness, and that Dawkins will introduce a little reason into the media.

Although, when the temperatures are down around -25°C, we people in the Northern hemisphere don’t associate Christmas with drinking white wine in the sun. The sentiment is great, though, so I’ll do my part and overlook the interesting seasonal reversal there.