Classified – Powerless. Lyrics at the link. Vincent Schilling has an article about this video and #MMIW at Indian Country Today.
Affinity
Art, Fun, & Nonsense.
Classified – Powerless. Lyrics at the link. Vincent Schilling has an article about this video and #MMIW at Indian Country Today.
Page from Wake by Rebecca Hall and Hugo Martinez (all images courtesy Hugo Martinez).
In 1712, New York City witnessed a dramatic uprising when over 20 black slaves, fighting against their unjust conditions, set fire to several houses of white slaveowners and fatally shot nine. Known today as the New York Slave Revolt of 1712, the insurgence resulted in the conviction and public execution of 21 slaves, as well as more severe slave codes. While sources often state that these rebels were all men, the historian Dr. Rebecca Hall has identified four women who were captured during the clashing and were tried. Their names were Amba, Lilly, Sarah, and Abigail.
Erased from history books, their stories will now be told in vivid form by Hall, who has devoted much of her career to unearthing the roles of women in slave revolts. Hall is currently working on her first graphic novel, which will highlight female rebels in various 18th-century uprisings, from three in New York to those that broke out on slave ships. Titled Wake: The Hidden History of Women-Led Slave Revolts, the 150-page work emerges out of Hall’s 2004 dissertation on the same topic. She is now collaborating with independent comic artist Hugo Martinez to produce the storyboards and, through Friday, May 4, is raising $5,900 on Kickstarter to realize it for submission to publishers.
“The way the history of slave resistance has been written, this very gendered narrative developed about how manly and masculine enslaved men actually were, which served to elide the role that women played,” Hall told Hyperallergic. “I was going against everything being taught in women’s roles in slave resistance by insisting that, if I looked, I bet I would find these women.” She recalled how her dissertation advisor had told her that she wouldn’t find any sources to realize her chosen topic; how one archive claimed that it had no related material.
This is a fascinating, and I think, a necessary work. You can read and see much more at Hyperallergic, as well as on the kickstarter page, where there’s also a video. They are close to their goal, but could use a bit more help, so if you can’t donate, you can help to spread the word!
Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower (all photos by Jason Goodrich for Indecline and used with permission, unless indicated otherwise).
Robert Mueller may not have succeeded in bringing Donald Trump to justice yet, but for a fleeting few hours Friday night, the shadowy art collective Indecline did what millions of people in the US and beyond have dreamed of doing since November 2016: they put Trump behind bars.
It may not have been the actual maximum security prison of our collective dreams, but Indecline — most recently known for surreptitiously staging a graveyard at Trump’s Bedminister Golf Course, hanging a troupe of “Ku Klux Klowns,” and previously for planting naked Trump statues in multiple cities during the 2016 election — managed to stage a prison cell installation, dubbed “The People’s Prison,” in a suite on the third floor of the Trump International Hotel & Tower next to Columbus Circle. The work was installed in less than 24 hours, entirely undercover, and without the knowledge of hotel employees, who unwittingly helped carry all of the props and equipment to the room.
Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower.
Surrounding the one-man prison cell were portraits rendered on American flags, burned and tattered at the edges, each illuminated with its own individual lamp. Indecline worked with 12 artists — including Molly Crabapple, Ann Lewis, LMNOPI, and the Panic Collective — to create the portraits of 12 artists and activists from across history, including Muhammad Ali, Leonard Peltier, Angela Davis, Hunter S. Thompson, Howard Zinn, Noam Chomsky, and even more contemporary figures like Erica Garner and Edward Snowden. Interviews with each of the portrait subjects played for the duration of the show over a background soundtrack of strangely relaxing ambient music.
All of the figures in the portraits, an Indecline spokesman told Hyperallergic, are “activists and fighters that we look up to. Activists that made a difference and made a good point. He has to sit here with the people who actually made a difference.” The spokesman continued: “Everyone on these walls fought to make this flag stand for something greater than it does currently under the Trump administration … they’re the ones who should be regarded as historical figures.”
BoingBoing.
Nazi Richard Spencer has given up trying to recruit at colleges, whining that antifa is just too gosh darn tough. Altogether now, awwwwwwwwwwwwwwww poor Richard!
Students protest for tighter gun laws in Washington, DC, on March 14, 2018. (Photo: Bradley Williams for People For the American Way).
Master of rabid frothery Kevin Swanson is upset about guns, sort of. He can’t seem to figure out why those meddling kids are upset, but da youth is going to destroy Amerikka, yessir, just like every generation gone before them.
Radical right-wing pastor Kevin Swanson was not impressed with yesterday’s nationwide walkout in which thousands of students left school to protest gun violence in the wake of the mass shooting last month at a Florida high school, saying that the fact that the movement is being led by young people is a sign that America is under the judgment of God.
[Snips irrelevant passage from Isaiah]
“In other words, the young folks have all this revolutionary zeal but no real wisdom to govern what they are doing,” he said. “This is the result of the breaking of the commandment of God. Things are not going well with us in the land, we are not seeing things going well for tens of millions, if not hundreds of millions of people across the country largely because the massive violation of the Fifth Commandment: Honor your father and your mother.”
Oh, the same old shite argument: you don’t have experience! Taking action is one way to gain experience, Mr. Swanson, and all kids need to start somewhere. Also, I am sick to death of these self-righteous assholes acting as though all the high school students are toddlers. A good many of these young people are mere months away from legal adulthood and voting. Others are quite a few years away from that, but you don’t get to act as though they have no right to think about issues and come to a conclusion about them. As issues go, guns are an easy one. We don’t need the fucking things, they should be under strict control, if for no other reason, to prevent more young people from needlessly dying. Most of these kids are in favour of gun reform, so they don’t even want to completely take your lethal toys away. The kids are alright, they are doing the right thing. As for your commandment, did it not occur, Mr. Swanson, that the majority of these kids have parents who stand behind them one hundred percent? Parents who are proud of their children for taking action and refusing to back down?
I’ve always hated that idiotic commandment. A lot of people end up with shit parents, you know, and no, they aren’t deserving of honour, or obedience, or any other thing. When it comes to parents and children, that whole ‘honour’ business needs to work both ways. Parenting is a difficult business much of the time, but you are supposed to be raising up individuals who can think for themselves. Well, at least if you’re not an asshole christian, who is more into brainwashing and numb obedience.
“Young people need to come to grips with the fact that they have not honored their parents’ wisdom,” Swanson said. “For this, God is bringing his judgment upon these individuals and upon this nation.”
Uh huh. Perhaps you’d like to say that to the parents who have lost a child to gun violence. Seems to me that a lot of parents are embracing their children’s wisdom, and they are acting together for the greater good. They don’t want more dead children and parents lost in a lifetime of grief, which is more than I can say for you asshole christians, who think some dead kids here and there are an acceptable price to pay in order to keep your lethal toys.
Kara Walker with her “Katastwóf Karavan” at the Mississippi River Trail on February 23, 2018, in New Orleans. Josh Brasted/Getty Images.
[…] Walker titled the whole montage the Katastwóf Karavan, or Caravan of Catastrophe, the use of Haitian Creole signaling the mix of Caribbean and Southern histories that shaped New Orleans. Walker’s first public installation since the 2014 Marvelous Sugar Baby — the enormous Sphinx-like mammy figure that she built out of sugar in the now-demolished Domino factory in Williamsburg — the Karavan went up for the closing weekend of the Prospect.4 triennial, which ran for three months at multiple sites around New Orleans. The installation was freighted with layers of site-specific symbolism — none of it subtle if you knew a bit about local history, yet all of it obscured by years of avoidance or, at best, awkward notes in the narratives delivered by school curricula or tourist brochures.
Thus Algiers Point: Here, in the eighteenth century, traders warehoused disembarked captives — those who survived the Middle Passage — before selling them on the opposite bank in the markets that dotted the French Quarter and surroundings. This is where families were rent apart, humans assessed and packaged as commodities. Thus, too, Walker’s tableaux, relevant across the landscape of chattel slavery but especially here.
And thus the calliope, a direct retort to the one on the Natchez — “the OTHER calliope,” Walker called it on her handout for the event — and its sonic broadcast of a whitewashed history. Several times a day, the vessel’s instrument blares out to the city (there is no such thing as a quiet calliope) items from a hoary playlist such as “Old Man River,” “When the Saints Go Marching In,” “God Bless America,” and, yes, “Dixie’s Land.” […]
You can read and see much more about Kara Walker’s latest piece here.
Peter Williams, “Resistance II” (2017), oil on canvas, 48 x 36 inches (photo by Carson Zullinger).
[…] Williams uses caricature to invite viewers — whatever their political persuasion— to reflect upon how they see people of a race different from their own, as well as underscore the intolerance, distrust, and fear running throughout our everyday lives. A brave and intrepid curator ought to buy “Mass Murder” and install it near the entrance of a museum.
Walking home, I remembered something a black artist friend told me about raising his son in New York City: “I told him never to run down the street.” This is the reality we inhabit. There is nothing “united” about the United States, something artists as different as Jasper Johns and Peter Williams have known their whole lives.
Peter Williams: With So Little To Be Sure Of continues at CUE Art Foundation (137 West 25th Street, Chelsea, Manhattan) through March 29.
Hyperallergic has an in-depth article on Peter Williams’s latest works and show, well worth a detour in your day to read and see many more art pieces.
TUCSON SECTOR 2004-2005, 282 deaths.
Made by Carol Hood, Sunny Klapp, Phyllis Sager, & Virginia Wenzel, of Prescott, Arizona.
Picked from the desert, I’m gazing at the tiny pieces of Jeans. These are what’s left of real lives. They had hopes and dreams of better and safer futures. (Virginia Wenzel)
There is a wealth of heartbreak at The Migrant Quilt Project, but it’s heartbreak all should feel. No one should be able to turn a cold heart and hateful mind to the mute witness of so much death.
Oh, this place sounds fabulous! From what I’ve read, I might want to live there. :D
The first thing you’ll see when you walk into Eaton Workshop, a hotel opening in late spring 2018 in Washington, is a custom-commissioned video art installation by AJ Schnack, shown on a series of vintage-style television screens. All day long, it’ll broadcast a montage of footage from the presidential elections of 2012 and 2016 that’s built around one pointed question: How did our country get where it is today?
It’s not a subtle statement, and it’s not meant to be.
In Trump’s Washington, Eaton is planting a clear flag as a haven for Democrats. It’s the world’s first politically motivated hotel, the flagship for a global brand that’s built around social activism and community engagement. And it comes with a pedigree: As the daughter of Ka Shui Lo, the creator and executive chairman of Hong Kong-based Langham Hospitality Group Ltd., founder Katherine Lo knows a thing or two about luxury hotels and world-class service.
Lo firmly believes that hotels ought to be catalysts for good. In a world where we can be conscious consumers—of everything from clothing to food to baby products—she argues there’s a place for conscious hotels, too. This isn’t a revolutionary idea: Already, 1 Hotels has built a small collection of luxury properties entirely around the idea of sustainability, and Shangri-La Hotels & Resorts has made a significant, brand-wide commitment to bolster community programming for disadvantaged children in all of its destinations. It’s one of many five-star brands that have a conscious ethos but choose not to flaunt it.
Eaton Workshop is different. With a premise that’s built around liberal activism and civic engagement, the brand will weave a liberal philosophy into every aspect of the guest experience, some more obvious than others.
[…]
Among the Washington location’s programming signatures will be a sort of TED talk series driven by the liberal agenda, consisting of fireside chats and rooftop lectures that Lo hopes will be free, open to the public, and streamable as Eaton-branded podcasts. Then comes the art program, which—aside from the political statement piece at check-in—will include commissions from at least a half-dozen up-and-coming local artists and a street-facing exhibition window curated in partnership with local museums and institutions. A co-working space will prioritize memberships for progressive startups, activists, and artists, while a wellness program will offer “inner-health-focused treatments” such as Reiki and sound baths, rather than facials and massages. (Some of these features will roll out a few months after the hotel opens.)
Just as important, partners and staff will be brought on board, both for their skills in the food and beverage worlds and their activist track records. For instance, Lo saw the cocktail director of the famed Columbia Room, Derek Brown, as a perfect fit to be the hotel’s beverage director—not just because he’s won such awards as Imbibe magazine’s Bartender of the Year but because he “cares deeply about social justice.” To wit, Brown actively champions policies that fight sexual harassment in the bartending industry and acts as chief spirit advisor for the National Archives.
Similarly, Lo says that the “amazing life story” of house chef Tim Ma “perfectly expresses our brand ethos.” The Chinese-American culinary up-and-comer was an engineer at the National Security Agency for years before discovering his true passion in food. At Eaton’s to-be-named restaurant, Ma is planning a menu with a heavy focus on vegetables from an on-site garden.
A guest who does nothing other than check in, sleep atop Eaton’s organic mattresses, and check out will still have a sense of the hotel’s mission, says Lo. “We plan to have new ideas in the minibar—an activist toolkit, for example, that includes sheets with information to help you call your congresspeople. And if we’d been open during this year’s Women’s March, I could have seen us putting poster boards and markers in the rooms!”
Political statements such as these will be tailored to each property. In Hong Kong, for instance, Lo says she’d like to replace Bibles in the nightstand drawers with copies of the United Nations Declaration for Human Rights.
Raw Story and Bloomberg have this story. Eaton Workshop.
Kate Kretz, “Lie Hole IV” (2017), colored pencil on black Rives BFK paper, 10 x 8 inches, from the “Lie Hole” series.
This mouth has bullied and cheated its way through the world.
This mouth has claimed self-invention, but was born gnawing a silver spoon.
This mouth blusters and brags.
This mouth promises to pay the builders of its empire; then refuses, counter-sues, and laughs.
This mouth can’t suppress its instinctive, arrogant sneer.
This mouth incites hatred and violence, spreading intolerant aggression like a cancer.
This mouth expresses glee at its own retaliatory cruelty.
This mouth will say and do anything to win.
This mouth is oblivious to its own stupefying ignorance.
This mouth, wet with slime, has forced open countless unwilling lips.
This mouth degrades the women he can’t manage to get his tiny, swollen hands on.
This mouth has a predatory predilection for young girls (daughter included).
This mouth…
Head on over to Hyperallergic to read the rest of Kate Kretz’s piece. Blunt, and brilliantly done.
In other Trump-based artwork, check out ‘As a satirist, I can barely keep up’: the stories behind the Trump magazine covers.
A man takes pictures of “hate tweets”, a part of the art project “#HEYTWITTER” created by Shahak Shapira, outside Twitter office in Hamburg, Germany August 4, 2017 in this picture obtained from social media. Youtube via REUTERS.
BERLIN (Reuters) – A German-Israeli artist who accuses Twitter of failing to delete hate speech tweets has taken matters into his own hands – by stencilling the offending messages on the road in front of the company’s Hamburg headquarters.
A post on video-sharing site YouTube showed Shahak Shapira and fellow activists stencilling tweets saying “Germany needs a final solution to Islam” and “Let’s gas the Jews” – clear references to the Nazi regime’s World War Two genocide of Europe’s Jews. [youtu.be/jzMTBINlLFU]
Shapira said he had reported some 300 incidents of hate speech on Twitter but had received just nine responses from the company.
“If Twitter forces me to see these things, then they should have to see it as well,” he said in the video, posted on Monday, describing the comments as violations of the social network’s community guidelines.
A very clever idea! You can read more about this at Reuters.
Dead Cross & Jello Biafra – Nazi Trumps Fuck Off. You can get a nifty T-shirt at Alternative Tentacles.
Via Raw Story.
