Destination Earth.

Destination Earth.

A not so charming Petroleum propaganda piece from 1956.

Produced at the height of the Cold War, and made at the behest of the American Petroleum Institute (still the biggest lobby for the U.S. oil and gas industry), this great little promotional film from John Sutherland Studios champions not only the wonders of oil as might be expected, but also free-market capitalism. The surprisingly humorous cartoon tells the story of how the suspiciously Stalin-like leader of Mars, named Ogg, sends a rather calamity-prone citizen to Earth to find a better power source for his poorly-running “state limousine”. The exploring Martian, of course, lands in the United States and soon discovers the many and myriad delights of petroleum, and that, in contrast to his home planet, competition between companies is rife. His take-home lesson (and one drilled into the viewer on numerous occasions) is that “competing for the customer’s dollar” is key to the success of the oil industry and, of course, the thriving country as a whole. Delivering the news to Ogg back on Mars, the leader replies defiantly that “competition is downright un-Martian”, but the ordinary Martians are not to be deterred and soon rise up to overthrow Ogg and set up a thriving oil industry (and capitalist culture) of their own — the short ending with the slogan “destination unlimited” writ proudly across the screen.

I have no doubt that if someone were to show this to the Tiny Tyrant, he’d be enthralled, and probably want to meet with Martians right away. Via The Public Domain, and the video can be downloaded at archive.org.

Kirk Hammett’s Horror.

The Bride of Frankenstein, 1935. Courtesy of the Kirk Hammett Horror and Sci-Fi Memorabilia Collection and Universal Studios Licensing, LLC.

Metallica lead guitarist Kirk Hammett was six years old when he first saw Frankenstein, in the late 1960s. When it was released in 1931, the film was so successful that it spawned multiple sequels, including The Bride of Frankenstein, Son of Frankenstein, The Ghost of Frankenstein, Abbott and Costello Meet Frankenstein—and earned it a place as one of The New York Times’ 10 best films of the year. It also made an impression on young Hammett. It started his lifetime obsession with horror movies.

For three decades Hammett has fueled this interest—and his own creativity—with a collection of classic horror posters and memorabilia. “My collection takes me to a place where I need to be,” he says. “Among the monsters, where I’m most comfortable and most creative”.

[…]

For the Metallica guitarist, part of the reason he collects horror memorabilia is to share it—in his 2012 book Too Much Horror Business and his Fear FestEvil conventions, for example. Now, a selection of his prized posters and other memorabilia are on display at the Peabody-Essex Museum in (appropriately?) Salem, Massachusetts. Atlas Obscura has a selection of his posters, which are on view from August 12 through November 26, 2017.

Hamlet, Franz Peffer, 1920. Courtesy of the Kirk Hammett Horror and Sci-Fi Memorabilia Collection.

The Cabinet of Dr. Caligari, Lionel Reiss, 1921. Courtesy of the Kirk Hammett Horror and Sci-Fi Memorabilia Collection.

You can see much more at Atlas Obscura! I’ve loved these movies from an early age, I wish I could collect such memorabilia.

Donald J. Queeg.

I was reading about the latest feverish paranoia spilling from the Tiny Tyrant, over the horrible lack of loyalty on the part of Sessions, why that evil man, not protecting his tyrant! Trump now wants Sessions gone, and wants him replaced with someone who will fire Mueller, then go crazy prosecuting the Clintons and anyone else Queeg Trump doesn’t like.

While I was reading, this particular scene from the Caine Mutiny kept playing in my head. This is very much how I see the Tiny Tyrant these days.

Trump publicly humiliates Jeff Sessions, demands arbitrary prosecution of political opponents.

A Downward Nerd-Driven Death Spiral, Alassie!

Lassie (CBS) 1954 – 1974 Shown: Jon Provost (as Timmy Martin, 1958-1964), Lassie the Dog.

In a fit of nerdiness, I must point out that in the photo, that is not Lassie the Dog, that’s Pal playing Lassie. All the ‘Lassies’ were played by male dogs, all of them Pal’s descendants. Over at that stew of conservative, christian nuttery, Barbwire, one Dr. Michael Brown opines over the state of television. It’s quite clear that Mr. Brown watches entirely too much television. It never seems to dawn on these glorifiers of a non-existent past that watching television is a choice, you don’t have to watch.

He lists one television show after another, mourning how great they were. No one ever thought Leave It To Beaver was corny back in the day, oh no! Because of course, we all know that yes, all housewives did indeed clean and cook in a dress, heels, perfectly done make-up, and pearls. No one ever joked about that, no. The Andy Griffith show was a perfect reflection of Southern cops. Good thing Mayberry didn’t have any black people. Lucy and Ricky slept in separate beds, which was right and proper! And on and on it goes. In the end, the whine is simply a shill for his book. He does mention a different article though, which centers around The Game of Thrones. We’ll get to that in a bit. What did make me snort tea laughing was this particular comment:

Where are the CENSORS of the 1950’s and 1960’s who would not have permitted such filth and violence to be aired on TV, especially during PRIME TIME???? Even the famous LAW AND ORDER programs have become progressively vulgar and violent over the course of their tenure, and they are not the only TV programs to undergo such anti-societal changes!!!! Again, WHERE ARE THOSE CENSORS THAT WE NEED TO CLEAN UP THE FILTH AND VIOLENCE ON TV, RADIO, THE MUSIC INDUSTRY, AND VIDEO GAMES??????????

Goodness, there’s enough melodrama there for Game of Thrones! This is no longer the age of Comstock, thankfully, and nasty personifications of sourness no longer get to rule over all. Societies change over time. That’s called progress. There isn’t anything new, there just isn’t one tabu after another in regard to talking about something. Or singing about it. Or acting it. There’s a great deal of naughtiness in the works of Shakespeare, all different kinds. Of course, it helps to have a functioning brain to get all that naughtiness. There’s always been naughtiness. Pursing your lips and pretending it doesn’t exist doesn’t get you anywhere, you know.

Moving on to Game of Thrones, the naughtiest of them all! After watching a full six seasons of the show, one Matthew Walther came to the conclusion that Game of Thrones is bad. Very bad. That it took six years for him to figure this out says quite a bit about Mr. Walther. I can’t make any judgments about it; I heard early on about the high amounts of rape in the books, and decided this wasn’t for me. It’s very difficult for me to read such scenes, and I certainly can’t do that on a repeat loop. Nor can I watch it, so I have not read the books or seen the show. In his fervor of complaint, Mr. Walther swallowed a couple of thesauruses doused in deep purple ink.

I used to watch Game of Thrones. Then I realized it was endangering my immortal soul.

You don’t have an immortal soul, dude. Even if you did, I’d expect you’ll have to work off that six years you spent reveling in the show. After all, Jehovah really isn’t the forgiving sort, in spite of all the PR attempts.

Game of Thrones is unquestionably the most acclaimed and beloved show on television. But HBO’s hit fantasy series, which returns for a seventh season this Sunday, is not a drama for adults. It’s not even a soap opera. It is ultra-violent wizard porn — and boring ultra-violent wizard porn at that. Two decades ago, watching it would have gotten you shoved into a locker.

Ooooh, boring ultra-violent wizard porn. Quick question, Matt: if it was so damn boring, why did you watch it for six years? 20 years ago would have been 1997, and no, I don’t think anyone would have been shoved in a locker over watching Game of Thrones. I expect it would have been right popular then, too, just like Tolkien has been popular, Dungeons & Dragons has been popular, and Warhammer has been popular.

Popular culture in the English-speaking world is in the grips of a downward nerd-driven death spiral. Outside of the art-house theaters of our major cities it is almost impossible to find more than one semi-decent film a month that is not an adaptation of some decades-old picture book franchise about men in rubber costumes punching each other.

A “picture book franchise.” Hee. Oh, you can’t manage to say comic book. Or graphic novel. Oh, and they aren’t rubber suits, dude. That would be something quite different. It’s lycra, and lots of people wear the stuff. Besides, it allows us to check out all those finely honed bodies. What’s the point of a world-class arse if it can’t be seen? The punching does get tiring, though. So, it’s impossible to find more than one semi-decent film a month? Hmmm. Glancing over Netflix, I have to disagree. Lots and lots of good stuff that isn’t comic-book based. As for what comprises ‘decent’, well, we’d need to define that word first. There’s always plenty of crappy christian flicks being churned out of one mill or another. Watch those.

The average video game player is more than 30 years old. The only book that most Americans between the ages of 23 and 40 seem to have read whose title does not begin with some variation of “Harry Potter and the” is a fable about talking animals that they were assigned in middle school. Things are bad.

Apparently you can’t bring yourself to type Animal Farm by George Orwell. It’s much more than a fable, you flaming idiot. Obviously, your schooling didn’t do much good. Oh, the utter horror of 30 year olds playing games. I have news for you, Matt, people of all ages love games, video and otherwise. Humans need to play, we are all much better people for having play time. It’s not just for kids. I’ve read the Potter books. I’ve read much more than that. Here’s a tiny slice of the 2,000something books in my house:

How many books do you own, Matt? And how many of them have you read? What’s your library checkout rate? You don’t seem to be nearly as interested in books as you are in movies and television. From where I sit, you don’t get to moan about the reading habits of others without disclosing your own.

There is a deeper sense in which the old problems that were the hallmark of realist fiction and drama — the old stand-bys of morals, manners, marriage, and money — are simply not interesting to people who are not emotionally mature enough to engage with them.

The old stand-bys are still very much with us, you fuckwitted pontificator. I expect there’s plenty of all that stuff in Game of Thrones. Old movies are still popular, y’know. And escapism was every bit as prevalent then as now. People need that, too. Most people have the sense to know that life is not as neat as any movie or television show. We learn early on that stuff isn’t real. Most of us learn that anyway.

We really are, emotionally speaking, a nation of teenagers — albeit horny ones with generous allowances.

Hahahahahaha. Oh my. Speak for yourself, cupcake. My teen years are long behind me, and good riddance to them.

But the real problem with Game of Thrones is not that it is, like most American popular culture these days, fundamentally adolescent. It is that it is obscene. It is not just bad art; it is art that is bad and bad for you.

I had this realization sometime last year. My wife had gone to bed, and I was sitting up having just finished the penultimate episode of the show’s sixth season on my laptop. Then it occurred to me.

Ah yes, the meat of it all – the great revelation, after six years! If you’re a representative example of what Jehovah has to work with, no wonder it never gets anything done. Everyone ready? Here it is:

My goodness. I’ve just spent an hour watching to see if a guy who raped a teenage girl at bow-and-arrow point is going to be eaten alive by the animals he has spent the last few seasons subjecting to forms of cruelty that make Michael Vick look like a PETA ambassador or beaten to death in the freezing cold by his victim’s half-brother. Thank goodness the guy who set his terminally ill daughter on fire in a pyromantic oblation to a heathen god at the behest of a witch who never seems to wear any clothes is not around to prevent justice from being carried out here — the woman whose size makes her the frequent butt of bestiality-related jokes killed him just in time! Lucky that she has a wealthy and well-connected benefactor in a one-armed knight whose hobbies from childhood on have included killing people and sleeping with his queen sister — including in a church right next to the corpse of one of their unacknowledged sons — to whom we were first introduced when he pushed the little brother of the above-mentioned rape victim out of a window to conceal his incest from her drunken prostitute-addicted domestic-abuser husband! Almighty God has made me in His own image and endowed me with faculties of reason and sense perception and given me free will so that I can tune in next week to see whether the unidextrous dueling champ’s royal sister sets her daughter-in-law and the rest of her extended family on fire or just a bunch of priests. Hallelujah!

You certainly are dim, Matt. So, let’s see: rape, cruelty to animals, sacrifices to a god, nakedness, filthy rich people, incest, drunks, other assorted addicts, prostitutes, and abusive husbands. Got it. Which ones of those are not present and rife in current societies, Matt? Those are all part and parcel of what might be termed the human condition. And no, you don’t have to watch it, or read it, if you don’t want to do so. Glad you finally got that one figured the fuck out. Took long enough. Bet it won’t be long before you’re being tormented by your desire to find out what the heck happens in the 7th season.

What does it say about our culture and the state of the souls of millions who participate in it that anyone could find any of this even mildly diverting, much less praise it as a triumph of man’s creative energies and subject it to endless hours of analysis and speculation?

You found it entertaining for SIX YEARS. You are spending many words on it now. Perhaps you should turn your attention inward.

Half a century ago, when our absurdly generous obscenity laws were still occasionally enforced, a program like this could not have been conceived, much less produced at great expense and broadcast.

That would have been 1967, and you are so full of shit, Matt. Yes, it could have been conceived and produced, and likely would have been, and people would have been deliciously scandalised, like they are now, and enjoyed it thoroughly. Just because you couldn’t be quite so explicit in years past, you could certainly imply whatever you liked, and there was a hell of a lot of implication going on. In a famous film, M, starring Peter Lorre, the murders of the children aren’t dwelt upon, but the movie is horrifying nonetheless. There are distinct parallels between the criminal underworld and the cops, too. There’s a tremendous amount of nasty in that film, and strikes all too true to actual life. That was in 1931. The 1960s saw some of the most lurid films ever in the horror genre. You also seem to know absolutely nothing about the actual history of royalty, and their habit of inbreeding. Are you sure you had any schooling?

One of the most persistent liberal myths is that art has no moral content, that reading or watching or listening to something can never be in itself evil.

Oh for fuck’s sake. That’s a myth you made up, Matt. There’s no such thing. I’m an artist. Everything we do is dependent on the subjective perceptions and gaze of others. A great deal of art speaks to morality or issues, and has done throughout the ages. That doesn’t mean all of it does. Sometimes, it’s just something pretty or interesting.

You can only watch so many decapitations and eye-gouges and rapes and brother-on-sister grope fests before you either give up on the wretched proceedings in disgust or decide to pretend that “Lol, nothing matters” and it’s not worth having feelings anyway. Not exactly, in the latter, case a resounding victory for the human spirit.

Well, it did take you six fucking years. Doesn’t say much for your intellect or your spirit.

Game of Thrones reminds us that boredom and despair are, theologically speaking, synonyms.

No, you flaming dipshit, no. Boredom and despair are not synonyms, and have very different meanings, theologically speaking or not.

Both the messes: Alassie! and Matt Walther Is An Idiot.

Patty Jenkins To Direct Wonder Woman 2.

Director Patty Jenkins poses at the 45th AFI Life Achievement Award Tribute to Keaton at the Dolby Theatre on Thursday, June 8, 2017, in Los Angeles. (Photo by Chris Pizzello/Invision/AP).

Patty Jenkins, the groundbreaking director of Wonder Woman (and the film that won Charlize her Oscar, Monster) has announced she’ll be directing her superhero smash hit’s sequel, as well.

“I had an epiphany about Wonder Woman 2,” Jenkins said at a Women in Film screening, The Advocate reports. “I was like, you don’t have to do this. It doesn’t have to be a foregone conclusion that you do Wonder Woman 2.”

She continued: “But then as I was falling asleep I had an epiphany. I was like, Wait a minute. You have the greatest character of all time that you love dearly, with a cast that you love sitting at the palm of your hand at this day and age—you can do whatever you want with them—are you crazy? And then I suddenly realized, it’s not more, it’s another movie. It’s its own movie. And it’s got to be great.”

I can hardly wait. Via Out.

Cool Stuff Friday.

The Postal Museum Opening July 2017 from The Postal Museum on Vimeo.

During the First World War, in order protect art treasures from German attack, English museum administrators worked with the country’s national postal service to store precious artworks in a network of subway tunnels 70′ below street level. Now, you can take a ride through the historic Mail Rail when you buy tickets to London’s Postal Museum opening July 28th.

Roughly 100 years ago, the Post Office in London started utilizing a secret labyrinth of narrow tunnels, 6.5 miles long, to safely transport letters, parcels, and postcards through the city. At its peak, the Mail Rail system operated 22 hours a day and employed 220 staff that moved more than four million letters daily. The network of tunnels criss-crossed tube lines and linked six sorting offices with mainline stations at Liverpool Street and Paddington. The underground Mail Rail operation was so covert that museums like the Tate, British Museum and National Portrait Gallery deemed it safe enough to store their most precious artworks. According to representatives for the Postal Museum, the British Museum once even used the tunnels to store the Rosetta Stone.

There’s more at The Creators Project and The Postal Museum.

The Virgin Artiste.

At The Bushwick Collective block party early in June, Ashleigh Alexandria, who goes by The Virgin Artiste, body painted a model live against a brick wall covered with a graffiti painting of a skull, the work of eight-year-old street artist Ethan Armen. As Ashleigh was photographing her work on top of Armen’s work, a cop walked by. “I found the imagery of a nude, Black model covered in paint close to a police officer to be ironic,” Alexandria tells Creators, “due to the recent police killings of Black men and women.”

Sometimes Alexandria’s subjects are painted to blend into their backgrounds, but more often than not, her subjects stand out from their environment while still remaining a part of it. A lifelong New Yorker, Alexandria is a portrait artist and a body painter whose work plays with the practice of body paint blending made famous by artists like Liu Bolin, in which subjects are made to disappear into their surroundings. While Bolin is an important influence, Alexandria’s practice is a reinterpretation of this concept. “My use of women of color as subjects shows how these women can be blended into the background of American society,” she explains.

You can see and read much more at The Creators Project.

Ghastly, ghostly, and gory, Neill Blomkamp’s new sci-fi short Firebase is set in a Vietnam War haunted by more than just post-traumatic stress disorder and political unrest. While the latter are resolutely present, soldiers on the front lines face a supernatural force so powerful and destructive they refer to it as “The Devil.” Obviously the CIA is involved, which is why the details of this faux documentary aren’t in our modern day history books.

“Volume 1” of the District 9 and Chappy director’s latest introduces us to the second cinematic universe by Oats Studio, his new independent venture invoking the power of fandom with a “pay-if-you-can” business model. The first in the series is Rakka, an allegory for military occupation in which a human resistance led by Sigourney Weaver fights a brutal alien race equipped with powerful weapons and mind control. Firebase turns inward, examining the destructive force of trauma through the lens of American troops invading Vietnam. Warning, this film is bloody.

If you want to find out what happens next, you can support Oats Studio by purchasing the film on Steam.

You can read more about this at The Creators Project.

Is the City of Chicago trolling the 45th president of the United States? A gleaming, six-foot-tall sculpture that appeared this week near the downtown Trump International Hotel and Tower certainly suggests so, spelling out just two words in thick, golden letters: “REAL FAKE.”

The quip appeared on Monday evening, installed by the Chicago Department of Cultural Affairs and Special Events (DCASE) as part of a new installation of public art along the Chicago Riverwalk. Simply titled “Real Fake,” the 350-pound fiberglass work, coated in metallic paint, appears as a direct dig at President Trump and his endless dismissal of the media’s criticisms as “fake news” while leading a life of fraudulence himself. But the piece, created by local artist Scott Reeder, was actually first installed in 2013 as part of Art Basel Miami Beach, where it loomed on the grassy knoll of Collins Park. It’s on loan to the city now by Reeder’s gallery, Kavi Gupta.

Hyperallergic has the full story on Real Fake!

John Pfahl, “Bethlehem #25) (1988), color print. (courtesy Cantor Arts Center).

A fascinating look at the landscape photographers of the 1960s and 1970s, the refusal to romanticize the landscape, and the intertwining of art and environmentalists. Full story here.

Sketch of an iris from The Florist (1760).

The Florist, printed in 1760, was a colouring book for adults, and one for serious colourists with watercolour experience.

The Florist was intended, as its title page relays, “for the use and amusement of Gentlemen and Ladies.” But, unlike most contemporary coloring books, it wasn’t meant to soothe the mind or encourage limitless creativity; rather, it served more as a manual for those seeking to sharpen their artistic skills. The Florist was for serious adult colorists only, filled with detailed instructions on how to paint each flower strictly according to its natural colors. (Yes, paint — this was the pre-crayon and -colored pencil era, so aspiring artists would have used watercolors.) See the directions, for instance, for a gladiolus:

This flower is crimson, inclining to purple; begun with a string layer of carmine, and neatly shading with a mixture of carmine and prussian blue. The bottom of the flower is white, shaded with a greenish tinge, by a mixture of Indian ink and sap-green; neatly blending the carmine by it, by fine strokes of each color. The leaves and stalk, from the beginning of the flowers of the top, are a brown, made with sap-green and carmine.

You can read all about The Florist, and see more, at Hyperallergic.