… the dog, by Mary Cassatt
Open letters are a time honoured form of activism. They allow individuals to connect over a single and very specific issue and raise awareness for that cause. They are, of course, also problematic in a way, since they usually are initiated by people who already have some influence and publicity, because nobody publishes an open letter signed by 40 noobs with a blog and a 50 people Twitter account, so they’re usually a tool of academia, authors, or various kinds of celebrities. At least you need a couple of celebrities to boost your idea.
The latest round of “gender critical”, aka transphobic open letter seems to have suffered from a certain lack of celebrity endorsement, which is why they decided to simply sign the names of dead women to their cause. “Come on, Giliell”, I hear you say, “nobody would be that dishonest”. But go, look for yourselves: Here it is.
The letter itself is the usual transphobic whining about trans women taking things from cis women, like all those shiny Olympic medals trans women have so far failed to win. The novel “Detransition, Baby”, by Torres Peters, has been listed for the Women’s Prize for Fiction. The usual suspects are all up in arms because a literary prize that was founded to celebrate women’s often undervalued contributions to fiction has dared to list a novel by a trans woman, and this is of course another instance of a “trans identified male” taking things from “biological women”, just like in sports. Only that of course they always try to base their bigotry on biology, claiming that anybody amab has intrinsic and immutable advantages over anybody afab. Does this mean they’re indirectly claiming that women cannot write and therefore need some protected prizes where they don’t have to compete with men?*
But let’s not get sidetracked from the incredible dishonesty of “the dead agree with me via ouija board”. Among the “supporters” of the letter you’ll find Emily Dickinson, Daphne du Maurier and Mary Anne Evans, aka George Elliot. Why they couldn’t get the Transphobe in Chief, the woman writer who publishes under her initials, a male pseudonym of a guy who tortured gay people, and who singlehandedly invented women back in the 1990s to sign their letter, I don’t know. Now, we all like to claim great woman of the past as our forbearers, brand ourselves as their heirs, but a simple fact is that we have no idea what their opinion on many things was or would have been. Who knows what Rosa Luxemburg would have thought about gay marriage? For a couple of other issues we do know their positions and they are horrible, especially with regards to race. Is it possible that these people would have agreed with them? Sure. Does that mean anything? Not unless you declare them infallible. Now, given that many transphobes are also terribly racist and homophobe, they probably consider that a feature, not a bug, since they happily outsource critical thinking.
It is, of course, also possible that those women would have told them to stuff it. It happens time again with modern authors who they suppose agree with their bigotry, like Margret Atwood. And after all, it is pretty unimportant. Those women are long dead, and while celebrities sure can help or hinder a cause, their opinion does not magically make a position right or wrong. Human rights are not determined by Grammy nominations or book prizes. There’s a hell lot of horrible people with book prizes or Nobel prizes. In the end that’s just an argument from second hand authority and you learn back in grade 10 that those are not actually arguments at all. By the end of the day it’s just another episode of transphobes (if you read the list you will indeed find familiar names) being terrible, and none of them sees any issue with this.
*Just to make this clear: I’m very fond of things like Women’s Prize for Fiction. We don’t have a level playing field and authors don’t get published by sole merit of their writing. Until we have a level playing field we do need Women’s Prizes, Black Literature Prizes, Queer Literature Prizes etc.
Anna Rudolf has a few tales to tell about sexism in Chess, although she does not talk explicitly about sexism. However, I do think that her false accusation of cheating has a lot to do with some men’s fragile egos being hurt by losing to a woman.
The tale has a happy-ish ending in the sense that she was vindicated and her accusers were reprimanded for wantonly accusing her sans evidence. However, I do wonder if she would have won the tournament and the GM title if she were not so emotionally distraught in that last game.
… ageing body positivity in portraiture, by Joan Semmel
The pictures are below the fold because they are nudes and are NSFW. They are unusual because they portray the ageing female body in a positive light. The story is from HuffPost, and the artist describes her work thusly,
“I painted in layers so that the evidence of age would not be erased by virtuoso paint handling. The sensuality of the flesh permeates these paintings, a sensuality that is not confined to youth. I had entered into a relationship with artist John Hardy, with whom I lived for 21 years before he passed away in 2014. These late years were empowering and rewarding in every sense, something I hoped to communicate through my work.
“The issues of the body from desire to aging, as well as those of identity and cultural imprinting, have been at the core of my concerns. The carnal nature of paint has seemed to me a perfect metaphor, the specifics of image, a necessary elaboration. The last 45 years of work, I think, reveal my ongoing interest in both process and relevance.”
I’ve been slowing down a little, needing some more inspiration on the one hand, and also being too damn tired on the other, but I did get some things done and started a new batch heading in the “cute” direction. I also <i>almost</i> managed to get your stuff shipped. Then the automatic post station refused to accept one of the parcels and I noticed at literally the last second that I had mixed up the labels on two other envelopes… Next try on Tuesday…
I got some new pigments and used them to stencil flowers on a black blank. I like it very much and attached an elastic.
Part of a straw flower set on brass bezels.
This one’s rather large and set into wire. it glitters nicely in the sunlight with its back being crinkled tinfoil.
Same technique as above, with crinkled tinfoil, but it looked a bit boring, so I put a lot of plastic “gems” on top to refracture light.
Some stuff I’d ordered finally arrived. 2021, when the most exciting thing is watching a parcel with llama moulds travel all the way from China.
I need to finish the matching necklace, though.
And last but not least, my upcoming project:
You gotta resin them all… Whoever owns the rights to Pokémon seems a lot more relaxed about trademarks than Disney, because you can get a lot of Pokémon themed craft supplies. There’s this guy in Thailand who makes excellent Pokémon themed moulds, so when I saw the heads and tails Eeevie moulds I had to get them. Shipping from Thailand was extremely fast, btw.
This is what they look like, ready to be painted, only that painting is a pain (ting) in the ass, because it’s so tiny and I’m no good with a brush. the Eevies got too dark, so I had to recast them.
Mano has recently mentioned a little kerfuffle in the online chess community involving an American International Master Levy Rozman and an Indonesian cheater Dadang Subur, who was banned o chess.com shortly after a match between the two raised the suspicion of Levy Rozman and he (and possibly a lot of people who watch his twitch streams) reported him as a suspected cheater. Chess.com evaluated the situation and banned the suspected cheater, thus turning him from suspected cheater to confirmed cheater.
Chess.com guards the tools they are using to evaluate whether someone is cheating or not pretty closely so cheaters cannot learn how to circumvent them, which is understandable. It is also a bit annoying for someone who likes to make statistical analyses of their own, like me. I cannot know the tools they use, neither do I have the access to their data, but that does not stop me from speculating. And today I would like to share one of those speculations on the off-chance that there are more people who like this kind of stuff around here.
In the comment section at Mano’s, I have speculated a bit:
They have probably several criteria to look at, and here is my guess at what they are:
1. The time between moves. Experienced players can play memorized opening moves within a fraction of a second. If someone consistently has a high rating and takes a long time to make beginning moves, it is an indicator of engine use.
2. Distribution of times the moves take during a game. I have not made a proper analysis, but my guess based on looking at my own games would be that they should conform to a Weibull distribution.
3. The length of winning-losing streaks. These should probably be pretty randomly long. Consistent patterns of extremely long winning streaks and no losing streaks are a bit suspicious.
4. The win/loss ratio. The site does a fairly good job at pairing people of similar strength, so it should be about 50/50. Even when your ELO is going up. I have gained 300 ELO over half a year and I do have circa 50/50 win to lose ratio.
5. Game accuracy and consistency. It is possible, even for weak players like me, to get accuracy over 90%, or even an occasional perfect game without mistakes and blunders. But a streak of twenty nearly flawless games is unlikely, even for titled players.
6. Rating growth speed. Titled players can send in their certificate and they get assigned rating accordingly, they do not need to start at the basic rating like everyone else. For an untitled player, the faster they gain rating, the more suspicious it is.
From all these, points 1 and 2 are relatively easy to check with just a few games, so I did that. I have downloaded ten of my games, ten games from Magnus Carlsen, and twenty games from one cheater whom I have recently played. My and cheater’s games were all 10 minutes games with no time increment, Magnus Carlsen’s games were, unfortunately, ten and fifteen minutes games with 2 seconds increments, so I had to cut those at fifty moves. But for the purpose of this demonstration, it is sufficient. And why twenty games from the cheater? Because he was an intermittent cheater. He had long winning streaks of nearly perfect games and then long losing streaks of crappy ones with one occasional win by the skin of his teeth. And while it is easy to get a long losing streak of crappy games (I should know), getting one long streak of nearly perfect wins is not very plausible – unless you are Magnus Carlsen, that is.
So the first picture that I would like to share is a so-called dotplot of move times in these games.
On the x-axis are the times in seconds and each dot represents up to ten moves. With the most simple of statistical analyses, the so-called “Lookandsee analysis” one can already see some discrepancies. Both the world champion and I have a very similar distribution of times, with most times being in the range up to ten seconds, with the peak at the category 0 seconds (moves shorter than 1 sec). For the cheater, who had about the same ELO as me, it is different in both his OK games and his fraudulent ones.
In his OK games, he too made a lot of moves in fifteen seconds or less, but he was much slower, with a peak at five seconds category. That indicates the cheater was taking a lot more time than he should even for easy moves, as befits someone who is currently trying to punch way above his weight class.
In his fraudulent games, this becomes even more profound. Almost no moves are made faster than five seconds (and those are usually the first moves of the game) and most take between ten to fifteen seconds.
If the moves were adhering to a normal distribution, there would be a number of easy-to-make visualization tools and statistical tests available. Alas, they do not. I have speculated that they will have Weibull distribution, which was speculation based on the fact that they have a lower limit (0 seconds) and an upper limit (duration of the game, also 10 minutes). As it turns out, Lognormal distribution is even better fit, although Weibull did fit occasionally too.
In a probability plot, if the fit is good the dots should be distributed along with the straight diagonal line and between the curved lines of the same color, which they mostly, although not perfectly, are.
You might say that AD (Anderson-Darling) values say otherwise, and they do, they are a bit high. The p-value also is too low for a good fit for those tests where it could be calculated. But that is in part a problem with these statistical tests, which generally do not work very well with grainy data. And here we have all times rounded to 0.1 seconds, so it is very grainy at the lower end, where, coincidentally, most of the data is. I could transform the data, but it was a lot of work as it is and I am sure I am losing some readers already. So take my word for it that both Lognormal and Weibull distributions are reasonable approximations.
So as a last picture, let us look at a histogram with an overlaid best-fit lognormal curve.
I am sure that chess.com has software solutions to dig through the data of suspected cheaters and to dredge up comparisons similar to these for all the points that I have mentioned. There probably are some correlations between move time and its quality with regard to the situation on the board etc.
All in all, I do believe that when someone is banned on chess.com for cheating that they were indeed cheating. And there are things that cheaters will probably never be able to fool. The example here is, I think, one of them.
In order to cheat, either the cheater or their assistant must go through the loop of inputting the moves into a computer, waiting for the algorithm to spit out the answer and then inputting the answer to the game. This inevitably prolongs the time. So to keep the move times consistent with those of an honest player might be the most difficult, if not impossible, hurdle for these scumbags.