The One Drop Rule

Shermer has had an abomination of a tweet called out by PZ Myers over on Pharyngula, and I’m sure most of you have read that. There are many good points to make about it and a number have been made there, but here I’d like to say something that hasn’t been mentioned yet over there. The tweet, if you haven’t read it, attempts to draw an equivalence between white pride and Black pride. This is actually a common tactic on the right, with many going as far as insisting that Black pride is worse as Black folk in the US should know better from their experiences suffering under white supremacy. And although I’m sure some truly believe this rhetoric, at its core it is dishonest. It is dishonest because it attempts to reframe behavior from one context, a Black context, in a white context. This leads to many problems, but it is particularly related to and relevant to the problematic historicization of the One Drop Rule in the US. Many people think they know the One Drop Rule. Many people think that they can categorically condemn it. I think this is too easy. I think it’s wrong, not least because most white people never even register awareness that there were always two, very different, One Drop Rules. Here, I’d like to offer some praise for one of them.

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For Your Enjoyment: DJ Pam the Funkstress

I’ve loved DJ Pam for quite some time, but I rarely go see live music. A friend of mine saw DJ Pam performing with Boots Riley and told me that she scratches records using her breasts. Now, I have seen quite a bit of art that depicted breasts male and female, but I’ve never been witness to art being created by breasts. I was intrigued, to say the least, but yep: she does it. There’s even video evidence. For your enjoyment, I present in all her creative glory the Funkstress herself:

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