Dance Of Death: Emperor and Empress.

If you missed the beginning, it’s here. Click for full size. ETA: I’ve found translations, but I’m not sure as to their reliability.

Emperor.

Emperor.

Todt zum Keyser:
HErr Keyser mit dem grawen Bart,
Euwr Reuw habt ihr zu lang gespart,
Drumb sperrt euch nicht, Ihr müßt darvon,
Und tantz’n nach meiner Pfeiffen thon.

Death to The Emperor:
Mr. Emperor with the gray beard,
You have long saved your repentance.
Therefore, do not struggle, you must from here
and dance after my fife’s tone.

Der Keyser.
Ich kundte das Reich gar wol mehren
Mit Streitten, Fechten, Unrecht wehren:
Nun hat der Todt uberwunden mich,
Daß ich bin keinem Keyser gleich.

The Emperor.
I was able to increase the kingdom considerably,
with war and fight prevented injustice.
Now Death has won over me,
so that I’m not [any longer] like an emperor.

Empress.

Empress.

Todt zur Keyserin:
ICh tantz euch vor Fraw Keyserin,
Springen hernach, der tantz ist mein:
Euwr Hofleut sind von Euch gewichen,
Der Todt hat euch hie auch erschlichen.

Death to The Empress:
I dance beforeyou, Mrs. Empress,
Dance after, the dance is mine.
Your courtiers have left you,
Death has here sneaked up on you too.

Die Keyserin:
VIel Wollüst hat mein stoltzer Leib,
Ich lebt alß eines Keysers Weib:
Nun muß ich an diesen Tantz kommen,
Mir ist all Muth und Frewd genommen.

The empress:
My proud body had much pleasure.
I lived as an emperor’s wife.
Now I must come to this dance.
All spirits and joy have been taken from me.

The Healing Arts: Medical Report of the Walcheren Expedition.

Click for full size.

The Winding Up of the Medical Report of the Walcheren Expedition. Thomas Rowlandson, Etching coloured, 1810. Subject: Lucas Pepys (1742-1830), Robert Jackson (1750-1827), Thomas Keate (1745-1821), Dr. James' Fever Powder, Chelsea Hospital, Walcheren Campaign, Military Medicine, Medical Boards, Drugs.

The Winding Up of the Medical Report of the Walcheren Expedition. Thomas Rowlandson, Etching coloured, 1810. Subject: Lucas Pepys (1742-1830), Robert Jackson (1750-1827), Thomas Keate (1745-1821), Dr. James’ Fever Powder, Chelsea Hospital, Walcheren Campaign, Military Medicine, Medical Boards, Drugs.

Walcheren Campaign:

The Walcheren Campaign involved little fighting, but heavy losses from the sickness popularly dubbed “Walcheren Fever”. Although more than 4,000 British troops died during the expedition, only 106 died in combat; the survivors withdrew on 9 December. […] Along with the 4,000 men that had died during the campaign, almost 12,000 were still ill by February 1810 and many others remained permanently weakened. Those sent to the Peninsular War to join Wellington’s army caused a permanent doubling of the sick lists there.

As for ‘Look Ass Peeps’ (Lucas Pepys):

In 1794 Pepys was made physician-general to the army, and was president of an army medical board, on which it was his duty to nominate all the army physicians. When so many soldiers fell ill of fever at Walcheren, he was ordered to go there and report. As a consequence the board was abolished; but Pepys was granted a pension.

Dance of Death: The Ossuary and The Pope.

I got right distracted today while working on the Healing Arts posts, distracted right into the amazing world of The Dance Of Death. There’s a large body of work by different artists devoted to this particular aspect of death, and they widely range in style, to say the very least. All of the art work is very beautiful, and is often poignant, witty, and sly. The main message being that death is no respecter of persons.

So this will be a sort of companion series to the Healing Arts. I’m going to start with Basel’s Dance of Death by Hieronymus Hess (1799-1850). These are based on copies of a mural which was done around around 1435-1441. The wall with the original mural was lost long ago, in 1804. Some fragments survive and are housed in a museum. We open with The Ossuary and Death’s first conquest, The Pope. Death looks positively gleeful walking off with the pope.  I’m quite enchanted with Hess’s portrayal of Death as a mostly fleshed character who must maintain modesty when it comes to the private bits. Death also changes gender in Hess’s portrayals, and there are obvious character shifts in Death, dependent on just who is being claimed. In The Pope, it almost looks as if Death were wearing a skull mask.

The Ossuary. Click for full size.

The Ossuary. Click for full size.

Death and the Pope. Click for full size.

Death and the Pope. Click for full size.

The Bakemono Zukushi “Monster” Scroll.

Rokurokubi (ろくろくび), a long-necked woman is pictured next to an Inugami (犬神) dog spirit.

Rokurokubi (ろくろくび), a long-necked woman is pictured next to an Inugami (犬神) dog spirit.

These wonderful images featured here are from a Japanese painted scroll known as the Bakemono zukushi. The artist and date is unknown, though its thought to hail from the Edo-period, sometime from the 18th or 19th century. Across it’s length are depicted a ghoulish array of “yokai” from Japanese folklore. […]

The class of yokai characterised by an ability to shapeshift, and that featured in this scroll, is the bakemono (or obake), a word literally meaning “changing thing” or “thing that changes”. The founding father of minzokugaku (Japanese folklore studies), Yanagita Kuno (1875–1962), drew a distinction between yurei (ghosts) and bakemono: the former haunt people and are associated with the depth of night, whereas the latter haunt places and are seen by the dim light of dusk or dawn.

Amongst the bakemono monsters depicted in the scroll is the rokurokubi (ろくろくび), a long-necked woman whose name literally means “pulley neck”. Whether shown with a completely detachable head (more common in Chinese versions), or with head upon the end of a long threadlike neck as shown here, the head of the rokurokubi has the ability to fly about independently of the body. In his 1904 collection Kwaidan, Lafcadio Hearn provides the first extended discussion of this yokai in English, telling of a samurai-turned-travelling-priest who finds himself staying the night in a household of rokurokubi intent on eating their guest.

Daichiuchi (大地打) is a mallet-wielding monster with a bird-like face.

Daichiuchi (大地打) is a mallet-wielding monster with a bird-like face.

Fascinating monsters all, and you can see and read much more at The Public Domain Review.

The Healing Arts: Le mal de tête, La Colique, Le Cure.

Click for full size.

Le mal de tete. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Headache, Depiction of Pain.

Le mal de tete. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Headache, Depiction of Pain.

La Colique. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Cholic, Depiction of Pain.

La Colique. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Cholic, Depiction of Pain.

Le Cure. Oui, mes freres... Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Alcohol, Sleep.

Le Cure. Oui, mes freres… Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Alcohol, Sleep.

Behind the Iron Curtain part 9 – Shops and Services

These are my recollections of a life behind the iron curtain. I do not aim to give perfect and objective evaluation of anything, but to share my personal experiences and memories. It will explain why I just cannot get misty eyed over some ideas on the political left and why I loathe many ideas on the right.


After the WW2 the regime, under the lead of Stalin, had no thought of anything other than preparing for WW3. So after communists took power in a de-facto putsch in 1948, they invested all effort into re-building heavy industries and nothing else. And, at direct order from Stalin, the Czechoslovak Socialist Republic refused any offers of help from USA and their western allies.

This was, as many other things, idiocy of first water. The economy as a whole was doing relatively well, with people being employed in the heavy industries. The main support of the communist party, the labourers, were making good money. The problem was they had nothing to spend it on. There was barely enough food to buy and nearly no luxury or comfort items, because light industries were deemed secondary and therefore not important and no effort was made to restore them after the war. And the iron curtain prevented importing goods in any meaningful amounts.

But people do not work like that, they want not only to barely survive on bread and water, they want savoury things, shiny things and pretty things too. Just feeding them enough so they do not starve is not enough. Hard work has to be rewarded with something more tangible than a pat on the shoulder and a word about how you contribute to the common good.

The regimes way to deal with the situation was to artificially devaluate the currency and thus effectively steal people’s money in 1953. It was touted as a final blow to the exploiters, the last remaining self-employed artisans and land owners, but the hardest hit was on the labourers. Before they had money but nothing to spend them on, but they had a hope of spending it someday. Now they had nothing.

Riots ensued that were drowned in blood. The propaganda tried to spin those riots as a work of infiltrators and foreign agents provocateurs, but it did not work. The regime has lost the trust of its main supporting class – the labourers. And it never regained it.

In reaction to this, some effort was made to provide people with things they want. It was succesful enough to prevent further riots, but not enough to regain the trust of people.

At the time of my life the situation was not as dire as it was in the fifties, but it was still pretty glum. Buying something was very difficult, even if you had the money for it. Not only luxury items like colour TVs were difficult to obtain, but even many ordinary items, like materials to do house repairs. For cars there were waiting lists.

This has led to a few main things.

One day when I was visiting my aunt in Pilsen we went shopping in a big shopping center. A huge shopping mall with half-empty shelves that nevertheless to me seemed full because I knew nothing better. My aunt saw the shopkeeper to sell a lipstick to a woman who was apparently her acquaintance and she wanted to buy the lipstick too. The retailer told her there aren’t any, to which my aunt replied, rather angrily, “Do not lie to me, I saw you to put the whole box under the counter”. This was my first meeting the concept of “under the counter goods”. Those were items that were so rare, that shopkeepers actually kept them hidden from the general public in order to either keep them for themselves or for their closest friends. If one wanted bananas or oranges, without a relative in the shop it was difficult to get either.

At another time and place I was talking with a friend of mine from school about a little experiment I wanted to do and I sighed, “I need magnets, but no shop around here sells them.” to which his incredulous reply was “Why don’t you steal them simply from school?”. To which I, equally incredulously, replied “I do not need them as much as to steal them!”. This was my first encounter of the concept “who does not steal from the state, steals from their own family”. For honest people it was nigh impossible to obtain some even quite ordinary goods, because they either never reached the public counters or were quickly sold out when they did. So it was quite common thing to steal for example building materials from public spaces. Who did not steal, did not prosper. Part of the reason why our house fell in such serious disrepair was that my parents did not steal.∗

But not only goods were hard to come by. Labour was difficult to get too. Need a house repaired or built? You better had a friend who is a builder. Not only would he be able to steal the materials you need, but he might also be able to make a lot of the work at the time when he is supposed to work for his employer. This in combination with previously mentioned slacking has exacerbated the labour shortage that was an ever-present theme. “There is not enough people” was the commonest explanation for why nothing works as it should be and work does not get done on time. You need some minor house repairs? You better do them yourself. If you cannot do them yourself, you are in bad luck, because “There is not enough people”.

For those who had occasionally got their hands on foreign currency, like German Marks, or US Dollars, or special secondary currency called “Bony”, there were specialised shops called “Tuzex” where imported western goods could be bought. These were highly sought after and a sign of social status. Jeans and Lego for example could not be bought anywhere else. But the regime did its best to prevent ordinary people from getting their hands on these currencies, they were reserved for the elite. So of course black market emerged. The proprietors were called “Vekslák” (probably from german “wechseln” – exchange) and were the official villains for the regime, by encouraging people in the following their base instinct to follow their own good instead of sacrificing it on the altar of the common good.

The iron curtain in this regard demonstrated where extreme isolationism, protectionism and one-sided economy leads – corruption and criminality. A lesson worthy of remembering,  yet nobody seems to remember it.


∗ Since my mother was a head of local food shop and my father was a factory foreman, people had difficulty to believe that they did not use their positions to enrich herself. There were rumours about us only pretending to be poor and how we have a car hidden i the garden shed and loads of money stashed away. After the fall of the iron curtain my parents were frequently asked why they do not start their own business or invest money. Nobody believed them for years when they said that they are not rich.

But they did use their positions to get some advantage. We always had some of the scarce goods. One of such goods were canned tangerines, those were so rare that actual fights broke out when they got into the shop. So when we wanted to buy color TV, my mother bought a whole box of canned tangerines  in order to sell them to the electronics shop keeper in the district main town who in turn held the TV under the counter for a few weeks until my parents could organize transport.

I succumbed to the peer pressure and I stole a piece of steel from school when I first wanted to make a knife. The knife was never made, because I have hidden the steel bar in a drawer and never used it. It gnawed at my conscience. I failed to internalize the imperative “who does not steal from the state, steals from their own family”.