Decolonize Your Gitch.

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Summer Peters is hoping to inspire other Indigenous women to push the boundaries of Native art. (Andrea Noline).

Summer Peters, an Ojibway artist, recently won an award for her piece, Decolonize Your Gitch. I have to say, I quite like it, there’s a joyous assertiveness to it, and a bit of happy, rebellious fuck off in there as well. The piece has come under fire from some, there are people who say it promotes violence against native women, but I think those arguments can be consigned to the same old rape culture arguments women always hear, that for some reason or other, it’s totally our fault if we end up raped, beaten or murdered. There are also a number of people, usually not native, who object to any modernization of traditional Indigenous arts.

An Ojibway artist is taking a feminist stand against online critics, who say she should be ashamed of her recent award-winning piece called Decolonize Your Gitch.

Summer Peters recently won a judge’s choice award at a U.S. art festival for her artwork, a bra and thong beaded with traditional floral designs.

After she posted it to social media, “I would say 99% of the people liked it,” Peters said.

But others objected to the piece, accusing her of “promoting violence towards native women.”

“There was a guy that said I should be ashamed of myself, my family should be ashamed of me, that I was nuts, that I was crazy, that my beadwork was shitty,” said Peters.

In response to her critics, Peters wrote in an Instagram post:

“I will take all the negative criticism so that Native lady artists in the future will maybe have an easier time … women should not be told what to do, what to wear in attempts to avoid sexual violation, we should not have to cover up and/or NOT wear a pretty bra & panty set or bikini because we might be violated and it would be all of our faults.”

You can read more here.

America Chavez.

Marvel's America Chavez, artist Joe Quinones.

Marvel’s America Chavez, artist Joe Quinones.

The ever fabulous America Chavez, Latina Lesbian Superhero, will have her own series this year!

This spring, young adult novelist Gabby Rivera (Juliet Takes a Breath) and artist Joe Quinones (Howard the Duck) continue the high-octane adventures of America Chavez. Marvel’s lesbian Latina powerhouse, Chavez punches her way through dimensions and faces off against an oncoming alien horde all while managing her social life and trying to attend various classes on alternate Earths. Since her introduction in 2012, Chavez has stood side by side with Marvel’s most powerful heroes, and this year she’s ready to take the world by storm in her new series, America. We asked Rivera about her new series.

You can read the full story at The Advocate.

Until I Die.

Photo: Miha Fras. Image via.

Photo: Miha Fras. Image via.

Photo: Miha Fras. Image via.

Photo: Miha Fras. Image via.

Four-and-a-half liters of blood, slowly collected over eight months into a unique type of battery, powers this sound installation from Russian-based artist ::vtol::, a.k.a., Dmitry Morozov. The piece, called Until I Die, was on show at the Kapelica gallery, Ljubljana in December 2016, with documentation recently released online.

The artwork uses Morozov’s blood to generate electricity, using electrolyte liquid and metals (copper and aluminum) with varying oxidation rates as power sources. This powers an electronic synth module, creating generative sound compositions which play from a speaker.

The installation features five “blood” batteries which are made up of 11 containers of the artist’s blood diluted with distilled water—and preservatives added—to make seven liters in total.

On his website ::vtol:: notes that the installation, both in visual aesthetics and its methodology, nods to the electrochemical experiments of the 18th and 19th century, particularly scientists Luigi Galvani, discoverer of animal electricity, and Alessandro Volta, inventor of the electrical battery.

“Two mutually reinforcing concepts form the central premise of the project. The first one is my desire to create a technobiological hybrid device after several years of fruitful but exhausting work. This device would be something that is in all but name me, that uses my vitality to create electronic sounds,” explains Morozov on his website. He continues: “Another crucial component of the installation is the generation of electricity: this is the cornerstone of my creative work. The fact that my body’s most important fluid can animate a device designed as an extension of myself beyond my body is also very significant.”

You can see more images at The Creators Project. A visually stunning project, to say the least, with significant and profound observations about humanity.

MTA Posters Get A #Resist Makeover.

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If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There’s Melissa C., of small-time “See Something, Say Something” fame, with her gold hoops and salmon-pink hoodie. She’s smiling next to the familiar MTA logo, but her message isn’t just about reporting a suspicious bag on the platform and feeling heroic.

“I felt like a hero reporting what I saw,” her quote reads. “But what scares me more than an unattended package is an unattended politician. We have to keep an eye on how our representatives vote and hold them accountable.”

In place of “Take a moment to alert a police officer or MTA employee,” the sign reads, “Call your elected officials and make yourself heard.” Next to the actual MTA help line (888-NYC-SAFE), there’s a tiny #RESIST.

The subversive fake posters were installed on two subway cars overnight—that’s two cars across the entire system—mingling with original posters from the MTA’s March 2016 campaign. Gothamist spoke with the person who conceived and installed them on the condition of anonymity. The artist also asked that the train lines be withheld, in the hopes that the MTA won’t track them down immediately and remove them.

The concept, he said, is to encourage people to say something when they see something unsettling coming out of government.

“I think it’s great that they are doing the See Something Say Something campaign. I don’t think it’s Orwellian, and I think it’s responsible to be vigilant,” he said. “But given the state of the world that we’re in, I wanted to do something that took that conversation and elevated it so that people could be vigilant beyond what’s directly in front of their eyes.”

“Yes, terrorism is a real issue,” he added. “But aren’t the behaviors of our government… and these ideas of how the media is straying into fake news, aren’t all of these things contributing to an atmosphere that makes us more unsafe, that gives rise to terrorism, that makes us panic?”

The full story, and all the re-worked posters can be seen at The Gothamist. Way to go, New York!

Couch Gag.

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Bill Plympton’s instantly-recognizable mix of naïveté and rule-breaking will greet viewers of The Simpsons‘ 613th episode, “22 for 30.” The Oscar-nominated indie animator behind I Married a Strange Person! (1997), Mutant Aliens (2001), and Cheatin’ (2014) returns to Matt Groening’s juggernaut sitcom for the fifth time on March 12, delivering a meta love letter to animation that breaks the fourth, and kicks it while it’s down.

It’s great to see Plympton again, but a word of warning, don’t get carried along too much by charm of this particular couch scene, it has a rather unexpected ending. (If you’ve ever stabbed yourself with a pencil, might want to skip it all together.)

The Creators Project has the full story.

Cultural Codex.

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https://culturalcodex.com/

A new online publishing platform is working to preserve and share knowledge of the cultures and languages of indigenous communities. Cultural Codex, developed by software company Dadavan Systems, invites anyone to contribute stories and experiences that record aspects of indigenous culture they want to celebrate, through personalized galleries that support text, video, photographs, and sound recordings. Currently in its early stages, the website features just a few dozen examples so far, but its creators envision archivists, artists, curators, museums, cultural and language centers, and many others producing online exhibitions and libraries that feature everything from archival material to personal reflections. Like those ancient, handwritten books from which the project takes its name, the growing resource will come together as a collaborative effort.

For a new platform, there’s a lot to see already, so do a bit of exploring and learn a little! Cultural Codex.

If you’d like to read more about the project, Hyperallergic has you covered.

Looking for Lost Cattle.

Some more of Kestrel’s amazing work: I finished off some tack for someone and got some pics with a new set-up for the background. I’ve set the doll up so he looks like he’s looking for lost cattle here. Will send a couple more of this set, of romal reins, braided headstall, pencil bosal (“bosalito”) with mecate and hanger and spade bit. I’m only showing the bosalito and mecate with hanger, here. The  saddle is totally wrong but it’s the only one finished at present.

I think the background works amazingly well, and serves to highlight such beautiful work. Click for full size!

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You can see the hand made sterling silver buckle pretty good in this pic. Also you can see the tassel (the vaqueros call it “la mota”).

You can see the hand made sterling silver buckle pretty good in this pic. Also you can see the tassel (the vaqueros call it “la mota”).

aaaand here you can see all the gear that a vaquero or buckaroo would use. First the young horse is taught to respond to the bosal, then gradually taught to carry the spade bit, while the rider uses first the mecate reins and then gradually starts using the romal reins.

aaaand here you can see all the gear that a vaquero or buckaroo would use. First the young horse is taught to respond to the bosal, then gradually taught to carry the spade bit, while the rider uses first the mecate reins and then gradually starts using the romal reins.

All images © Kestrel, all rights reserved.

Gabriel García Márquez.

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He would have been 90 years old today. In reading a remembrance, there was this particular quote:

“The more power you have, the harder it is to know who is lying to you and who is not. When you reach absolute power, there is no contact with reality, and that’s the worst kind of solitude there can be. A very powerful person, a dictator, is surrounded by interests and people whose final aim is to isolate him from reality; everything is in concert to isolate him.”

— From The Paris Review Interviews, Gabriel García Márquez, The Art of Fiction No. 69

How very apt.

Load Bearing Felt.

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I find all of this to be wildly attractive, it’s so Geigeresque.

A group of MAarch students from the Bartlett School of Architecture have devised a method of turning felt into load-bearing structures that they hope to build into an fabric pavilion.
The Flextiles project focused on developing a design system using a composite of felt fibres and expandable foam for reinforcement.

Students Noura Mheid, Hameda Janahi, Minzi Jin, Zoukai Huo found inspiration in the traditional craft of felt-making as well as the differential growth patterns found in nature – which is what gives their finished structures their distinctive, seaweed-like curls.

After exploring the load-bearing potential of these structures by crafting them into chairs they could sit on, they finished the project by presenting a fabric wall unit. The unit forms one side of what they hope they can one day extend into a full pavilion.

Their process stands in contrast to most current fabric architecture, which usually features soft fabric attached to a support structure. The Flextiles structures can be soft in some places and hard in others, transitioning smoothly from one to the other.

“Unlike traditional uses of fabric in construction, this technology introduces a new perspective on how to integrate structure into a soft material such as fabric and go beyond the typical disintegration between the draping of fabric onto a completely segregated support,” Mheid told Dezeen.

You can read and see more at Dezeen.

Moisés Hernández.

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© Moisés Hernández.

Mexican designer Moisés Hernández’ dipped his Immersed Birds collection in dye to emulate the plumage of tropical fauna. The wooden birds are based on the form and colouring of toucans, hummingbirds and Mexican quetzals – chosen for their bright, contrasting feathers.Hernández used computer-numerically-controlled (CNC) technology to mill soft, continuous wooden shapes that replicate the structure of the birds’ bodies. Exaggerated tubes form tails, while slender spikes make for beaks.

The designer then developed an experimental painting technique that immersed sections of the wood in coloured water. This allowed Hernández to create overlapping and contrasting layers of colour, and play with transparency – leaving the grain of the wood visible beneath the dye.

“This way, the birds acquire a duality where handmade and machine-made complement each other, resulting in three decorative figures,” said the designer, who has exhibited his work around the world.

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© Moisés Hernández.

Via Dezeen. Moisés Hernández’ site is full of wonders, oh, have a visit!