Ashley Ford interviewed Nona Faustine for Elle.
Nona Faustine’s photographs are blowing up on Facebook and no one is more surprised than her. Born and raised in Brooklyn, with a distinct city accent, her tone is as light as her work is somber. In the “White Shoes” photo series, Faustine appears in the places where African slaves were bought, sold, and traded in 1620’s New York City. Her expression is solemn, in some photos there is a shackle on one of her limbs, and aside from her shoes, she is completely naked.
Go to the article to see some of the pictures. I saw the first one on Twitter a few days ago; it’s very powerful.
I like to think that every piece of art has an inciting incident, some happening or realization that plants the seed of its own creation. What would you say was the inciting incident for your “White Shoes” series?
I always wanted to make a really powerful piece of work, and there are things you carry with you throughout your life: ideas, incidents, and history. The story of my life is a family impacted by the fact that I had a great-grandmother who was an enslaved African, and my mother grew up with her. She told [my mother] all the stories of her life. Then there was me, being a born and bred New Yorker, discovering the African Burial Ground and realizing there was slavery here in this city. [Read more…]