Affinity
Art, Fun, & Nonsense.
Way back in early April, I posted about Standing on Sacred Ground. Some words:
There’s more at Films for Action. * Standing On Sacred Ground.
I thought I might have to actually watch a Star Wars flick, because Alan Tudyk. Unfortunately, he just has a voice part in this rehash, so I’ll be able to spare myself. (Not that he won’t do a brilliant job, I know he will.)
Apparently, people are going to continue to be drowned in Star Wars flicks for the next, fuck, who knows, it looks like decades more. I haven’t seen a Star Wars movie since standing in line at the Cinedome in SoCal back in 1970something. I think I saw three of them, I don’t remember. I gave up on the appearance of the teddy bear beings, there’s only so much eye-rolling I’m willing to pay for. For all the fans though, Raw Story has a good run down on what’s happening with the next however many movies it is coming out.
Damn. Just Damn. Goodbye Ron, and thank you for being such a wonderful part of my life for so many years.
This is a real life detective story, stimulated by extraordinary happenings on the film set of ‘Monty Python’s Life of Brian’. The victim was Jesus Christ and the book slowly unravels who was the actual guilty party. You naturally assume that it was the Roman Governor Pontius Pilate! So we will reproduce here just four pages from the book that proves without a shadow of a doubt that Pilate was not, and could not have been involved in any way in the killing of Jesus Christ. Read and contemplate the full, astonishing implications of the irrefutable evidence that…
Jesus was still alive after Pontius Pilate left Judea.
You can read more at Julian Doyle’s site.
Domenico, via Flickr.
Serial retirer and Japanese animation legend Hayao Miyazaki, in a new special that aired yesterday on Japanese television, announced that he is working on a 13th feature-length film. In an interview, the director of Spirited Away and Howl’s Moving Castle says he is “not satisfied” with his first CGI film, a short called Boro the Caterpillar. According to NHK’s film, The Man Who Is Not Done: Hayao Miyazaki, the filmmaker has had a change of heart and submitted a proposal to Studio Ghibli for a feature-length version of the story in August.
[…]
At the end of the special, he proposes the feature Boro, outlining a completion date of 2019, just before the 2020 Tokyo Olympics. The 76-year-old wonders aloud, “Maybe I’ll be alive?”
Miyazaki will be 78 when the film is finished, and faces the possibility that he might die before then with a signature stoicism. “I think it’s still better to die when you are doing something than dying when you are doing nothing,” he says in another scene. “It’s better to think about not dying when you die.”
Anne Keala Kelly has an excellent column up about Disney’s Moana, and the Thanksgiving release date. A brief excerpt:
…If the promotional trailer is anything like the film, Disney’s about to get even richer by exploiting and mocking us in deeply genealogical and spiritual ways—turning Tutu Pele into an ugly lava monster and Maui into a ridiculous, clowning sidekick. The noted psychiatrist, philosopher, revolutionary and writer Frantz Fanon was so on the mark when he said, “…Colonialism is not satisfied merely with holding a people in its grip and emptying the native’s brain of all form and content. By a kind of perverted logic, it turns to the past of the oppressed people, and distorts, disfigures, and destroys it.”
Disney has reduced us and our world to a cartoon at a time when our political future is hanging in the balance, when Hawaiians absolutely need to be heard and taken seriously, not distracted by or silenced for entertainment. Disney is trying to do to our culture and identity what America is doing to our land and nationhood: we are being carved up, sold off, and drained of our mana.
Since the Maui-Skin-Suit debacle, Disney’s 21st century iteration of the white supremacist ideology that informed people like British Major General Horatio Gordon Robley, a proud collector of Maori heads, and the guy who tried to sell a Hawaiian kupuna skull on eBay, I’ve been thinking in metaphors. I’m looking at what’s happening right now, but looking, too, at the horizon, at what’s coming toward us, imagining what might follow, hoping that whatever it is Hawaiians and all Pacific Islanders can face it together instead of letting it further divide us.
I have no doubt that Disney’s “Moana” will materially and psychologically aid and abet the colonial project of Indigenous erasure and removal. …
Anne Keala Kelly is the Native Hawaiian award-winning filmmaker of “Noho Hewa: The Wrongful Occupation of Hawai’i. She is also a journalist whose work has appeared in The Nation and on Pacifica Network and Al Jazeera. www.annekealakelly.com www.nohohewa.com
The full article is at ICTMN.
Unicorn Riot/Vimeo
Officers liberally douse water protectors with pepper spray at the front lines of the resistance to the Dakota Access Pipeline.
Trigger Warning: Disturbing Video of DAPL Confrontation.
This video, taken directly from the front lines of the October 27 police crackdown on the camp established in the pipeline’s path on treaty-protected indigenous land, contains disturbing images. Police douse protectors with mace as if squirting water from a hose, shoot them with tasers and throw them to the ground, all in the name of building a pipeline. Those against the project say they are there solely to protect the water.
There’s a new Pixar animators’ side project short making the rounds, Borrowed Time, and as you will see, watching the video, it has garnered high praise from everyone. Not from me. I understand the desire to impress people with the idea that animation is not solely for children or upbeat subjects, but I rather thought most people already had that one figured out. According to the blurb, Borrowed Time is about loss and mourning. What I saw was a wallow in a soul destroying guilt, which had pretty much eaten the character’s life. It also seemed to me that the old west was chosen as a scenario so that a gun could be brought into play. This short is being described as powerful, but it did not affect me that way at all. It struck me as being cheap, maudlin, and manipulative. Yes, I got the ‘lesson’ of borrowed time and all that, but depicting a person utterly ruined by guilt wasn’t a good way to do that.
The Verge has the full story on this.
Blocked Sign (blog.cyberghostvpn.com).
Some porn providers have decided to get political, and fight California’s Proposition 60. While I do think health is a major concern, I really don’t know enough about the porn industry in general to make any sort of statement about their particular health policies in regard to their actors. I would assume most actors do care about their health, and don’t take unnecessary risks, but again, I really don’t know. I might be one of ten people on the planet who is not a porn consumer. I certainly do understand the fight against part of the prop which states they can be sued, by anyone, at anytime. That seems more than a little dodgy to me. I’m also very uncomfortable when it comes to anyone trying to mandate another person’s bodily autonomy. I don’t want anyone telling me what I can and can’t do with myself, as I am my body. That should apply to everyone else as well. So, if I were still in SoCal, I’d be a no vote. Anyroad, as a political tactic, I foresee great success here.
Today, adult websites are taking away California’s porn. In protest of Proposition 60, a state bill mandating condoms in adult films, several sites are interrupting or entirely blocking access to California IP addresses. This includes the mainstream giant Vivid Video, as well as Evil Angel, Kink, Pink & White Productions, and Treasure Island Media. In-state visitors to these sites are met with a message instructing them to vote no on Prop 60 and, in some cases, warning that their porn might be permanently taken away if the bill passes.
This virtual strike coincides with a protest by roughly 100 adult performers planned later today outside of the Los Angeles headquarters of the Yes on 60 Campaign.
Prop 60, which is sponsored by AIDS Healthcare Foundation and will be on the ballot November 8, requires condoms in adult films shot within the state and also allows any resident in the state to sue producers and distributors of condomless porn. The adult industry is broadly opposed to the bill, primarily on the grounds that it violates performer choice and will push productions underground, making them less safe. Opponents also argue that by allowing lawsuits by everyday citizens the bill could expose producers and adult performers to stalkers, harassment, and privacy violations.
[…]
But at least three studios are considering the possibility of permanently blocking access to Californians if the bill passes — the thinking being that if Californians can’t see their content, maybe they can’t file lawsuits. Vivid’s website greets in-state visitors with a black screen bearing a “NO ON 60” icon and a message reading, “If you live in California and Prop 60 passes this is what your porn will look like.” Pink & White Productions’ pay sites greet all visitors with a pop-up reading, “IP BLOCK California? SAY IT AINT SO! If California Prop 60 passes, it could be” (although it’s possible to close it and navigate the sites). Kink’s site delivers a message reading, “This is what Californa will see on their favorite porn sites if PROPOSITION 60 passes.”
Mike Stabile, Kink’s spokesperson, told Vocativ, “Prop 60 isn’t a public health measure, it’s a public harassment measure for adult performers. If we have to block access to California in order to protect the performers who work with us, that’s what we’ll do. And should this initiative pass, it’s something we’ll be looking at doing in California on a permanent basis after November 8.”
Full story at Vocativ.
Courtesy Morton County Sheriff’s Office
Shailene Woodley, charged with criminal trespass during peaceful civil action against the Dakota Access oil.
Celebrity support flooded in for the actress after her arrest on Monday October 10 with other water protectors at a Dakota Access oil pipeline (DAPL) construction site. She paid a $500 fine and prepared for an October 24 court date, according to USA Today.
“Shailene Woodley has been released from the Morton County Jail in North Dakota,” her spokesperson told Us Weekly in a statement on Tuesday. “She appreciates the outpouring of support, not only for her, but more importantly, for the continued fight against the construction of the Dakota Access Pipeline.”
The star of Snowden, Divergent and The Descendants, among other films, was among 28 unarmed people arrested by riot police for peacefully demonstrating at the site where Energy Transfer Partners is working on the 1,172-mile-long, $3.8 billion pipeline set to wend its way through North Dakota, South Dakota, Iowa and Illinois, carrying as many as 550,000 barrels of crude daily from the Bakken oil fields. She livestreamed the arrest on Facebook.
Actor Mark Ruffalo also spoke out in support of Woodley, as did Maggie Q, her costar in the Divergent series.
“I stand with @shailenewoodley for standing with the Standing Rock Water Protectors. #NoDAPL,” tweeted Ruffalo, who is outspoken against climate change and walked with Indigenous Peoples alongside Leonardo DiCaprio in the 2014 People’s Climate March in New York City.
“You can arrest someone but you CANNOT silence them,” wrote Maggie Q on Twitter.
Mainstream media picked up on the arrest and mentioned the pipeline controversy. But MSNBC commentator Lawrence O’Donnell took it a step further by noting the irony of date of the arrests, including Woodley’s, on criminal trespassing charges. It was for many (though not for all) a celebration of Christopher Columbus, who he dubbed “the greatest trespasser in human history.”
Via ICTMN.
Amy Majagua’naru Ponce
Emmy-Award winning filmmaker Alex Zacarias and Taino Daca (I Am) lead character Roberto Mukaro Borrero – Amy Majagua’naru Ponce
Emmy-Award winning filmmaker Alex Zacarias recently spoke to ICTMN about his new documentary, Taino Daca (I Am). The 10-year project, set to be released this fall, takes on the grand challenge of revealing new truths about the history, survival and identity of the Taino people, the first indigenous contact for Christopher Columbus when he mistakenly arrived in the Caribbean.
Zacarias explains that this film has a universal story for many tribes, not just for Taino. Referring to the arrival of Christopher Columbus, he says he wants to “bring attention to that story and show that history didn’t begin in 1492, that there are thousands of years of ‘our story.’ The intent of the documentary is to bring awareness of our Taino story that we might be able to engage with government.”
The Taino have struggled to get recognition since history books have long declared them to be an extinct people. “I am enrolled as a Taino through the United Confederation of Taino People, and I have identified as Taino through the U.S. Census.”
You can read the full story of this documentary about the Taino People here, and watch the trailer below:
Full story at ICTMN.
Courtesy Jaye Bird Productions.
The kickstarter funded documentary (I use that word lightly) The Red Pill, all about those poor, downtrodden yet valiant MRA heroes has been reviewed. Note that in the comments, a few MRAs get a bit, um, bonkers over how a film reviewer could have possibly seen the film before it was released, gasp! Unleash the lawyers! It’s a fine demonstration of the distance between these men and reality.
Here’s a great example of how not to open your documentary. “After releasing my film in 2012 about marriage equality, I was at a loss of what topic to explore next,” says Cassie Jaye in the halting tones of a hostage reading her captors’ statement to the world. That comes at the start of her film The Red Pill, and the high drama of her search for a subject gets illustrated with the results of a web search. “I started to research this ‘rape culture,’ ” she tells us, each syllable so far from the next one that a tumbleweed could breeze through the gap.
We literally see the words rape culture get typed into Google. “A website called A Voice for Men popped up,” she tells us. And then, for two agonizing hours, Jaye tumbles slowly down America’s stupidest rabbit hole, discovering that Men’s Rights Activists are actually just dudes who have been dicked over by a culture that punishes masculinity.
[…]
Here’s something Elam wrote on A Voice for Men in 2010: “Should I be called to sit on a jury for a rape trial, I vow publicly to vote not guilty, even in the face of overwhelming evidence that the charges are true.” What excuse would any serious documentarian have for not asking Elam to explain that?
You don’t even have to put in that tiny bit of online legwork to suspect that something’s hinky with Jaye’s film. (It’s a Kickstarter job, and A Voice for Men and Reddit’s most misogynistic MRA subs were active in the campaigns.) Jaye acknowledges in the opening and closing minutes that MRAs sometimes spew nasty garbage online, but she never presses them on this in her many interviews. Instead, she lets them moan about how hard it is to be a dude in 2016, endorsing their anecdotal complaints about unfair family courts, incidents of men being tricked into being fathers, and — I didn’t quite follow this one — one father’s conviction that the women who had custody of his son were systematically trying to make the boy fat. That story drags on forever, and Jaye cuts from it to footage of herself tooling around in her car, driving past a Supercuts.
Like many amateurish Kickstarter docs, The Red Pill doesn’t always have visuals worth regarding on a screen, but I do cherish one flourish: an animated sequence of falling snowflakes, each with a different MRA complaint printed on it, meant to illustrate the movement’s diversity of grievances. There’s “Misandry”! There’s “Restraining Orders”! Even the metaphor is hilariously white.
[…]
What the film and the movement fail to demonstrate is any kind of systemic cause. Instead, the author of men’s troubles here is always that vague bugaboo feminism, which we’re told is designed to silence its opponents. (Is it even worth pointing out that being criticized for what you say is not the same as being denied your right to say it?) Jaye renounces her own feminist past toward the end of the film, the announcement delivered over video of her typing, then looking at a computer, then driving around some more.
[…]
“Why can’t men talk about their problems?” Elam asks Jaye’s camera in earnest, apparently unaware that he gets shouted at and pilloried not for identifying “problems” but for being a dick. Hey, Elam — men can talk about our problems. You’re one of them.
Alan Scherstuhl’s full review is at The Village Voice. I fully appreciate Mr. Scherstuhl’s willingness to watch this documentary, as it’s not something I could bring myself to watch, even it were free and I was promised the proverbial month of Sundays.